The Man with the Black Feather - Гастон Леру 4 стр.


None of the party understood Adolphe's discourse, a fact which filled him with quiet pride; but they listened to him in an ecstasy; and he was pleased to see that Theophrastus, as a rule so restive under such discussions, was listening with the liveliest interest. It was an attitude hardly to be wondered at in a man who was hearing that what seemed a wild imagining of his delirium rested on a firm scientific basis.

"The transmigration of souls was taught in India, the cradle of the human race," Adolphe continued in his most professorial tone, delighted to have caught the ear of the party. "Then it was taught in Egypt, then in Greece by Pythagoras. Plato took the doctrine from him; and adduced irrefutable proofs in his Phædo that souls do not pass into eternal exile but return to animate new bodies."

"Oh, if we could only have proofs of a fact like that!" cried Madame Sampic, the wife of the schoolmaster of Pont-aux-Dames, with enthusiasm.

"If we had, I shouldn't mind dying one bit," said old Mlle. Taburet, who was in mortal fear of her approaching end.

"There are proofsirrefutable proofs," said Adolphe solemnly. "There are two: one drawn from the general order of Nature, one from human consciousness. Firstly, Nature is governed by the law of contradictions, says Plato, meaning by that that when we see in her bosom death succeed life we are compelled to believe that life succeeds death. Is that clear to you?"

"Yes, yes," cried several of the guests, without understanding a word he was saying.

"Moreover, Plato continues, since nothing can be born from nothing, if the beings we see die were never to return to life, everything would end by becoming absorbed in death, and Nature would be moving towards an eternal sleep. Have I made this first proof clear?"

"Yes, yes: the second!" cried his fellow guests, quite untruthfully.

"Secondly," said Adolphe, growing absolutely pontifical, "when, after having observed the general laws of the Universe, we descend into the depths of our own being, we find the same dogma confirmed by the fact of memory. 'To learn,' cries Plato to the Universe, 'To learn is nothing else but to remember.' Since our soul learns, it is that it remembers. And what does it remember if not that it has lived before, and that it has lived in another body? 'Why should we not believe that in quitting the body which it animates at the moment, it must animate several others in succession?' I am quoting Plato word for word," said Adolphe in a tone of ringing triumph.

"And Plato is a person to be reckoned with," said Theophrastus warmly.

"Charles Fourier says," said Adolphe, moving on to the modern, "Where is the old man who does not desire not to be certain of carrying into another life the experience he has acquired in this one? To assert that this desire can never be realised is to admit that the Deity would deceive us. We must then recognise that we have lived already, before being what we are to-day, and that many more lives await us. All these livesFourier adds with a precision for which we cannot be sufficiently thankfulto the number of a hundred and ten are distributed over five stages of unequal extent and cover a period of eighty-one thousand years."

"Eighty-one thousand years! That's pretty filling!" interrupted M. Lopard.

"We spend twenty-seven thousand of them on our planet and the other fifty-four thousand elsewhere," explained Adolphe.

"And how long is it before we come back into another body?" asked Madame Bache.

"At least two or three thousand years, if we are to believe Allan Kardec, always supposing that we have not died a violent death. Then, especially if one has been executed, one may be reincarnated at the end of two hundred years," said Adolphe.

"That's it! They must have hanged me," said Theophrastus to himself. "Or if they didn't hang a man of my quality, they beheaded me. All the same," he went on to think, with a natural pride, "if these people here knew that they were sitting with a favourite of the Regent, or perhaps a Prince of Royal blood, how astonished and respectful they'd be! But not a bit of it: they are merely saying to themselves, 'It's Theophrastus Longuet, manufacturer of rubber stamps'; and that's enough for them."

The advent of the two waiters with the champagne cut short the dissertation of Adolphe; and though everyone had been deeply impressed by it, now they only wished to be amused.

It was then that Marceline turned to Theophrastus and begged him to sing the song with which he was wont to delight their ears at dessert on each anniversary of their wedding-day. He had sung it on their wedding-day itself; and thanks to its charm and freshness, it had been a great success. It was Beranger's Lisette.

But what was the amazement of Marceline and all the guests, when Theophrastus sprang to his feet, threw his napkin on the table, and bawled to the mistress of the house:

"As you will, Marie-Antoinette! I can refuse you nothing!"

"Gracious goodness! That voice of his has come back!" gasped Marceline.

The guests had not recovered from the shock when Theophrastus bawled to an old French air, in a voice which none of them recognised as his, his voice of the Conciergerie, bawled to the most select society from Crécy-en-Brie to Lagny-Thorigny-Pomponne:

"Bullies all! In our snug cribs
We live like fighting-cocks:
On dainties rich we splash the dibbs,
And booze we never docks.
Then guzzle, cullies, and booze away
Till Gabriel's trump on Judgment Day!"

In spite of the richness of the rhyme, no applause followed the stanza. The ladies did not clink their glasses with their knives; they stared at Theophrastus with their eyes starting out of their heads; and the eyes of Marceline projected furthest of all.

Theophrastus did not need any applause; like one possessed of a devil, he bawled on:

"Bullies all! In our snug cribs
Dan Cupid loves to dance.
He brings to help us splash the dibbs
The prettiest silk in France.
Then guzzle, cullies, and booze away
Till Gabriel's trump on Judgment Day!"

In a final triumphant roar he repeated the last couplet and prolonged the final note, his eyes on the sun, which was sinking over the edge of the horizon, laid one hand on his heart, embraced "Nature" with a sweeping gesture of the other, and bellowed:

"Then guzzle, cullies, and booze away
Till Gabriel's trump on Judgment Day!"

He sat down with an air of supreme content, and said proudly:

"What do you think of that, Marie-Antoinette?"

"Why do you call me Marie-Antoinette?" gasped the trembling Marceline.

"Because you're the prettiest of them all!" roared Theophrastus in that awful voice. "I appeal to Madame la Maréchale de Boufflers, who's a woman of taste! I appeal to all of you! And there's not one of you, by the Pope's gullet, who'll dare to deny it! Neither the big Picard, nor the Bourbonnais, nor the Burgundian, nor Sheep's-head, nor the Cracksman, nor Parisian, nor the Provincial, nor the little Breton, nor the Feather, nor Patapon, nor Pint-pot, nor St. James's Gate, nor Gastelard, nor Iron-arm, nor Black-mug, nor even Fancy Man!"

Since Theophrastus had on his right old Mlle. Taburet, he prodded her in the ribs by way of emphasis, an action which nearly made her faint.

No one dared budge; his flaming eye chained them to their chairs; and leaning affectionately towards Mlle. Taburet, he pointed to the gasping Marceline, and said:

"Look, Mlle. Taburet, aren't I right? Who can compare with her? Pretty-Milkmaid, of Pussycat? Or even Blanche, the Bustler? Or Belle-Hélène who keeps the Harp tavern?"

Since Theophrastus had on his right old Mlle. Taburet, he prodded her in the ribs by way of emphasis, an action which nearly made her faint.

No one dared budge; his flaming eye chained them to their chairs; and leaning affectionately towards Mlle. Taburet, he pointed to the gasping Marceline, and said:

"Look, Mlle. Taburet, aren't I right? Who can compare with her? Pretty-Milkmaid, of Pussycat? Or even Blanche, the Bustler? Or Belle-Hélène who keeps the Harp tavern?"

He turned towards Adolphe.

"Hereyouold Easy-Going!" he said with a terrifying energy. "Let's have your opinion. Look at Marie-Antoinette a moment! By the Sucking-pig! there's not one to compare with her: not Jenny Venus, the flower-seller of the Palais-Royal, nor Marie Leroy, nor mother Salomon, the pretty coffee-house-keeper of the Temple, nor Jenny Bonnefoy who's just married Veunier who keeps the Pont-Marie café. Not one of them, I tell you! Not one of them! The Slapper, Manon de Versailles, Fat-Poulteress, the Lock, Cow-with-the-Baskets, or the Bastille!"

With a bound Theophrastus was on the table; and the crockery round him smashed into a thousand pieces. He caught up a glass and bellowed:

"I drink to the queen of the nymphs! Marie-Antoinette Neron!"

He crushed the glass in his hands, cutting them in twenty places, and bowed to the company.

But the company had fled.

CHAPTER IV

ADOLPHE LECAMUS IS FLABBERGASTED BUT FRANK

Theophrastus stood on the table and gazed sheepishly round the empty tent. His fine ardour was extinguished.

But I take up the narrative in the words of his memoirs:

"I found myself on the table," he writes, "in the middle of the broken crockery, and all the company fled. My guests' rough fashion of taking leave of me had confused me a little. I wished to get down, but by a singular phenomenon, I found as much difficulty in getting down from the table as I had displayed address in mounting it. I went down on my hands and knees; and by dint of the most careful precautions reached the ground safely. I called Marceline, who did not answer; and presently I found her trembling in our bedroom. I shut the door carefully and set about explaining matters. Her appealing eyes, full of tears, demanded an explanation; and I felt it my duty as a husband to hide from her no longer my great and amazing trouble of mind.

"'My dear Marceline,' I said, 'you must be entirely at a loss to understand what happened this evening; but never mind, I don't understand it myself. Still, by putting our heads together, reinforced by our love for one another, I do not despair of arriving at the correct explanation of it.'

"Then I coaxed her to go to bed; and when at last her head rested peacefully on the pillow, I told her my story. I gave her a complete account of my visit to the cellars of the Conciergerie, concealing nothing, and describing exactly the extraordinary feelings which troubled me and the unknown force which appeared to control me. At first she said nothing; in fact she seemed to shrink away from me as if she were frightened of me; but when I came to the document in the wall which revealed the existence of the treasures, at once she asked to see it.

"I took it from my pocket-book, and showed it to her by the light of the moon, which was at its full. Like myself, like all who had already seen it, she recognised my handwriting; and crossed herself for all the world as if she suspected something diabolical in it.

"However the sight of the document seemed to relieve her; and at once she said that it was most fortunate that we had at hand an expert in Spiritualism, that Adolphe would be of the greatest service to us in this difficult matter. We had the paper on the bed before us in the moonlight; and in the presence of this unshakable witness, she was presently compelled to admit that I was a reincarnated soul dating from two hundred years before.

"Then, as I was once more asking who I could have been, she annoyed me for the first time since our marriage.

"'Poor Theophrastus, you couldn't have been up to much,' she said.

"'And why not?' I said sharply, for I was nettled.

"'Because, dear, this evening you sang a song in slang; and the ladies whose names you mentioned certainly couldn't have belonged to the Aristocracy. When one associates with the Slapper, the Lock, and Manon of Versailles, one can't be up to much.'

"She said this in a tone of contempt which I put down to jealousy.

"'But I also spoke of La Maréchale de Boufflers,' I said again rather sharply. 'And you ought to know that in the time of the Regent all the ladies of the Court had some queer nickname. It's my belief, on the contrary, that I was a man of qualitywhat do you say to a favourite of the Regent?'

"I spoke rather huffily; and she gave me a kiss, and admitted that there was a good deal in what I said.

"The next morning she repeated her suggestion that we should take Adolphe into our confidence. She declared that his wide experience in these matters and his profound knowledge of metaphysics could not but be of the greatest help to a man who had buried treasures two hundred years ago and wished to recover them.

"'You'll see, dear, that he's the man who'll tell you what your name was,' she said.

"I yielded to her persuasion; and as we sat in the garden after lunch, I explained to him the inner meaning of the strange occurrence of the evening before. I took him back from the song to the document, from the document to the Conciergerie, watching the effect of the astonishing revelation on the expression of his face. It was clear that he was utterly astounded; and it appeared to me very odd that a professed Spiritualist should be so flabbergasted at finding himself face to face with a retired man of business, sound in mind and body, who claimed to have existed two hundred years before. He said that my behaviour at yesterday's dinner and the incomprehensible phrases to which I had given utterance at the Conciergerie were indeed calculated to prepare him for such a confidence, but as a matter of fact he had not been expecting anything of the kind, and was entirely nonplussed. He would like to have actually in his hand the proofs of such a phenomenon.

"I took out my document and handed it to him. He could not deny its authenticity; he recognised the handwriting. Indeed that recognition drew a sharp explanation from him; and I asked him the reason of it. He answered that my handwriting on a document two hundred years old explained a heap of things.

"'What things?' I said.

"He confessed loyally that till that moment he had never understood my handwriting and that it had always been impossible for him to see any connection between it and my character.

"'Is that so?' I said. 'And what is your conception of my character, Adolphe?'

"'Well, you won't be angry, if I'm frank with you?' he said, hesitating.

"'Of course not,' I said.

"On this assurance he described my character: it was that of a worthy business man, an honest merchant, an excellent husband, but of a man incapable of displaying any firmness, strength of mind, or energy. He went on to say that my timidity was excessive, and that my kindness of heart, to which he was fully alive, was always apt to degenerate into sheer feebleness.

"It was not a flattering portrait; and it made me blush for myself.

"'And now,' said I, hiding my mortification, 'you've told me what you think of my character: what do you think of my handwriting?'

"'It's the exact opposite of your character,' he said quickly. 'It expresses every sentiment utterly opposed to your nature as I know it. In fact, I can't think of a more direct antithesis than your character and your handwriting. It must be, then, that you haven't the handwriting which goes with your actual character, but the handwriting of the Other.'

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