Bullet Park - Cheever John 13 стр.


We shot the second hole at par and on the third hole you're supposed to make your ball loop the loop through an old automobile tire. I had some trouble with this. Tony made it in par but I was two over and still trying when Tony said: "You know what, Dad?' and I said, "What?' and he said I'm going to leave school.'

"Well this got me off-guard. It really spilled me. The idea had never crossed my mind. The first thing I figured out was that I mustn't lose my temper. I must be reasonable and patient and so forth. He was only seventeen. I worked out a reasonable and a patient character like a character in a play. Then I tried to act the part. What it really felt like was that patience was this big woolly blanket and I was wrapping myself up in it but it kept slipping. So I said very patiently, 'Why, Tony?" and he said because he wasn't learning anything. He said that French was all grief and English was even worse because he read more than the teacher. Then he said that astronomy was just a gut course and that his teacher was senile. He said that whenever the teacher turned off the lights for a film strip everybody took naps and threw spitballs and that once the teacher cried when they piled out of the class in the middle of a sentence. He said that when he got to the door he looked back and saw the teacher crying. So he went up to him and explained that they didn't mean to be rude, they just didn't want to be late for the next class, and then he said that the teacher said that nobody understood him, that he loved his students, he loved them all. Then Tony said he didn't think too much of a teacher who cried. Well, then we played the fifth hole where you have to get your ball through a gate. I did this in par but he was three over and we went on talking. I said that he had to get his diploma. I asked him what he was planning to do without a diploma and he said he thought he might do some social work in the slums. He said there was this place for children with disturbed parents and he thought he might work there. Well, I was having trouble with my patience, my woolly blanket. It kept slipping. I said that if he wanted to do social work that was all right with me and I felt sure it would be all right with his mother but first he had to get his diploma. I said I guessed that social work like everything else needed training and preparation and that after he got his diploma I and his mother would be happy to send him on to some college where he could get training as a social worker. So then he said he couldn't see what was the good of a diploma if he wasn't learning anything. He said it was just a phony, just a phony scrap of paper like a phony treaty. Then I said that phony or not you had to observe some of the rules of the game. I said that trousers, for instance, weren't perhaps the most comfortable form of clothing but it was one of the rules of the game that you wear trousers. I asked him what would happen if I went to the train bare-ass and he said he didn't care if I went to the train bare-ass. He said I could go to the train bare-ass as far as he was concerned. By this time we'd stopped playing and that was when these other men, men or boys, asked if they could play through and we said yes and stood aside.

It was windy, as I say, and there was more thunder and it looked like rain and the light on the course was failing so you really couldn't see the faces of the men who played through. They were high school kids, I guess, slum kids, hoods, whatever, wearing tight pants and trick shirts and hair grease. They had spooky voices, they seemed to pitch them in a way that made them sound spooky, and when one of them was addressing the ball another gave him a big goose and he backed right into it, making groaning noises. It isn't that I dislike boys like that really, it's just that they mystify me, they frighten me because I don't know where they come from and I don't know where they're going and if you don't know anything about people it's like a terrible kind of darkness. I'm not afraid of the dark but there are some kinds of human ignorance that frighten me. When I feel this I've noticed that if I can look into the face of the stranger and get some clue to the kind of person he is I feel better but, as I say, it was getting dark and you couldn't see the faces of any of these strangers as they played through. So they played through and we went on talking about his diploma and the rules of the game. I said that whatever he wanted to do he had to train himself for it, he had to prepare himself. I said that even if he wanted to be a poet he had to prepare himself to be a poet. So then I said to him what I've never said before. I said: 'I love you, Tony.'

"So then he said, The only reason you love me, the only reason you think you love me is because you can give me things.' Then I said this wasn't true, that the only reason I was a generous father was because my own father hadn't given me very much. I said that because my own father had been so tight was why I wanted to be generous. So then he said: 'Generous, generous, generous, generous.' He said he knew I was very generous. He said that he heard about how generous I was practically every day in the year. So then he said, 'Maybe I don't want to get married. I wouldn't be the first man in the world who didn't want to get married, would I? Maybe I'm queer. Maybe I want to live with some nice, clean faggot. Maybe I want to be promiscuous and screw hundreds and hundreds of women. There are other ways of doing it besides being joined in holy matrimony and filling up the cradle. If having babies is so great why did you only have one? Why just one?" I told him then that his mother had nearly died when he was born. 'I'm sorry,' he said. 1 didn't know that.' So then he said that I had got to understand that he might not want to come home at dusk to a pretty woman and play softball with a bunch of straight-limbed sons. He said he might want to be a thief or a saint or a drunkard or a garbage man or a gas pumper or a traffic cop or a hermit. Then I lost my patience, my woolly blanket, and said that he had to get off his ass and do something useful and he said: "What? Like pushing mouthwash.' Then I lifted up my putter and I would have split his skull in two but he ducked and threw down his club and ran off the links into the dark.

"So there I was on this ruined miniature golf course having practically murdered my son but what I wanted to do then was to chase after him and take another crack at him with the putter. I was very angry. I couldn't understand how my only son, whom I love more than anything in the world, could make me want to kill him. So then I picked up his putter and walked back to the car.

When I got home I told Nellie that I'd had a fight with Tony but she sympathized with him, of course, because I'd already had a fight with her. Then I had a drink and looked at television-there wasn't anything else to do. I sat there in front of the set until about midnight when he came in. He didn't speak to me and I didn't speak to him. He went upstairs to bed and I went up a little later.

"He's been in bed ever since."

IX

When Tony had been in bed twenty-two days Nellie received a letter from a cleaning woman named Mary Ashton who had once worked for her. Mary had been intelligent and industrious but she had been a thief. She had first stolen two small diamond rings that had belonged to Nellie's mother. Nellie never wore the rings and she did not accuse the maid of the theft. Good cleaning women were hard to find, Mary was poor and deserving, and Nellie thought of the diamonds as a bonus. A month or so later a pair of gold cufflinks vanished and Nellie fired the maid. She did not mention the cufflinks. The letter she received was neatly typed (had she stolen the typewriter?) on good stationery (stolen?). The letter read: "Dear Mrs. Nailles: I know that your son is sick and I am very sorry to hear this. He is one of the nicest boys I have ever known. In the village there is a guru or faith-healer who calls himself Swami Rutuola. He cured my sister of arthritis last year. He works part time for Percham, the carpenter, but he's usually at home in the afternoons. He doesn't have any telephone but he lives upstairs over Peyton's funeral parlor on Hill Street."

This combination of theft and magic disturbed Nellie. She and Nailles gave a cocktail party that afternoon and she didn't have a chance to show him the letter. The party was excellent. It is difficult to praise a cocktail party but as a hostess Nellie deserved praise. There was no fatuity in the pride she took in her house. The pleasant rooms seemed to be partly illuminated by her graces. The sixteen or seventeen guests were people whose company she unreservedly enjoyed. The food and liquor were splendid and nothing banal, boring or asinine was said. Charlie Wentworth, sitting close to Martha Tuckerman on the sofa, shared with Martha a flash of immortal longing. Looking into one another's eyes it suddenly seemed to them both that a life together would be paradise. They would laugh at one another's jokes, warm one another's bones, travel to Japan. Martha left the sofa then and joined her husband at the bar. This was the closest anyone came to adulterous passion. The only difficulty was that Nailles had a circular driveway and without Tony-who was, of course, in bed-to direct traffic, the parking was haphazard. Nailles spent the last half hour of the party either moving cars or asking people to move them. Everyone had gone by eight. They had some scrambled eggs and sausage in the kitchen and Nellie showed Nailles the letter.

"Oh, my God," he said, "she was the one who stole, wasn't she? Maybe it's a ring of thieves. Maybe the Swami's an accomplice. Magic is the only thing we haven't tried but I'm not up to it."

Nailles's struggle to get into the city on the train had become so acute that he finally had gone to Dr. Mullin, who prescribed a massive tranquilizer. He took this each morning with his coffee, telling Nellie that it was a vitamin pill. The tranquilizer gave him the illusion that he floated upon a cloud like Zeus in some allegorical painting. Standing on the platform waiting for the 7:46 he seemed surrounded by his cloud. When the train came in he picked up his cloud and settled himself in a window seat. If the day was dark, the landscape wintry, the little towns they passed shabby and depressing, none of this reached to where he lay in his rosy nimbus. He seemed to float down the tracks into Grand Central, beaming a vast and slightly absentminded smile at poverty, sickness, wealth, the beauty of strange women, the rain and the snow.

On the morning after the party Nellie was waked by the sound of gunfire.

There had been riots in the slums and she wondered for a moment if the militants had decided to march out of the ghetto and take the white houses of Chestnut Lane by force. Nailles was not in bed and she went to the window. What she saw was Nailles in his underpants on their broad lawn, firing his shotgun at an immense snapping turtle. The sun had not risen but the sky was light and in this pure and subtle light the undressed man and the prehistoric turtle seemed engaged in some primordial and comical battle. Nailles raised his gun and fired at the turtle. The turtle recoiled, collapsed and then slowly raised itself up like a sea tortoise and began to lumber towards her husband. She had never seen, outside a zoo, so big a reptile, but it was Nailles, not the reptile, who seemed out of place in the early light. It was the turtle's lawn, the turtle's sky, the turtle's creation, and Nailles seemed to have wandered mistakenly onto the scene. He fired again and missed. He fired again and she saw the turtle's huge head swung to one side by the charge of buckshot. He fired again, put his gun on the grass and picked the turtle up by its jagged tail.

"Oh darling, are you sure it's dead," she called down from the window.

"Yes," he said. He seemed surprised to see her at the window. "It's dead. Its neck is broken."

"Where do you suppose it came from?"

"The bog, I guess. It must be a hundred years old. I got up to go to the bathroom and I saw it crossing the lawn. At first I thought I was dreaming. The shell must be three feet long. It could hurt a child or kill a dog. I'll bury it later."

In the bedroom Nailles, his right ear ringing from the gun and his right hand shaking a little, knocked a tranquilizer, his last, into his hand but his hand was trembling so that the tranquilizer fell to the floor and rolled under a piece of furniture. Nailles waited until Nellie had left the room. He bent a metal coathanger into the shape of a hook and lying on the floor he tried to recapture the pill. The piece of furniture-a dressing table-was flush to the floor and darkness concealed his pill. He hooked two pennies and a button. He then took the lamps off the top of the dressing table and moved it away from the wall. It was a heavy piece of furniture with loaded drawers and was a struggle to move, and when he got it away from the wall there was no pill but there was a crack in the flooring into which it must have fallen. He ran his coathanger along the crack but his only catch was dirt.

The thought of taking the train without a pill gave him all the symptoms of panic. His breathing was quick and his lips swollen.

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