The Atlantic Monthly, Volume 17, No. 102, April, 1866 - Various 3 стр.


Landor entertained a genuine affection for the memory of Lady Blessington. "Ah, there was a woman!" he exclaimed one day with a sigh. "I never knew so brilliant and witty a person in conversation. She was most generous too, and kind-hearted. I never heard her make an ill-natured remark. It was my custom to visit her whenever the laurel was in bloom; and as the season approached, she would write me a note, saying, 'Gore House expects you, for the laurel has begun to blossom.' I never see laurel now, that it does not make me sad, for it recalls her to me so vividly. During these visits I never saw Lady Blessington until dinner-time. She always breakfasted in her own room, and wrote during the morning. She wrote very well, too; her style was pure. In the evening her drawing-room was thrown open to her friends, except when she attended the opera. Her opera-box faced the Queen's, and a formidable rival she was to her Majesty."

"D'Orsay was an Apollo in beauty, very amiable, and had considerable talent for modelling." Taking me into his little back sitting-room, Landor brought out a small album, and, passing over the likenesses of several old friends, among whom were Southey, Porson, Napier, and other celebrities, he held up an engraving of Lady Blessington. Upon my remarking its beauty, Landor replied: "That was taken at the age of fifty, so you can imagine how beautiful she must have been in her youth. Her voice and laugh were very musical." Then, turning to a young lady present, Landor made her an exceedingly neat compliment, by saying, "Your voice reminds me very vividly of Lady Blessington's. Perhaps," he continued with a smile, "this is the reason why my old, deaf ears never lose a word when you are speaking." Driving along the north side of the Arno, one summer's day, Landor gazed sadly at a terrace overlooking the water, and said: "Many a delightful evening have I spent on that terrace with Lord and Lady Blessington. There we used to take our tea. They once visited Florence for no other purpose than to see me. Was not that friendly? They are both dead now, and I am doomed to live on. When Lady Blessington died, I was asked to write a Latin epitaph for her tomb, which I did; but some officious person thought to improve the Latin before it was engraved, and ruined it."

This friendship was fully reciprocated by Lady Blessington, who, in her letters to Landor, refers no less than three times to those "calm nights on the terrace of the Casa Pelosi." "I send you," she writes, "the engraving, and have only to wish that it may sometimes remind you of the original.... Five fleeting years have gone by since our delicious evenings on the lovely Arno,evenings never to be forgotten, and the recollections of which ought to cement the friendships then formed." Again, in her books of travel,the "Idler in France" and "Idler in Italy,"Lady Blessington pays the very highest tribute to Landor's heart, as well as intellect, and declares his real conversations to be quite as delightful as his imaginary ones. She who will live long in history as the friend of great men now lies "beneath the chestnut shade of Saint Germain"; and Landor, with the indignation of one who loved her, has turned to D'Orsay, asking

"Who was it squandered all her wealth,
And swept away the bloom of health?"

Although a Latinist, Landor did not approve of making those who have passed away doubly dead to a majority of the living by Latin eulogy. In an interesting conversation he gives the following opinion: "Although I have written at various times a great number of such inscriptions" (Latin), "as parts of literature, yet I think nothing is so absurd, if you only inscribe them on a tomb. Why should extremely few persons, the least capable, perhaps, of sympathy, be invited to sympathize, while thousands are excluded from it by the iron grate of a dead language? Those who read a Latin inscription are the most likely to know already the character of the defunct, and no new feelings are to be excited in them; but the language of the country tells the ignorant who he was that lies under the turf before them; and, if he was a stranger, it naturalizes him among them; it gives him friends and relations; it brings to him and detains about him some who may imitate, many who will lament him. We have no right to deprive any one of a tender sentiment, by talking in an unknown tongue to him, when his heart would listen and answer to his own; we have no right to turn a chapel into a library, locking it with a key which the lawful proprietors cannot turn."

I once asked Landor to describe Wordsworth's personal appearance. He laughed and replied: "The best description I can give you of Wordsworth is the one that Hazlitt gave me. Hazlitt's voice was very deep and gruff, and he peppered his sentences very bountifully with 'sirs.' In speaking to me of Wordsworth, he said: 'Well, sir, did you ever see a horse, sir?' 'Yes.' 'Then, sir, you have seen Wordsworth, sir! He looks exactly like a horse, sir, and a very long-faced horse at that, sir!' And he did look like a horse," added Landor.

Those who have seen good likenesses of Wordsworth will readily remark this resemblance. A greater length of ear would liken the Lake poet to an animal of less dignity.

Continuing the conversation thus begun, Landor said: "I saw a great deal of Hazlitt when he was in Florence. He called upon me frequently, and a funny fellow he was. He used to say to me: 'Mr. Landor, I like you, sir,I like you very much, sir,you're an honest man, sir; but I don't approve, sir, of a great deal that you have written, sir. You must reform some of your opinions, sir.'" And again Landor laughed with great good-will.

"I regret that I saw Charles Lamb but once," replied Landor, in answer to many questions asked concerning this delightful man and writer. "Lamb sent word by Southey" (I think it was Southey) "that he would be very happy to see me, whereupon we made him a visit. He had then retired from the India House, and lived at Enfield. He was most charming in conversation, and his smile impressed me as being particularly genial. His sister also was a very agreeable person. During my visit, Lamb rose, went to a table in the centre of the room, and took up a book, out of which he read aloud. Soon shutting it, he turned to me, saying: 'Is not what I have been reading exceedingly good?' 'Very good,' I replied. Thereupon Lamb burst out laughing, and exclaimed: 'Did one ever know so conceited a man as Mr. Landor? He has actually praised his own ideas!' It was now my turn to laugh, as I had not the slightest remembrance of having written what Lamb had read."

Are there many to whom the following lines will not be better than new?

"Once, and only once, have I seen thy face,
Elia! once only has thy tripping tongue
Run o'er my breast, yet never has been left
Impression on it stronger or more sweet.
Cordial old man! what youth was in thy years,
What wisdom in thy levity! what truth
In every utterance of that purest soul!
Few are the spirits of the glorified
I'd spring to earlier at the gate of Heaven."

Being asked if he had met Byron, Landor replied: "I never saw Byron but once, and then accidentally. I went into a perfumery shop in London to purchase a pot of the ottar of roses, which at that time was very rare and expensive. As I entered the shop a handsome young man, with a slight limp in his walk, passed me and went out. The shopkeeper directed my attention to him, saying: 'Do you know who that is, sir?' 'No,' I answered. 'That is the young Lord Byron.' He had been purchasing some fancy soaps, and at that time was the fashion. I never desired to meet him."

As all the world knows, there was little love lost between these two great writers; but it was the man, not the poet, that Landor so cordially disliked.

As all the world knows, there was little love lost between these two great writers; but it was the man, not the poet, that Landor so cordially disliked.

MY ANNUAL

FOR THE "BOYS OF '29."

How long will this harp which you once loved to hear
Cheat your lips of a smile or your eyes of a tear?
How long stir the echoes it wakened of old,
While its strings were unbroken, untarnished its gold?

Dear friends of my boyhood, my words do you wrong;
The heart, the heart only, shall throb in my song;
It reads the kind answer that looks from your eyes,
"We will bid our old harper play on till he dies."

Though Youth, the fair angel that looked o'er the strings,
Has lost the bright glory that gleamed on his wings,
Though the freshness of morning has passed from its tone,
It is still the old harp that was always your own.

I claim not its music,each note it affords
I strike from your heart-strings, that lend me its chords;
I know you will listen and love to the last,
For it trembles and thrills with the voice of your past.

Ah, brothers! dear brothers! the harp that I hold
No craftsman could string and no artisan mould;
He shaped it, He strung it, who fashioned the lyres
That ring with the hymns of the seraphim choirs.

Not mine are the visions of beauty it brings,
Not mine the faint fragrance around it that clings;
Those shapes are the phantoms of years that have fled,
Those sweets breathe from roses your summers have shed.

Each hour of the past lends its tribute to this,
Till it blooms like a bower in the Garden of Bliss;
The thorn and the thistle may grow as they will,
Where Friendship unfolds there is Paradise still.

The bird wanders careless while Summer is green,
The leaf-hidden cradle that rocked him unseen;
When Autumn's rude fingers the woods have undressed,
The boughs may look bare, but they show him his nest.

Too precious these moments! the lustre they fling
Is the light of our year, is the gem in its ring,
So brimming with sunshine, we almost forget
The rays it has lost, and its border of jet.

While round us the many-hued halo is shed,
How dear are the living, how near are the dead!
One circle, scarce broken, these waiting below,
Those walking the shores where the asphodels blow!

Not life shall enlarge it, nor death shall divide,
No brother new-born finds his place at my side;
No titles shall freeze us, no grandeurs infest,
His Honor, His Worship, are boys like the rest.

Some won the world's homage,their names we hold dear,
But Friendship, not Fame, is the countersign here;
Make room by the conqueror crowned in the strife
For the comrade that limps from the battle of life!

What tongue talks of battle? Too long we have heard
In sorrow, in anguish, that terrible word;
It reddened the sunshine, it crimsoned the wave,
It sprinkled our doors with the blood of our brave.

Peace, Peace, comes at last, with her garland of white;
Peace broods in all hearts as we gather to-night;
The blazon of Union spreads full in the sun;
We echo its words,We are One! We are One!

WERE THEY CRICKETS?

About seven years ago, (it is possible that some of my readers may recall it,) the following paragraph appeared in the New York daily papers;

"Mysterious Disappearance.A young man named George Snyder left the residence of his parents in Thirty-Third Street, last Friday evening without his hat and taking nothing with him but the suit which he was wearing (dark doeskin pants, and invisible-green coat), and has not yet been heard from. It is feared that he has wandered, in some sudden mental derangement, off the wharves. Any information which may lead to his discovery will be gratefully received by the distressed parents."

No information was ever received until the 1st of April last, when the missing man himself returned to his father's house, as mysteriously as he went, and was welcomed as one risen from the dead. I am that George Snyder, and propose to give now a brief account of that strange going and coming. Since April last I have been engaged, as well as the excitement of listening to the narrative of the great events which had taken place in my native land during my absence would allow me, in preparing for publication a history of my observations, made during the six years' absence; but of this history I can now give merely an outline.

On the night of my departure, November 5, 1858, I was sitting in my own room, studying Gauss's "Theoria Motus"; and, as was often the case with me, I grew so absorbed in the study as to lose all consciousness of outward things beyond the limits of the single page before me. I had forgotten the time of night,nay, I could not have recalled the time of my life, whether I was in college or had graduated, whether I had entered on my profession or was preparing for it. My loss of the sense of space was as absolute as my loss of the sense of time, and I could not have said whether I was in my father's house in New York, or in my room in Wentworth Hall, or in my office in Jersey City. I only knew that the page, illuminated by a drop gas-light, was before me, and on it the record of that brilliant triumph of the human intellect, the deduction of a planet's entire orbit from observations of its position.

As I sat thus absorbed, my attention was partially diverted by a slight tapping, as if upon the very table upon which my book was resting. Without raising my eyes from the page, I allowed my thoughts to wander, as I inquired within myself what could have produced the noise. Could it be that I was thus suddenly "developed as a medium," and that the spirit of some departed friend wished to communicate with me? I rejected the thought instantly, for I was no believer in modern necromancy. But no sooner had I mentally decided that this was not the true explanation than I began to feel my right hand tremble in an unnatural manner, and my fingers close against my will around a pencil which I had been loosely holding. Then suddenly, upon the paper on which I had been occasionally filling out the omitted links in Gauss's mathematical reasoning, my hand, against my will, legibly scrawled, "Copernicus,"upon which a renewed tapping was heard upon the table. I sprang out of my chair, as one startled out of sleep, and looked about the room. My full consciousness of time and place returned, and I saw nothing unusual about my apartment; there were the books, the chairs, and even the table, standing in motionless silence as usual. I concluded that my late hours and excessive concentration on my studies had made me nervous, or else that I had had a dream. I closed the book and prepared to go to bed. Like school-boy whistling to keep his courage up, I began to talk aloud, saying: "I wish Copernicus would really come and carry me off to explore the solar system; I fancy that I could make a better report than Andrew Jackson Davis has done."

I tremble even now as I recall the instantaneous effect of those words. While I was still speaking, all earthly things vanished suddenly from my sight. There was no floor beneath me, no ceiling above, no walls around. There was even no earth below me, and no sky above. Look where I would, nothing was visible but my own body. My clothing shone with a pale blue light, by which I could peer into the surrounding darkness to the distance, as I should judge, of about twenty or thirty feet. I was apparently hanging, like a planet, in mid-ether, resting upon nothing. Horrible amazement seized me, as the conviction flashed through me like an electric shock that I must have lost my reason. In a few moments, however, this terror subsided; I felt certain that my thoughts were rational, and concluded that it was some affection of the optic nerve. But in a very few seconds I discovered by internal sensations that I was in motion, in a rapid, irregular, and accelerating motion. Awful horror again seized me; I screamed out a despairing cry for help, and fainted.

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