It must be confessed that Katrina started upon her quest in a spirit far removed from that of your single-minded explorer. She was urged by a variety of causes. Among them was a determination to disobey Grandfather McBride, to serve him with his own medicine, to pay him in his own coin, and to do it as quickly and as frankly as possible. Her rapidly increasing curiosity concerning the region he guarded with so much mystery counted as well, but the paramount forcefor Katrina was young enough to take her responsibility seriouslywas anxiety over the old gentleman himself. In fact, Katrina departed, as did Lot's wife, with her face and her thought turned backward, a policy not conducive to brilliant success in exploration.
This time, however, she was stopped by no one. She passed the gate safely, penetrated the wood and came at length upon a part of Mr. McBride's secret. It was a rough little flight of steps, made with the help of John, the wheelbarrow, and the boards, which led to the top of a high brick wall. The wall astounded Katrina even more than did the steps, which is saying a good deal. The whole elaborate contrivance for keeping people away, puzzled Katrina. It was some time before she mounted the steps and looked over the wall, but when she finally did so, she ceased to be merely puzzled. She became lost in a maze of wonder.
Stretching before her, was a wide expanse of green. Just opposite stood a long, low building of workmanlike appearance. At the left was a very presentable rose garden. At the right, a rustic summer-house. Surrounding all was the high brick wall. But it was none of these things that amazed Katrina.
Moving toward her, from the door of the long building, came a little processionmen and women, walking slowly, sedately dressed in old-time silks and finery, decked with plumes, jewels, laces, bouquets of flowers. Arrived at a broad space near the summer-house, the company, after a series of low and preliminary bows, launched forth into a stately dance. Katrina, conscious of music, descried an individual in very modern blue overalls, who manipulated a phonograph. A voice from beyond the summer-house, called forth instructions at intervals, with a huskiness vaguely suggestive of old Coney.
"More side-play there, Miss Beals. Just imagine he's a young hobo you're in love with and yer father won't let him up the steps. You're doing the Merry Widow act while the old man's not looking. Don't bow so low you hide your face, Mr. Peters. Your face is worth money to us all. And everybody get a move on! You're too slow! Hit it up a bit, Jim."
The overalls, thus adjured, accelerated the time of his machine, and a new spirit animated the group. Katrina leaned far over the wall in order to miss nothing. At length, the dance, moving toward a finale, reached it with a succession of stirring chords, and a flourish of curtseys, and the group dissolved.
"That'll do for to-day. You can knock off now," began the husky voice, when Jim, glancing up from his phonograph, beheld Katrina in her rose-laden hat, leaning far over the wall. If he had stopped to reflect, he might have ignored the vision, for he was but man, and the vision a guilelessly pretty one, but he did not stop to reflect. With Jim, to see a thing was to proclaim it abroad. Immediately, he yelled:
"Hey! Get on to the lady on the wall! Hey! Mr. Connor, come around here. There's somebody on the wall. Hey!"
At once Katrina, to her utmost discomfort, became the centre of the stage. Everybody turned, saw her, and began to stare. The silken ladies, the velvet gentlemen, delayed their return to modern apparel, and took her in. Jim stared clamorously. Mr. Connor, rounding the summer-house, glared angrily. To Katrina, even the long building blinked its windows at her, and she thought, with sudden longing, of Grandfather McBride. She wished she had not come. Most of all, she wished to go, but she did not quite dare.
At once, Mr. Connor took charge of the situation. "Say, young lady," he demanded, in a truculent manner, "what do you mean by gettin' into these grounds and rubberin' at us over our wall? Don't you know you can be run in for passin' those signs? Didn't you see that gate?"
"Oh, yes," faltered Katrina; "yesI saw the gate."
"Well, how'd you get past that gate and them signs," Mr. Connor wanted to know.
"II climbed the gate," hesitated Katrina.
Clearly this was not what Mr. Connor expected. Such simplicity must cover guile. A suppressed smile glimmered through the group and Mr. Connor became more suspicious of Katrina.
"I don't want no kiddin' now, do you hear?" he burst forth. "You're in a tight place, young woman, and you may as well wake up to the fact at once. The Knickerbocker is doin' things on a plane of high art, and our methods are our own. Now, I want to know who you represent? And freshness don't go, d'you see?"
Katrina hardly heard Mr. Connor. Her mind was occupied with the freedom that lay clear behind her, and the possible patrol-wagons and police stations before her. Perhaps she might conciliate this red-faced man by allowing him to talk, by being mild and meek and polite. Perhaps a chance might come for a desperate attempt at escape. But Mr. Connor, conversing fluently, read her very soul.
"Bring that there light ladder, Jim," he interrupted himself to order, "and if you try to get away, young woman, it'll be the worse for you. Now, I want to know what yellow sheet you represent?"
"Yellowwhy do you take me for a newspaper woman?" cried Katrina. "I'm not. I'm nothing of the sort. I've never been inside a newspaper office in my life."
"Of course not," observed Mr. Connor, ironically. "They never have. Always society ladies that can't write their own names. You stand just where you are, miss, till that ladder arrives. Then I'm coming up to confiscate any little sketches and things you may have handy.
"You are a brute," said Katrina, lips trembling but head held high. "I am Miss Prentiss. I live near here, and you will not dare to detain me."
"Oh, won't I?" returned Mr. Connor. "I have a picture of myself letting you go. And where the deuce is Jim?" He turned impatiently toward the building across the lawn, then somewhat relaxed his frown. "Oh, well, I can take an orchestra chair," observed Mr. Connor. "Here comes the boss."
Katrina, with deepening concern, glanced from Mr. Connor toward the long building. A young man was sprinting across the stretch of greena clean-cut young man in gray flannels. At the first sight of him, Katrina caught her breath sharply and blushed. It was Katrina's despair that she blushed so easily. As the young man neared them the spectators achieved the effect of obliterating themselves from the landscape. They melted into space. There remained the young man, Mr. Connor, and a divinely flushed Katrina.
The young man looked up at her without smiling. He bowed to her gravely. Then he turned to Mr. Connor. With a few low-spoken words, he wilted Mr. Connor. Katrina, gazing at the rose-garden, heard something in spite of herself. She heard her name, and caught Mr. Connor's articulate amazement. She heard mentioned some "old gentleman." She heard a recommendation to Mr. Connor to go more slowly in the future and to mend his manners at all times. After a hint to Mr. Connor to look up Jim and the ladder, she heard that gentleman withdraw much more quietly than he had come, and her eyes finally left the rose-garden and looked straight down into those of warm gray, belonging to the young man below her.
"Will you mindwaitingjust a moment longer?" he asked. "This is more luck than I've had lately."
Katrina smiled tremulously. "It's in my power to go, then," she said.
"No," said the young man, firmly, "it isn't. On second thoughts, you are to stay just where you are till that blockhead brings the ladder. I've a good deal to say. I'm going to walk home with you."
"No," said the young man, firmly, "it isn't. On second thoughts, you are to stay just where you are till that blockhead brings the ladder. I've a good deal to say. I'm going to walk home with you."
"Oh," said Katrina. "And what will become of your fancy-dress party?"
"My fancy-dress party," returned the young man, "will catch the next trolley for New York. Oh! Here labors the trusty henchman across the green. Right you are, Jim! No, the lady is not to come down. I'm to go up." And go up he did, in the twinkling of an eye, and in less than another the rose-wreathed hat and the young man's gray cap had disappeared from view together.
"Well, what do you know about that?" observed Jim, under his breath, staring at the top of the wall. He whistled softly. Then he grinned. "Hypnotized, by thunder," concluded Jim, returning with the ladder.
Meanwhile, the two lingered homeward through the deepening twilight. The gate opened easily to a key from the young man's pocket; the signs glimmered dimly. They talked lightly, but what they said proved to both simply an airy veil for what they did not say. Katrina spoke of the club and the tennis tournament.
"Of course, we lost," she said. "Our best man," with a sidelong look, "did not enter. The committee said that he was awayon business. I see now that they were misinformed."
"But they weren't," said the young man, eagerly, "if you mean me. I am 'away on business.' Why, do you know it's seven days since I've seen you?"
Katrina regarded her neat brown shoes.
"The fact is," continued the young man, diffidently, "I've been trying a new method with you. I've been endeavoring to be missed. And I'm afraid to hear that I haven't been."
"A little wholesome fear is good for anyone," observed Katrina, judicially, "but I can truthfully say that I rejoiced at the sight of you this afternoon. That red-faced man was about to drag me off the wall by the hair."
"Oh, Connor," said the young man. "Connor's not polished, but in his line, he's a jewel. He used to be a stage manager, and considered in that light, he's really mild."
"Is he?" said Katrina, drily. "Does he stage manage for you?"
"Practically that. Don't scoffplease. You see, there's a big future in this business. My father growled at first, but he's come clean around. The land was mine, and we are using it this way. The American public are going in for this thing. They want amusement and they want it quick. And the thing is to provide them with what they want, when they want it."
"Oh," said Katrina. "And you are providing the American public with what they wantback there?" with a tilt of her head behind her.
"Exactly," he answered. "That's our plant. We are the Knickerbocker Film Manufacturing Company."
"Oh," said Katrina, again. "And the fancy-dress people?"
"We are getting up 'Romeo and Juliet,'" said the young man. "Please don't laugh. It's been proven that the moving picture audiences like Shakespeare canned."
"Moving picture audiences," repeated Katrina in surprise, and then as the light broke, she stopped short and looked at the young man.
"Why, didn't you guess?" he queried. "The summer-housewhy, of course, the summer-house must have hidden the camera." He looked at her dejectedly. "I've wanted you so much to know all about it," he said, "and now that you do, it soundsoh, drivelling."
"But it doesn't," cried Katrina, eyes shining. "It sounds splendid. It sounds thrilling. I'm sure it will be a success. You're bound to make it one. I congratulate you. You've left out a good deal. You've told your story very badly, but I'm good at filling in. The fact is, I'm proud to know you, and you may shake hands with me if you wish to."
"Oh, Katrina," murmured the young man, and they clasped hands. It was just here that Grandfather McBride turned into the lane from the back garden and came upon them. When they became aware of him, leaning heavily upon his stick and frowning at them through the dusk, Katrina braced herself to meet whatever might come. But, suddenly, to her intense surprise, Mr. McBride beamed upon them radiantly.
"Well, well, Katriny," he said, in high good humor, "so you've been over that gate again, eh? Been lookin' over that wall, eh? I knew you would, my dear, I knew you would. There's some of the McBride spirit in you after all, thank God. I meant to take you myself, but you got ahead of me." Here he shook hands with the young man. "Glad to see you again, my boy," said Grandfather McBride. "Brought my little girl home, eh?"
"Well, we were on the way," admitted the young man with enthusiasm. "I see you got the steps up, sir."
"Yes," said Mr. McBride, "oh, yes. I'm much obliged to you for the permission. It's as good as any vaudeville, and it's a sight nearer home. You're bound to make money. I tell my granddaughter," with a triumphant nod to the lady in question, "to bank on brains and energy and American push. I tell her," with a profound wink to Katrina, "to let this old family nonsense and society racket go hang. I'm glad she met you."
"But we mustn't stand here in the lane, Grandfather," put in Katrina, hurriedly. "It's getting damp."
"That's so," agreed Mr. McBride, "and it's getting late." He hooked his cane about the young man's arm. "Come in and have dinner with us," he said.
Katrina stared in amazement at Mr. McBride. The young man looked eagerly at Katrina. "If Miss Prentiss will allow me" he began.
"Huh! Miss Prentiss," spoke up Mr. McBride. "What's she got to say about it? I allow you." And as Katrina, behind Mr. McBride's back, smiled and nodded, the young man accepted promptly.
Together the three went through the back garden and up to the house. Arrived there, Katrina disappeared. Grandfather McBride, after settling his guest, came straight upstairs and stopped at her door.
"Little cuss," beamed Mr. McBride, "goin' off, locking up her old grandfather and meetin' young chaps. Say, Katriny," he remarked casually, "he's a fine fellow, ain't he?"
Katrina, busy with her hair, nodded.
"Now, if I was a girl," continued Mr. McBride, diplomatically, "and a fellow like that took a shine to me I'd show a glimmer of sense. I'd up and return it."
"Would you?" remarked Katrina. "I'm glad you like him. You see, Grandfather, you are too smart for me. I didn't know until just now that you had even met Mr. Park."
Mr. McBride's smile stiffened, then froze, finally disappeared. He opened his mouth, and shut it. He swallowed hard. At last, he got it out. "KatrinyKatriny, is that Sparksthat fellow downstairs? Is that Sparks?"
"Hush," said Katrina. "Of course, that is Willoughby Park. Why, Grandfather, didn't you ask his name?"
"No," said Mr. McBride, "I didn't. I just saw he was a fine, likely" He stopped abruptly. "Well, I'll be damned," said Mr. McBride.
Katrina came over to him and put her hand on his shoulder. Mr. McBride looked into space. Standing so, he spoke once more. "Do youdo you really like him, Triny?" he asked, and although he looked into space, Mr. McBride saw Katrina's blush. He patted her hand once, and left her.
On his way downstairs, the grimness of Mr. McBride's face relaxed. In the lower hall, he went so far as to chuckle. When he joined Mr. Park on the porch, he grinned at him amiably.
"I'm a good sport," remarked Mr. McBride, irrelevantly, "but I know when to retire to my corner and stay there. Say," continued Mr. McBride, unconscious of discrepancies between thought and action, "after dinner I'm goin' to take you children across the street to see that parrot."
III
RURAL INSURANCE
The Story of a Wayside HaltBy CLOTILDE GRAVESExhausted by the effort involved in keeping the thermometer of the closing day of August at an altitude intolerable to the human kind and irksome to the brute, a large, red-hot sun was languidly sinking beyond an extensive belt of dusky-brown elms fringing the western boundary of a seventy acre expanse of stubbles diagonally traversed by a parish right-of-way leading from the village of Bensley to the village of Dorton Ware. A knee-deep crop of grasses, flattened by the passage of the harvest wains, clothed this strip of everyman's land, and a narrow footpath divided the grass down the middle, as a parting divides hair.