The terrace of the bedroom looked over the blue Mediterranean Sea which seemed to part in the middle when hit by a shaft of morning sunlight. Fishing boats with bright blue and red sails bobbed on the horizon like balls skipping over the water. There was a small table on the terrace covered with a heavy dark brown cloth, and the two men sat on the chairs around it. There was a pot of espresso and a jug of red wine.
"You look tired," Clemenza said. "Get some sleep and then I'll spell everything out for you in detail."
"I could use it," Michael said. "But first, tell me, is my mother all right?"
"She's fine," Clemenza said. "She's waiting for you to get home. We can't disappoint her, it would be too much for her after Sonny."
Michael asked again, "And my father, he's completely recovered?"
Clemenza laughed; it was an ugly laugh. "He sure is. The Five Families will find out. Your father is just waiting for you to get home, Mike. He's got big plans for you. We can't let him down. So don't worry too much for Guiliano – if he shows up we'll take him with us. If he keeps screwing off we leave him here."
"Are those my father's orders?" Michael asked. Clemenza said, "A courier comes by air every day to Tunis and I go over by boat to talk to him. Those were my orders yesterday. At first Don Croce was supposed to help us, or so your father told me before I left the States. But you know what happened in Palermo after you left yesterday? Somebody tried to knock off Croce. They came over the wall of the garden and killed four of his bodyguards. But Croce got away. So what the hell is going on?"
Michael said, "Jesus." He remembered the precautions Don Croce had taken around the hotel. "I think that was our friend Guiliano. I hope you and my father know what you're doing. I'm so tired I can't think."
Clemenza rose and patted him on the shoulder. "Mikey, get some sleep. When you wake up you'll meet my brother. A great man, just like your father, just as smart, just as tough, and he's the boss in this part of the country, never mind Croce."
Michael undressed and got into bed. He had not slept for over thirty hours and yet his mind jumped and would not let his body rest. He could feel the heat of the morning sun though he had closed the heavy wooden shutters. There was a heavy fragrance of flowers and lemon trees. His mind worked over the events of the past few days. How did Pisciotta and Andolini move around so freely? Why did Guiliano seem to have decided Don Croce was his enemy at this most inappropriate of times? Such an error was not Sicilian. After all, the man had lived seven years in the mountains as an outlaw. Enough was enough. He must want to live a better life – not possible here, but certainly in America. And he definitely had such plans or he would not be sending his fiancee, pregnant, to America before him. The clarifying thought struck him that the answer to all this mystery was that Guiliano was bent on fighting one last battle. That he did not fear to die here on his native ground. There were plans and conspiracies spinning out to their final conclusions that he, Michael, could not be aware of, and so he must be wary. For Michael Corleone did not want to die in Sicily. He was not part of this particular myth.
Michael awoke in the huge bedroom and opened the shutters, which swung outward to a white stone balcony glittering in the morning sun. Below the balcony, the Mediterranean Sea rolled like a deep blue carpet out to the horizon. Streaks of crimson laced the water, and on these boats fishermen sailed out of sight. Michael watched them for a few minutes, utterly bewitched by the beauty of the sea and the majestic cliffs of Erice up the coast to the north.
The room was full of huge rustic furniture. There was a table on which stood a blue enameled basin and a jug of water. Over a chair there was a rough brown towel. On the walls were paintings of saints and the Virgin Mary, with the infant Jesus in her arms. Michael washed his face and then left the room. At the bottom of the stairs Peter Clemenza was waiting for him.
"Ah, now you look better, Mikey," Clemenza said. "A good meal to give you back your strength and then we can talk business." He led Michael into a kitchen that held a long wooden table. They sat down and an old woman in black appeared magically at the stove and poured two cups of espresso and served them. Then just as magically she produced a platter of eggs and sausage which she put on the table. From the oven came a great sun-shaped brown-crusted loaf of bread. Then she disappeared into a room beyond the kitchen. She did not acknowledge Michael's thanks. At that moment a man entered the room. He was older than Clemenza but looked so much like him that Michael knew immediately that this was Don Domenico Clemenza, Peter Clemenza's brother. Don Domenico was attired much differently. He was in black velvet trousers that tucked into sturdy brown boots. He wore a white silk shirt with ruffled sleeves and a long black vest. On his head was a short billed cap. In his right hand he carried a whip which he threw into a corner. Michael rose to greet him and Don Domenico Clemenza took him into his arms with a friendly embrace.
They sat at the table together. Don Domenico had a natural dignity and air of command that reminded Michael of his own father. He also had the same old-fashioned courtliness. Peter Clemenza obviously was in awe of his older brother who treated him with the indulgent affection an older brother shows a flighty sibling. This astonished Michael and amused him too. Peter Clemenza was his father's most trusted and deadlycaporegimeback in America.
Don Domenico said gravely but with a twinkle in his eye, "Michael, it is such a great pleasure and honor to me that your father, Don Corleone, has put you in my care. Now you can solve my curiosity. My good-for-nothing brother here, is his success in America as great as he claims? Has he climbed so high, this younger brother of mine I could never trust to slaughter a pig properly? Does Don Corleone really set him on his right hand? And he says he commands over a hundred men. How can I believe all this?" But as he said this he patted his younger brother's shoulder fondly.
"It's all true," Michael said. "My father always says he would be selling olive oil if not for your brother."
They all laughed. Peter Clemenza said, "I would have spent most of my life in jails. He taught me how to think instead of just using a gun."
Don Domenico sighed. "I'm only a poor country farmer. It's true my neighbors come to me for counsel and here in Trapani they say I'm an important man.
They call me 'The Unfaithful' because I won't do Don Croce's bidding. Perhaps that's not very clever, perhaps the Godfather would find ways to get along better with Don Croce. But I find it impossible. 'Unfaithful' I may be, but only to those who have no honor. Don Croce sells information to the government and to me that is aninfamita.No matter how subtle the reasons. The old ways are still the best, Michael, as you will see after you have been here the next few days."
"I'm sure I will," Michael said politely. "And I must thank you for the help you are giving me now."
"I have work to do," Don Domenico said. "If you need anything, send for me." He picked up his whip and went out the door.
Peter Clemenza said, "Michael, your father agreed to help Turi Guiliano get out of this country out of his friendship and respect for Guiliano's father. But your safety comes first. Your father still has enemies here. Guiliano has a week to make a rendezvous with you. But if he doesn't appear you must go back to the United States alone. Those are my orders. We have a special plane waiting in Africa and we can leave anytime. You just give the word."
Michael said, "Pisciotta said he'd bring Guiliano to me very soon."
Clemenza whistled. "You saw Pisciotta? Hell, they're looking for him as hard as they are for Guiliano. How did he get out of the mountains?"
Michael shrugged. "He had one of the special red-bordered passes signed by the Minister of Justice. And that worries me too."
Peter Clemenza shook his head.
Michael continued. "That guy who brought me here, Andolini, do you know him, Pete?"
"Yeah," Peter Clemenza said. "He worked for us in New York, a couple of button jobs, but Guiliano's father was straight and a great artist with brick. They were both stupid to come back. But a lot of Sicilians are like that. They can't forget their shitty little houses in Sicily. I brought two men over with me this time, to help out. They haven't been back in twenty years. So we take a walk in the country up near Erice, a beautiful town, Mikey, and we were out in the fields with all those sheep they have and drinking wine and we all had to take a leak. So there we were pissing and when we finished, these two guys jump about ten feet in the air and yell, 'Long live Sicily.' What are you gonna do? That's how they are, Sicilians till they die."
Michael said, "Yeah, but what about Andolini?"
Clemenza shrugged. "He's your father's cousin. He's been one of Guiliano's right-hand men for the last five years. But before that he was close with Don Croce. Who knows? He's dangerous."
Michael said, "Andolini is bringing Guiliano's fiancee here. She's pregnant. We have to ship her to the States and she sends back a code word to Guiliano saying that the route works and then Guiliano comes to us. I promised we'd do it. Is that okay?"
Clemenza whistled. "I never heard Guiliano had a girl. Sure we can do it."
They went outside to a huge garden. Michael could see guards at the gate and down at the beach at least six armed men strolling up and down. There was a large motorboat docked against a short pier. In the garden itself was a group of men obviously waiting for an audience with Peter Clemenza. There were about twenty of them, all typical Sicilians with their dusty clothes and brimmed caps, like poorer versions of Don Domenico.
In a corner of the garden, beneath a lemon tree, was an oval wooden table with rustic wooden chairs around it. Clemenza and Michael sat in two of the chairs and then Clemenza called out to the group of men. One of them came over and sat down. Clemenza asked questions about the man's personal life. Was he married? Did he have children? How long had he worked for Don Domenico? Who were his relatives in Trapani? Did he ever think of going to America to make his fortune? The answer to this last question was invariably a Yes.
An old woman in black brought out a huge jug of wine mixed with fresh lemons, then brought out a tray with many glasses. Clemenza offered each man he interviewed a drink and a cigarette. When he had finished and the last one was gone and the group had left the garden, Clemenza said to Michael, "Any of them hit you wrong?"
Michael shrugged and said, "They all seemed the same to me. They all want to go to America."
Clemenza said, "We need fresh blood back home. We lost a lot of men and we might lose a lot more. Every five years or so I come back and bring about twelve guys back with me. I train them myself. Little jobs first – collections, strong-arm, guard duty. I test their loyalty. When I feel the time is right and the opportunity comes along, I give them a chance to make their bones. But I'm very careful about that. Once they get that far they know they have a good living for the rest of their lives as long as they remain loyal. Everybody here knows I'm the recruiter for the Corleone Family and every man in the province wants to see me. But my brother picks them out. Nobody gets to see me without his okay."
Michael looked around the beautiful garden with its many colored flowers, fragrant lemon trees, the old statues of the gods dug from ancient ruins, other newer ones of holy saints, the rose-colored walls around the villa. It was a lovely setting for the examination of twelve murderous apostles.
In the late afternoon the small Fiat reappeared at the villa gates and was waved through by the guards. Andolini was driving, and beside him there was a girl with long jet-black hair and the exquisite oval features of a painter's Madonna. When she got out of the car Michael could see she was pregnant; though she wore the modest loose dress of the Sicilian woman it was not black, rather a hideous floral rose and white. But her face was so pretty the dress didn't matter.
Michael Corleone was surprised to see the small figure of Hector Adonis get out of the back seat. It was Adonis who made the introductions. The girl's name was Justina. She had none of the shyness of the young; and at only seventeen years of age, her face had the strength of an older woman, as if she had already tasted the same tragedies of life. She studied Michael closely before she bowed her head to acknowledge his introduction. As if she were studying him to find any hint of treachery in his face.
One of the old women took her away to her room and Andolini took her luggage out of the car. It consisted of only a small suitcase. Michael carried it into the house himself.
That night they all had dinner together except for Andolini, who had left in the Fiat. Hector Adonis remained. At the dinner table they made plans to get Justina to America.