"Oh," exclaimed Vance, "a crystal, too; really it is getting late, and if you had your crystal about you, you might see that we want to sup."
"What happened?" asked Lionel, more blandly, for he saw the Cobbler, who had meant to make a great effect by the introduction of the crystal, was offended.
"What happened? why, just what I foreseed. There was an accident in the railway 'tween this and Lunnon, and poor Waife lost an eye, and was a cripple for life: so he could not go on the Lunnon stage at all; and what was worse, he was a long time atwixt life and death, and got summat bad on his chest wi' catching cold, and lost his voice, and became the sad object you have gazed on, young happy things that ye are."
"But he got some compensation from the railway, I suppose?" said Vance, with the unfeeling equanimity of a stoical demon.
"He did, and spent it. I suppose the gentleman broke out in him as soon as he had money, and, ill though he was, the money went. Then it seems he had no help for it but to try and get back to Mr. Rugge. But Mr. Rugge was sore and spiteful at his leaving; for Rugge counted on him, and had even thought of taking the huge theatre at York, and bringing out Gentleman Waife as his trump card. But it warn't fated, and Rugge thought himself ill-used, and so at first he would have nothing more to say to Waife. And truth is, what could the poor man do for Rugge? But then Waife produces little Sophy."
"You mean Juliet Araminta?" said Vance.
"Samein private life she be Sophy. And Waife taught her to act, and put together the plays for her. And Rugge caught at her; and she supports Waife with what she gets; for Rugge only gives him four shillings a week, and that goes on 'baccy and such like."
"Such likedrink, I presume?" said Vance.
"Nohe don't drink. But he do smoke, and he has little genteel ways with him, and four shillings goes on 'em. And they have been about the country this spring, and done well, and now they be here. But Rugge behaves shocking hard to both on 'em: and I don't believe he has any right to her in law, as he pretends,only a sort of understanding which she and her grandfather could break if they pleased; and that's what they wish to do, and that's why little Sophy wants the three pounds."
"How?" cried Lionel, eagerly. "If they had three pounds could they get away? and if they did, how could they live? Where could they go?"
"That's their secret. But I heard Waife saythe first night they came hereI that if he could get three pounds, he had hit on a plan to be independent like. I tell you what put his back up: it was Rugge insisting on his coming on the stage agin, for he did not like to be seen such a wreck. But he was forced to give in; and so he contrived to cut up that play-story, and appear hisself at the last without speaking."
"My good friend," cried young Lionel, "we are greatly obliged to you for your story; and we should much like to see little Sophy and her grandfather at your house to-morrow,can we?"
"Certain sure you can, after the play's over; to-night, if you like."
"No, to-morrow: you see my friend is impatient to get back now; we will call to-morrow."
"'T is the last day of their stay," said the Cobbler. "But you can't be sure to see them safely at my house afore ten o'clock at night; and not a word to Rugge! mum!"
"Not a word to Rugge," returned Lionel; "good-night to you."
The young men left the Cobbler still seated on the milestone, gazing on the stars and ruminating. They walked briskly down the road.
"It is I who have had the talk now," said Lionel, in his softest tone. He was bent on coaxing three pounds out of his richer friend, and that might require some management. For amongst the wild youngsters in Mr. Vance's profession, there ran many a joke at the skill with which he parried irregular assaults on his purse; and that gentleman, with his nose more than usually in the air, having once observed to such scoffers "that they were quite welcome to any joke at his expense," a wag had exclaimed, "At your expense! Don't fear; if a joke were worth a farthing, you would never give that permission."
So when Lionel made that innocent remark, the softness of his tone warned the artist of some snake in the grass, and he prudently remained silent. Lionel, in a voice still sweeter, repeated,"It is I who have all the talk now!"
"Naturally," then returned Vance, "naturally you have, for it is you, I suspect, who alone have the intention to pay for it, and three pounds appear to be the price. Dearish, eh?"
"Ah, Vance, if I had three pounds!"
"Tush; and say no more till we have supped. I have the hunger of a wolf."
Just in sight of the next milestone the young travellers turned a few yards down a green lane, and reached a small inn on the banks of the Thames. Here they had sojourned for the last few days, sketching, boating, roaming about the country from sunrise, and returning to supper and bed at nightfall. It was the pleasantest little inn,an arbour, covered with honeysuckle, between the porch and the river,a couple of pleasure-boats moored to the bank; and now all the waves rippling under the moonlight.
"Supper and lights in the arbour," cried Vance to the waiting-maid, "hey, presto, quick! while we turn in to wash our hands. And hark! a quart jug of that capital whiskey-toddy."
CHAPTER IV
Being a chapter that links the past to the future by the gradual elucidation of antecedents.
O wayside inns and pedestrian rambles! O summer nights, under honeysuckle arbours, on the banks of starry waves! O Youth, Youth!
Vance ladled out the toddy and lighted his cigar; then, leaning his head on his hand and his elbow on the table, he looked with an artist's eye along the glancing river.
"After all," said he, "I am glad I am a painter; and I hope I may live to be a great one."
"No doubt, if you live, you will be a great one," cried Lionel, with cordial sincerity. "And if I, who can only just paint well enough to please myself, find that it gives a new charm to Nature"
"Cut sentiment," quoth Vance, "and go on."
"What," continued Lionel, unchilled by the admonitory interruption, "must you feel who can fix a fading sunshinea fleeting faceon a scrap of canvas, and say 'Sunshine and Beauty, live there forever!'"
VANCE."Forever! no! Colours perish, canvas rots. What remains to us of Zeuxis? Still it is prettily said on behalf of the poetic side of the profession; there is a prosaic one;we'll blink it. Yes; I am glad to be a painter. But you must not catch the fever of my calling. Your poor mother would never forgive me if she thought I had made you a dauber by my example."
LIONEL (gloomily)."No. I shall not be a painter! But what can I be? How shall I ever build on the earth one of the castles I have built in the air? Fame looks so far,Fortune so impossible. But one thing I am bent upon" (speaking with knit brow and clenched teeth), "I will gain an independence somehow, and support my mother."
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