The Teuton of to-day is the lineal descendant of the old worshipper of Thor. Miöllnir, the hammer of Thor, still survives in the gigantic mechanisms of Watt, Fulton, and Stephenson. Thor embodied more Teutonic attributes than Odin. The feats which Thor performed in that strange city of Utgard, as they are related in the old "Prose Edda," were prophetic of the future achievements of the race, of which he was a chief god. Thor once went on a journey to Jötunheim, or Giant-land,a primitive outlying country, full of the enemies of the Asgard dynasty, or cosmical deities. In the course of the journey, he lodged one night with his two companions in what he supposed to be a huge hall, but which turned out to be the glove of a giant named Skrymir, who was asleep and snoring as loud as an earthquake, near by. When the giant awoke, he said to Thor, who stood near,"My name is Skrymir, but I need not ask thy name, for I know that thou art the god Thor. But what hast thou done with my glove?" Sure enough, on looking, Thor found that he had put up that night in Skrymir's handshoe, or glove. The giant and Thor breakfasted amicably together and went on their way till night, when Skrymir gave up his wallet of provisions to Thor and his two companions, and bade them supply themselves,he meanwhile composing himself to sleep, snoring so loudly that the forest trembled. Thor could not undo the giant's wallet, and in his wrath he smote the somnolent lubber with his mallet, a crushing blow. Skrymir simply awoke, and inquired whether a leaf had not fallen upon his head from the oak-tree under which he was lying. Conceive the chagrin and shame of Thor at this question! A second time Thor let fly at the giant with his mallet. This time it sank into his skull up to the handle, but with no more satisfactory result. The giant merely inquired whether an acorn had not dropped on his head, and wanted to know how Thor found himself, whether he slept well or not; to which queries Thor muttered an answer, and went away, determined to make a third and final effort with his mallet, which had never failed him until then. About daybreak, as Skrymir was taking his last snooze, Thor uplifted his hammer, clutching it so fiercely that his knuckles became white. Down it came, with terrific emphasis, crushing through Skrymir's cheek, up to the handle. Skrymir sat up and inquired if there were not birds perched on the tree under which he had been lodging; he thought he felt something dropping on his head,some moss belike. Alas for Thor and his weapon! For once he found himself worsted, and his mightiest efforts regarded as mere flea-bites; for Skrymir's talk about leaves and acorns and moss was merely a sly piece of humor, levelled at poor crestfallen Thor, as he afterwards acknowledged. After this incident, Thor and his two companions, the peasant's children, Thjalfi and Röska, and Skrymir went their ways, and came to the high-gated city of Utgard, which stood in the middle of a plain, and was so lofty that Thor had to throw back his head to see its pinnacles and domes. Now Thor was by no means small; indeed, in Asgard, the city of the AEsir, he was regarded as a giant; but here in Utgard Skrymir told him he had better not give himself any airs, for the people of that city would not tolerate any assumption on the part of such a mannikin!
Utgard-Loki, the king of the city, received Thor with the utmost disdain, calling him a stripling, and asked him contemptuously what he could do. Thor professed himself ready for a drinking-match. Whereupon Utgard-Loki bade his cup-bearer bring the large horn which his courtiers had to drain at a single draught, when they had broken any of the established rules and regulations of his palace. Thor was thirsty, and thought he could manage the horn without difficulty, although it was somewhat of the largest. After a long, deep, and breathless pull which he designed as a finisher, he set the horn down and found that the liquor was not perceptibly lowered. Again he tried, with no better result; and a third time, full of wrath and chagrin, he guzzled at its contents, but found that the liquor still foamed near to the brim. He gave back the horn in disgust. Then Utgard-Loki proposed to him the childish exercise of lifting his cat. Thor put his hands under Tabby's belly, and, lifting with all his might, could only raise one foot from the floor. He was a very Gulliver in Brobdignag. As a last resort, he proposed to retrieve his tarnished reputation by wrestling with some Utgardian; whereupon the king turned into the ring his old nurse, Elli, a poor toothless crone, who brought Thor to his knees, and would have thrown him, had not the king interfered. Poor Thor! The next morning he took breakfast in a sad state of mind, and owned himself a shamefully used-up individual. The fact was, he had strayed unconsciously amongst the old brute powers of primitive Nature, as he ought to have perceived by the size of the kids they wore. He had done better than he was aware of, however. The three blows of his hammer had fallen on nothing less than a huge mountain, instead of a giant, and left three deep glens dinted into its surface; the drinking-horn, which he had undertaken to empty, was the sea itself, or an outlet of the sea, which he had perceptibly lowered; while the cat was in reality the Midgard Serpent, which enringed the world in its coils, and the toothless she-wrestler was Old Age! What wonder that Thor was brought to his knees? On finding himself thus made game of, Thor grew wroth, but had to go his ways, as the city of Utgard had vanished into thin air, with its cloud-capped towers and enormous citizens. Thor afterwards undertook to catch the Midgard Serpent, using a bull's head for bait. The World-Snake took the delicious morsel greedily, and, finding itself hooked, writhed and struggled so that Thor thrust his feet through the bottom of his boat, in his endeavors to land his prey.
There is a certain grotesque humor in Thor's adventures, which is missed in his mythologic counterpart of the South, Hercules. It is the old rich "world-humor" of the North, genial and broad, which still lives in the creations of the later Teutonic Muse. The dints which Thor made on the mountain-skull of Skrymir were types and forerunners of the later feats of the Teutonic race, performed on the rough, shaggy, wilderness face of this Western hemisphere, channelling it with watery highways, tunnelling and levelling its mountains, and strewing its surface with cities. The old Eddas and Voluspas of the North are full of significant lore for the sons of the Northmen, wherever their lot is cast. There they will find, that, in colonizing and humanizing the face of the world, in zoning it with railroads and telegraph-wires, in bridging its oceans with clipper-ships, and steamboats, and in weaving, forging, and fabricating for it amid the clang of iron mechanisms, they are only following out the original bent of the race, and travelling in the wake of Thor the Hammerer.
While the Grecian and Roman myths are made familiar by our school-books, it is to be regretted that the wild and glorious mythic lore of our ancient kindred is neglected. To that you must go, if you would learn whence came
"the German's inward sight,
And slow-sure Britain's secular might,"
and it may be added, the Anglo-American's unsurpassed practical energy, skill, and invincible love of freedom. From the fountains of the ash-tree Yggdrasil flowed these things. Some of the greatest of modern Teutonic writers have gone back to these fountains, flowing in these wild mythic wastes of the Past, and have drunk inspiration thence. Percy, Scott, and Carlyle, by so doing, have infused new sap from the old life-tree of their race into our modern English literature, which had grown effete and stale from having had its veins injected with too much cold, thin, watery Gallic fluid. Yes, Walter Scott heard the innumerous leafy sigh of Yggdrasil's branches, and modulated his harp thereby. Carlyle, too, has bathed in the three mystic fountains which flow fast by its roots. In an especial manner has the German branch of the Teuton kindred turned back to those old musical well-springs bubbling up in the dim North, and they have been strengthened and inspired by the pilgrimage. "Under the root, which stretches out towards the Jötuns, there is Mimir's Well, in which Wisdom and Wit lie hidden." Longfellow, too, has drunk of Mimir's Well, and hence the rare charm and witchery of his "Evangeline," "Hiawatha," and "Golden Legend." This well in the North is better than Castalian fount for the children of the North.
While the Grecian and Roman myths are made familiar by our school-books, it is to be regretted that the wild and glorious mythic lore of our ancient kindred is neglected. To that you must go, if you would learn whence came
"the German's inward sight,
And slow-sure Britain's secular might,"
and it may be added, the Anglo-American's unsurpassed practical energy, skill, and invincible love of freedom. From the fountains of the ash-tree Yggdrasil flowed these things. Some of the greatest of modern Teutonic writers have gone back to these fountains, flowing in these wild mythic wastes of the Past, and have drunk inspiration thence. Percy, Scott, and Carlyle, by so doing, have infused new sap from the old life-tree of their race into our modern English literature, which had grown effete and stale from having had its veins injected with too much cold, thin, watery Gallic fluid. Yes, Walter Scott heard the innumerous leafy sigh of Yggdrasil's branches, and modulated his harp thereby. Carlyle, too, has bathed in the three mystic fountains which flow fast by its roots. In an especial manner has the German branch of the Teuton kindred turned back to those old musical well-springs bubbling up in the dim North, and they have been strengthened and inspired by the pilgrimage. "Under the root, which stretches out towards the Jötuns, there is Mimir's Well, in which Wisdom and Wit lie hidden." Longfellow, too, has drunk of Mimir's Well, and hence the rare charm and witchery of his "Evangeline," "Hiawatha," and "Golden Legend." This well in the North is better than Castalian fount for the children of the North.
How much more genial and lovable is Balder, the Northern Sun-god, than his Grecian counterpart, the lord of the unerring bow, the Southern genius of light, and poesy, and music! Balder dwelt in his palace of Breidablick, or Broadview; and in the magical spring-time of the North, when the fair maiden Iduna breathed into the blue air her genial breath, he set imprisoned Nature free, and filled the sky with silvery haze, and called home the stork and crane, summoning forth the tender buds, and clothing the bare branches with delicate green. "Balder is the mildest, the wisest, and the most eloquent of all the AEsir," says the "Edda." A voice of wail went through the palaces of Asgard when Balder was slain by the mistletoe dart. Hermod rode down to the kingdom of Hela, or Death, to ransom the lost one. Meantime his body was set adrift on a floating funeral pyre. Hermod would have succeeded in his mission, had not Lok, the Spirit of Evil, interposed to thwart him. For this, Lok was bound in prison, with cords made of the twisted intestines of one of his own sons; and he will remain imprisoned until the Twilight of the Gods, the consummation of all things.
On the shoulders of Odin, the supreme Scandinavian deity, sat two ravens, whispering in his ears. These two ravens are called Hugin and Munin, or Thought and Memory. These "stately ravens of the saintly days of yore" flew, each day, all over the world, gathering "facts and figures," doubtless for their August master. It is a beautiful fable, and reminds one of Milton's "thoughts which wander through eternity." The dove of the Ark, and the bird which perched on the shoulder of the old Plutarchan hero Sertorius, are recalled by this Scandinavian legend:
"Hugin and Munin
Each down take their flight
Earth's fields over."
Nobler birds, these dark ravens of the Northern Jove, than the bolt-bearing eagle of his Grecian brother. So much deeper, more significant, and musical are the myths of the stern, dark, and tender North than those of the bright and fickle South!
Notwithstanding that Valhalla was full of invincible heroes, and that the celestial city of Asgard was the abode of the chief gods, still it had a watchman who dwelt in a tower at the end of the Bridge Bifröst. Heimdall was his name, and he was endowed with the sharpest ear and eye that ever warder possessed. He could hear grass and wool grow with the utmost distinctness. The AEsir, notwithstanding their supreme position, had need of such a warder, with his Gjallar-horn, mightier than the Paladin Astolfo's, that could make the universe reëcho to its blast. The truth was, over even the high gods of Asgard hung a Doom which was mightier than they. It was necessary for them to keep watch and ward, therefore, for evil things were on their trail. There were vast, mysterious, outlying regions beyond their sway: Niflheim or Mistland, Muspellheim or Flameland, and Jötunheim, the abode of the old earth-powers, matched with whom, even Thor, the strongest of the Asen, was but a puny stripling. Over this old Scandinavian heaven, as over all ethnic celestial abodes, the dark Destinies lorded it with unquestioned sway. From the four corners of the world, at last, were to fly the snow-flakes of the dread Fimbul, Winter, blotting the sun, and moaning and drifting night and day. Three times was Winter to come and go, bringing to men and gods "a storm-age, a wolf-age." Then cometh Ragnarök, the Twilight of the Gods! Odin mounts his war-steed. The vast ash Yggdrasil begins to shiver through all its height. The beatified heroes of Valhalla, who have ever been on the watch for this dread era, issue forth full of the old dauntless spirit of the North to meet the dread agents of darkness and doom. Garm, the Moonhound, breaks loose, and bays. "High bloweth Heimdall his horn aloft. Odin counselleth Mimir's head." The battle joins. In short, the fiery baptism prophesied in the dark scrolls of Stoic sage and Hebrew and Scandinavian scald alike wraps the universe. The dwarfs wail in their mountain-clefts. All is uproar and hissing conflagration.
"Dimmed's now the sun;
In ocean earth sinks;
From the skies are cast
The sparkling stars;
Fire-reek rageth
Around Time's nurse,
And flickering flames
With heaven itself shall play."
By "Time's nurse," in the foregoing lines from the "Voluspa," is meant the Mundane Tree Yggdrasil, which shall survive unscathed, and wave mournfully over the universal wreck. But in the "Edda" Hor tells Gangler that "another earth shall appear, most lovely and verdant, with pleasant fields, where the grain shall grow unsown. Vidar and Vali shall survive. They shall dwell on the Plain of Ida, where Asgard formerly stood. Thither shall come the sons of Thor, bringing with them their father's mallet. Baldur and Hödur shall also repair thither from the abode of Death. There shall they sit and converse together, and call to mind their former knowledge and the perils they underwent."
Perhaps we might give the Eddaic Twilight of the Gods a more human and strictly European interpretation. May it not also foreshadow the great Armageddon struggle which is evidently impending between the Teutonic races in Western Europe, with their Protestantism, free speech, individual liberty, right of private judgment, and scorn of all thraldom, both material and mental, on the one side, and the dark powers of absolutism, repression, and irresponsible authority in church and state, on the other? How Russia, the type of brute-force, presses with crushing weight on intellectual Germany! Soon she will absorb the old kingdoms of Scandinavia,to wit, Sweden, Norway, and Denmark. On the shores of Norway the ruler of the Sclavonic race will hang over Scotland and England, like a bird of prey about to swoop upon his victim. All despots and absolutists will array themselves under his banner or be his auxiliaries. The old hierarchies will be banded with him to crush out Protestantism, which is a plant of Teutonic growth. Old Asia, with her rancor and despotic traditions, recognizes in the Russian imperial rule a congenial rallying-point against the progressive and hated Anglo-Saxonism and Protestantism of the West. A decisive struggle is surely impending between freedom and absolutism, between the bigoted adherents of the old faiths and the nations that have cut loose from them. Perhaps this struggle may be prefigured in the old Northern myth of the Twilight of the Gods.