"You have defeated me with your good sense and your reasonableness," he said to Adonis. "So be it. My nephew will be a doctor, not a surgeon. And my sister must be content." He made haste to leave them, his real purpose achieved; he had not hoped for more. The President of the University escorted him down to the car. But everyone in that room noted the last glance Don Croce gave Doctor Nattore before he left. It was a glance of the closest scrutiny as if he were memorizing the features, to make sure that he did not forget the face of this man who had tried to thwart his will.
When they had left, Hector Adonis turned to Doctor Nattore and said, "You, my dear colleague, must resign from the University and go practice your trade in Rome."
Doctor Nattore said angrily, "Are you mad?"
Hector Adonis said, "Not as mad as you. I insist you have dinner with me tonight and I will explain to you why our Sicily is no Garden of Eden."
"But why should I leave?" Doctor Nattore protested.
"You have said the word 'no' to Don Croce Malo. Sicily is not big enough for both of you."
"But he's gotten his way," Doctor Nattore cried out in despair. "The nephew will become a doctor. You and the President have approved it."
"But you did not," Hector Adonis said. "We approved it to save your life. But still, you are now a marked man."
That evening Hector Adonis was host to six professors, including Doctor Nattore, at one of Palermo's best restaurants. Each of these professors had received a visit from a "man of honor" that day and each had agreed to change the marks of a failing pupil. Doctor Nattore listened to their stories with horror and then finally said, "But that cannot be in a medical school, not a doctor," until finally they lost their temper with him. A Professor of Philosophy demanded to know why the practice of medicine was more important to the human race than the intricate thought processes of the human mind and the immortal sanctity of one's soul. When they were finished Doctor Nattore agreed to leave the University of Palermo and emigrate to Brazil, where, he was assured by his colleagues, a good surgeon could make his fortune in gall bladders.
That night Hector Adonis slept the sleep of the just. But the next morning he received an urgent phone call from Montelepre. His godson, Turi Guiliano, whose intelligence he had nurtured, whose gentleness he had prized, whose future he had planned, had murdered a policeman.
CHAPTER 3
Montelepre was a town of seven thousand people, sunk as deeply in the valley of the Cammarata Mountains as it was in poverty.
On the day of September 2, 1943, the citizens were preparing for their Festa, to start the next day and continue for the following three days.
The Festa was the greatest event of the year in each town, greater than Easter or Christmas or New Year's, greater than the days celebrating the end of the great war or the birthday of a great national hero. The Festa was dedicated to the town's own particular favorite saint. It was one of the few customs the Fascist government of Mussolini had dared not meddle with or try to forbid.
To organize the Festa, a Committee of Three was formed each year, composed of the most respected men of the town. These three men then appointed deputies to collect money and offerings of goods. Every family contributed according to their means. In addition deputies were sent out into the streets to beg.
Then as the great day approached, the Committee of Three started to spend the special fund accumulated over the past year. They hired a band, and they hired a clown. They set up generous money prizes for horse races to be held over the three days. They hired specialists to decorate the church and the streets so that the grim poverty-stricken town of Montelepre suddenly looked like some medieval citadel in the midst of the Fields of the Cloths of Gold. A puppet theater was hired. Food peddlers set up their booths.
The families of Montelepre used the Festa to show their marriageable daughters; new clothes were bought, chaperones detailed. A bevy of prostitutes from Palermo set up a huge tent just outside of town, their licenses and medical certificates adorning the red-, white-, and green-striped canvas sides. A famous holy friar, who years ago had grown stigmata, was hired to preach the formal sermon. And finally, on the third day, the saint's bier was carried through the streets followed by all the townspeople, with their livestock of mules, horses, pigs and donkeys. On top of the bier rode the effigy of the saint, crusted with money, flowers, varicolored sweets and great bamboo-sheathed bottles of wine.
These few days were their days of glory. It did not matter that for the rest of the year they starved and that in the same village square where they honored the saint, they sold the sweat of their bodies to the land barons for a hundred lire a day.
On the first day of the Montelepre Festa, Turi Guiliano was designated to take part in the opening ritual, the mating of the Miracle Mule of Montelepre with the town's largest and strongest donkey. It is rare that a female mule can conceive; they are classified as a sterile animal, product of the union between a mare and donkey. But there was such a mule in Montelepre; it had borne a donkey two years before, and its owner had agreed, as his family's duty share to the town Festa, to donate the mule's services and, if the miracle should occur, its offspring to the next year's Festa. There was in this particular ceremony a sardonic mockery.
But the ritualistic mating was only partly a mockery. The Sicilian peasant has an affinity with his mule and donkey. They are hard-working beasts, and like the peasant himself have flinty, dour natures. Like the peasant they can work steadily for very long hours without breaking down, unlike the higher-nobility horse, who must be pampered. Also, they are surefooted and can pick their way along the mountain terraces without falling and breaking a leg, unlike the fiery stallions or the high-blooded, flighty mares. Also, peasant and donkey and mule subsist and thrive on food that kills other men and animals. But the greatest affinity was this: Peasant, donkey and mule had to be treated with affection and respect, otherwise they turned murderous and stubborn.
The Catholic religious festivals had sprung from ancient pagan rituals to beg miracles from the gods. On this fateful day in September 1943, during the Festa of the town of Montelepre, a miracle would occur that would change the fate of its seven thousand inhabitants.
At twenty years of age Turi Guiliano was considered the bravest, the most honorable, the strongest, the young man who inspired the most respect. He was a man of honor. That is to say, a man who treated his fellow man with scrupulous fairness and one who could not be insulted with impunity.
He had distinguished himself at the last harvest by refusing to be hired out as a laborer at the insulting wages decreed by the overseer of the local estates. He then gave a speech to the other men urging them not to work, to let the harvest rot. Thecarabinieriarrested him on charges made by the Baron. The other men went back to work. Guiliano had not shown any hard feelings toward these men or even thecarabinieri.When he was released from prison through the intervention of Hector Adonis, he developed no rancor of any kind. He had stood up for his principles and that was enough for him.
On another occasion, he had broken up a knife fight between Aspanu Pisciotta and another youth simply by interposing his unarmed body between them and with good-humored reasoning disarming their anger.
What was unusual about this was that in any other person these actions would have been taken as signs of cowardice masquerading as humanity, but something in Guiliano forbade this interpretation.
On this second day of September, Salvatore Guiliano, called Turi by his friends and family, was brooding over what was to him a devastating blow to his masculine pride.
It was only a little thing. The town of Montelepre had no movie theater, no community hall, but there was one littlecafiwith a billiard table. The night before, Turi Guiliano, his cousin Gaspare "Aspanu" Pisciotta and a few other youths had been playing billiards. Some of the older men of the town had been watching them while drinking glasses of wine. One of the men, by the name of Guido Quintana, was slightly drunk. He was a man of reputation. He had been imprisoned by Mussolini for being a suspected member of the Mafia. The American conquest of the island had resulted in his being released as a victim of fascism, and it was rumored that he was going to be named as Mayor of Montelepre.
As well as any Sicilian. Turi Guiliano knew the legendary power of the Mafia. In these past few months of freedom, its snakelike head had begun weaving over the land, as if fertilized by the fresh loam of a new democratic government. It was already whispered in town that shopkeepers were paying "insurance" to certain "men of respect." And of course Turi knew the history, the countless murders of peasants who tried to collect their wages from powerful nobles and landlords, how tightly the Mafia had controlled the island before Mussolini had decimated them with his own disregard for the lawful process, like a deadlier snake biting a less powerful reptile with its poisoned fangs. So Turi Guiliano sensed the terror that lay ahead.
Quintana now regarded Guiliano and his companions with a slightly contemptuous eye. Perhaps their high spirits irritated him. He was, after all, a serious man, about to embark on a pivotal part of his life: Exiled by Mussolini's government to a desert island, he was now back in the town of his birth. His aim in the next few months was to establish respect in the eyes of the townspeople.
Or perhaps it was the handsomeness of Guiliano that irritated him, for Guido Quintana was an extremely ugly man. His appearance was intimidating not from any single feature but from a lifelong habit of presenting a formidable front to the outside world. Or perhaps it was the natural antagonism of a born villain toward a born hero.
In any case he got up suddenly just in time to jostle Guiliano as he went by to the other side of the billiard table. Turi, naturally courteous to a much older man, made an apology that was gentle and sincere. Guido Quintana looked him up and down with contempt. "Why aren't you home sleeping and resting to earn your bread tomorrow?" he said. "My friends have been waiting to play billiards for an hour." He reached out and took the billiard cue from Guiliano's hand and, smiling slightly, waved him away from the table.
Everybody was watching. The insult was not mortal. If the man were younger or the insult more pointed, Guiliano would have been forced to fight and keep his reputation for manhood. Aspanu Pisciotta always carried a knife, and now he positioned himself to intercept Quintana's friends if they decided to interfere. Pisciotta had no respect for older people, and he expected his friend and cousin to finish the quarrel.
But at that moment Guiliano felt a strange uneasiness. The man looked so intimidating and ready for the most serious consequences of any dispute. The companions in the background, also older men, were smiling in an amused way as if they had no doubt of the outcome. One of them wore hunting attire and carried a rifle. Guiliano himself was unarmed. And then for one shameful moment, he felt fear. He was not afraid of being hurt, of being struck, of finding this man was the stronger of the two. It was the fear that these men knew what they were doing, that they had the situation under control. He did not. That they could gun him down in the dark streets of Montelepre as he walked home. That he would appear a dead fool the next day. It was the inborn tactical sense of the born guerrilla soldier that made him retreat.
So Turi Guiliano took his friend by the arm and led him out of the cafe. Pisciotta came without a struggle, amazed that his friend had yielded so easily but never suspecting the fear. He knew Turi was good-hearted and assumed he did not wish to quarrel and injure another man over so small a thing. As they started up the Via Bella to their homes they could hear the click of billiard balls behind them.
All that night Turi Guiliano had not been able to sleep. Had he really been afraid of that man with the evil face and threatening body? Had he shivered like a girl? Were they all laughing at him? What did his best friend, his cousin, Aspanu, think of him now? That he was a coward? That he, Turi Guiliano, the leader of the youth of Montelepre, the most respected, the one acknowledged as the strongest and most fearless, had buckled at the first threat of a true man? And yet, he told himself, why risk a vendetta that could lead to death over the small matter of a billiard game, an older man's irascible rudeness? It would not have been like a quarrel with another youth. He had known that this quarrel could be serious. He had known that these men were with the Friends of the Friends, and it had made him afraid.
Guiliano slept badly and woke in that sullen mood so dangerous in adolescent males. He seemed to himself ridiculous.