My friend was prevented by indisposition from even going to Bankhill to attend the funeral of his father, which I regret very much, as he is not aware in what churchyard he was interred.
For the purpose of erecting a small monument to his memory, I have made every possible enquiry, wherever I thought there was the least chance of finding out where Old Mortality was laid; but I have done so in vain, as his death is not registered in the session-book of any of the neighbouring parishes. I am sorry to think, that in all probability, this singular person, who spent so many years of his lengthened existence in striving with his chisel and mallet to perpetuate the memory of many less deserving than himself, must remain even without a single stone to mark out the resting place of his mortal remains.
Old Mortality had three sons, Robert, Walter, and John; the former, as has been already mentioned, lives in the village of Balmaclellan, in comfortable circumstances, and is much respected by his neighbours. Walter died several years ago, leaving behind him a family now respectably situated in this point. John went to America in the year 1776, and, after various turns of fortune, settled at Baltimore.
Old Nol himself is said to have loved an innocent jest. (See Captain Hodgsons Memoirs.) Old Mortality somewhat resembled the Protector in this turn to festivity. Like Master Silence, he had been merry twice and once in his time; but even his jests were of a melancholy and sepulchral nature, and sometimes attended with inconvenience to himself, as will appear from the following anecdote:
The old man was at one time following his wonted occupation of repairing the tombs of the martyrs, in the churchyard of Girthon, and the sexton of the parish was plying his kindred task at no small distance. Some roguish urchins were sporting near them, and by their noisy gambols disturbing the old men in their serious occupation. The most petulant of the juvenile party were two or three boys, grandchildren of a person well known by the name of Cooper Climent. This artist enjoyed almost a monopoly in Girthon and the neighbouring parishes, for making and selling ladles, caups, bickers, bowls, spoons, cogues, and trenchers, formed of wood, for the use of the country people. It must be noticed, that notwithstanding the excellence of the Coopers vessels, they were apt, when new, to impart a reddish tinge to whatever liquor was put into them, a circumstance not uncommon in like cases.
The grandchildren of this dealer in wooden work took it into their head to ask the sexton, what use he could possibly make of the numerous fragments of old coffins which were thrown up in opening new graves. Do you not know, said Old Mortality, that he sells them to your grandfather, who makes them into spoons, trenchers, bickers, bowies, and so forth? At this assertion, the youthful group broke up in great confusion and disgust, on reflecting how many meals they had eaten out of dishes which, by Old Mortalitys account, were only fit to be used at a banquet of witches or of ghoules. They carried the tidings home, when many a dinner was spoiled by the loathing which the intelligence imparted; for the account of the materials was supposed to explain the reddish tinge which, even in the days of the Coopers fame, had seemed somewhat suspicious. The ware of Cooper Climent was rejected in horror, much to the benefit of his rivals the muggers, who dealt in earthenware. The man of cutty-spoon and ladle saw his trade interrupted, and learned the reason, by his quondam customers coming upon him in wrath to return the goods which were composed of such unhallowed materials, and demand repayment of their money. In this disagreeable predicament, the forlorn artist cited Old Mortality into a court of justice, where he proved that the wood he used in his trade was that of the staves of old wine-pipes bought from smugglers, with whom the country then abounded, a circumstance which fully accounted for their imparting a colour to their contents. Old Mortality himself made the fullest declaration, that he had no other purpose in making the assertion, than to check the petulance of the children. But it is easier to take away a good name than to restore it. Cooper Climents business continued to languish, and he died in a state of poverty.
Where this man was born, or what was his real name, I have never been able to learn; nor are the motives which made him desert his home, and adopt the erratic mode of life which he pursued, known to me except very generally. According to the belief of most people, he was a native of either the county of Dumfries or Galloway, and lineally descended from some of those champions of the Covenant, whose deeds and sufferings were his favourite theme. He is said to have held, at one period of his life, a small moorland farm; but, whether from pecuniary losses, or domestic misfortune, he had long renounced that and every other gainful calling. In the language of Scripture, he left his house, his home, and his kindred, and wandered about until the day of his death, a period of nearly thirty years.