When Dumas and Scott, and perhaps Mrs. Radcliffe, had been read too recently, Louis went to Fortuné and Xavier, and, doubtless, to the father of them, Gaboriau. None of these benefactors of the race was a student of style, but they gave him what Thackeray liked, stories "hot, with," as he says, briefly but adequately.
All of us are led, like that ancient people Israel, like all humanity, by a way we know not, and a path we do not understand. If some benevolent genie, who understood Stevenson's qualities and genius, could have directed his career, how would that spirit have educated him?
For some reason not intelligible he was put on an allowance of five shillings weekly, for his menus plaisirs, till he was twenty-three years of age. He never was an expensive man (except in giving, wherein he knew no stint); his favourite velvet coats, his yellow shoes, his black shirts, with a necktie of a scrap of carpet, he said (I failed to guess its nature), were not extravagant. (The last occasion on which I saw him in the legendary velvet coat was also the only moment in which I viewed the author of his being. The circumstances were of the wildest comedy, but the tale can never be told; though in all respects it redounds to the credit of everybody concerned. Not one of us let a laugh out of himself.)
But a young man in his position likes to do many harmless things which cannot be done on five shillings a week, and so he sought the haunts of "thieves and chimney sweeps!" he says, and wrote sonnets in those shy retreats, which are known, perhaps, in Scotland, as "shebeens." Why "shebeens"? Is the word Gaelic misspelled? Cases of "shebeening" are tried before the Edinburgh magistrates, and as "my circle was being continually changed by the action of the police magistrates" (he says) conceivably his was a shebeening circle.
Another lad of his age, some eighty years earlier, was partial, like him, to taverns and old clothes. "They be good enough for drinking in," said Walter Scott, when Erskine, or some other friend, ventured to remonstrate. Scott, like Stevenson, knew queer people, knew beggarsbut had not one of them shaken hands with Prince Charles? Certainly, after Scott met Green Mantle, and sheltered her, as she came from church, under his umbrella (a piece of furniture which Stevenson can never have possessed), he left off his old clothes, and went into the best company. But R. L. S. did not delight in the good company of his native town; nor did he suffer gladly the conventional raiment of the evening hours. Green Mantle there was none, as far as we learn. He was not popular with the young Scots of his age, his biographer says so candidly; candidly have they said as much to me, yet they were good fellows.
From childhood he had enjoyed all the indulgences of an only son, and an invalid; now he was "brought up short," and there were the religious disputes with a sire to whom he was devoted. The climate of his own romantic town (the worst in the world) was his foe; the wandering spirit in his blood called him to the south and the sun; he tells of months in which he had no mortal to whom he could speak freely, his cousin Bob being absent; he was unhappy; he was out of his milieu.
What would the genie have done for him? Neither of the English Universities would have been to his taste; the rebel in him would have kicked at morning chapel, lectures, cap and gown, Proctors, the talk of "oars" and "bats"; manifestly Balliol was not the place for R. L. S., though he might have been happy with his contemporary John Churton Collins. He, I remembereven to the velvet coatwas like Stevenson, and was a rebel. Grant Allen, too, would have been his contemporarythe only man in Oxford who took to Herbert Spencer, whom Stevenson also read with much edification.
Yet it is clear that Stevenson should not have been domiciled in the paternal mansion of Heriot Row. The genie might have transported him to a German University, perhaps to Heidelberg.
Dis aliter visum, and the result, for us, is his matchless book on Edinburgh. To see a copy thereof is to take it up, and read through it again; it is better at every reading.
In 1871 he broke to his father the news that the profession of engineering was not for him. The Scottish Bar (1874-1875) was not more attractive, and in 1873 his meeting with Mr. (now Sir) Sidney Colvin (then Slade Professor of Fine Art at Cambridge, and already well known as a critic), and with a lady, Mrs. Sitwell, to whom many of his most carefully written early letters are addressed, probably sealed Stevenson into the profession of literature.
He has left this note on his prospects:
"I think now, this 5th or 6th of April, 1873, that I can see my future life. I think it will run stiller and stiller year by year; a very quiet, desultorily studious existence. If God only gives me tolerable health, I think now I shall be very happy; work and science calm the mind and stop gnawing in the brain; and as I am glad to say that I do now recognise that I shall never be a great man, I may set myself peacefully on a smaller journey; not without hope of coming to the inn before nightfall.
O dass mein Leben
Nach diesem Ziel ein ewig Wandeln sey!
I. Good Health
II. 2 to 3 hundred a year
III. O du lieber Gott, friends!
He wrote an article, this born wayfarer, on "Roads," which was accepted by P. G. Hamerton for the "Portfolio," but in November, 1873, "nervous exhaustion, with a threatening of phthisis," caused him to be "Ordered South" to Mentonea lonely exile. Here he was joined by Mr. Colvin, and in Mr. Colvin's rooms, for I also was "ordered South," I first met this surprising figure. Our schooldays had just overlapped; he was a "gyte" (a child in the lowest form; "class" we called it), when I was in the highest, but I had never seen him, nor heard of him.
In some rhymes of his later years, when Count Nerli was painting his portrait, Louis wrote:
"Oh, will he paint me the way I like, and as bonny as a girlie,
Or will he make me an ugly tyke; and be d to Mr. Nerli?"
When first we met, he really was "as bonny as a girlie"; with his oval face, his flushed cheeks, his brown eyes, large and radiant, and his hair of a length more romantic than conventional. He wore a wide blue cloak, with a grace which hovered between that of an Italian poet and an early pirate.
It was impossible not to discover, in a short conversation, that he was very clever, but, as a girl said once of her first meeting with another girl, "We looked at each other with horny eyes of disapproval." I thought that he was affecting the poet, and in me he found a donnish affectation of the British sportsman. He said later that I complained, concerning Monsieur Paul de St. Victor, that he was "no sportsman," though his style was effulgent.
We seldom met again, unhappily, for I was then with a family in whose company he would have been happy: all young, all kind, simple, and beautiful, and all doomed. Stevenson was then seriously ill, certainly a short walk fatigued him.
The next news I had of him was in his essay, "Ordered South," concerning the emotions, apathies, and pleasures, on that then fairy coast, of a young man who thinks that his days are numbered. After reading this paper, I was absolutely convinced that, among the writers of our generation, Stevenson was first, like Eclipse, and the rest nowhere. There was nobody to be spoken of in his company as a writer. It was not his style alonePater's style had bewitched me in his first bookbut it was the life that underlay the style of Stevenson.
The next news I had of him was in his essay, "Ordered South," concerning the emotions, apathies, and pleasures, on that then fairy coast, of a young man who thinks that his days are numbered. After reading this paper, I was absolutely convinced that, among the writers of our generation, Stevenson was first, like Eclipse, and the rest nowhere. There was nobody to be spoken of in his company as a writer. It was not his style alonePater's style had bewitched me in his first bookbut it was the life that underlay the style of Stevenson.
He came home, and found peace at home, and a less inadequate allowance, and he put up a brazen plate, "R.L. Stevenson, Advocate," on the door in Heriot Row. But his practice was a jest. Some senior men sought his society, his old friends were with him; his articles were welcomed by Mr. Leslie Stephen in "The Cornhill Magazine," and were eagerly expected by a few. Directed by Mr. Stephen, he found Mr. Henley in the Edinburgh Infirmary, and that friendship began which was of such considerable influence in his life and work.
Mr. Henley's "maimed strength," his impeded vigour, even his blond upstanding hair and "beard all tangled," his uncomplaining fortitude under the most cruel trials, and the candid freshness of his conversation on men and books, won Stevenson's heart.
In London, Stevenson appeared now and again at the Savile Club, then tenanting a rather gloomy little house in Savile Row. The members were mostly connected with science, literature, journalism, and the stage, and Stevenson became intimate with many of them, especially with the staff and the sub-editor (in those days) of "The Saturday Review," Mr. Walter Pollock; and with Mr. Saintsbury, Mr. Traill, Mr. Charles Brookfield, Sir Walter Besant; a little later with Mr. Edmund Gosse, who was by much his favourite in this little society. In addition to the chaff of the "Saturday" reviewers, he enjoyed the talk of Prof. Robertson Smith, Prof. W. H. Clifford, and Prof. Fleeming Jenkin.
Stevenson never wrote, to my knowledge, in "The Saturday Review"; journalism never "set his genius." For one reason among many, his manner was by far too personal in those days of unsigned contributions. He needed money, he wished to be financially independent, but, in the Press, his independence could not be all that he desired. He did not wield the ready, punctual pen of him whom Lockhart most invidiously calls "the bronzed and mother-naked gentleman of the Press."
His conversation at luncheon, and after luncheon, in the Club was the delight of all, but, for various reasons, I was seldom present. I do remember an afternoon when I had him all to myself, but that was later. He poured out stories of his American wanderings, including a tale of a murderous lonely inn, kept by Scots, whose genius tended to assassination. He knew nothing of their exploits at home, but, then or afterwards, I heard of them from a boatman on Loch Awe. Their mother was a witch!
At this period Stevenson was much in Paris, and alone, or with his cousin Bob dwelt at Barbizon and other forest haunts of painters. The chronicle of these merry days is written in the early chapters of "The Wrecker."
In literature he was "finding himself," in his Essays, but the world did not find him easily or early.
History much attracted him, as it did Thackeray, who said, "I like history, it is so gentlemanly." But it can only be written by gentlemen of independent means. Stevenson's favourite period was that of the France of the fifteenth century, and he studied later some aspects of that time in essays on Charles d'Orleans, in his admirable picture of Villon as a man and poet, and especially in "A Lodging for the Night," and "The Sieur de Malétroit's Door," shut on a windy night in the month after the Maid failed at Paris (September, 1429).
These unexcelled short stories really revealed Stevenson as the narrator, his path lay clear before him. But even his friends were then divided in opinion; some preferring his essays, and his two books of sentimental travel, "An Inland Voyage" (1878) and "Travels with a Donkey" (1879). These were, indeed, admirable in style, humour, description, and incident, but the creative imagination in the stories of Villon's night and of the Sieur de Malétroit's door, the painting of character, the romance, the vividness, were worth many such volumes. They were well received by the Press, these sketches of travel, but, as Monsieur Got says in his "Journal" (1857), "Les succès des délicats sont, même quand ils s'établissent, trop lents à s'établir. La foule s'est tellement démocratisée qu'il n'a pas de salut si l'on ne frappe brutalement." The needful brutality was not employed till Stevenson "knocked them" with "Jekyll and Hyde."
"The world is so full of a number of things," that a few essays, two or three short stories in a magazine, a little book of sketches in prose, may be masterpieces in their three several ways, but they escape the notice of all but a few amateurs. Mr. Kipling's knock was much more insistent; he could not be unheard. It was not by essays on Burns and Knox, however independently done, that Stevenson could make his mark.
Concerning these heroes, Scotland has a vision of her own, and no man must undo it; no man must tell, about Knox, facts ignored by Professors of Church History. Indeed, to study Knox afresh demands research for which Stevenson had not the opportunity. The Covenanting side of his nature appeared in his study of the moral aspect of Burns; his feet of clay. It is agreed that we must veil the feet of clay. As Lockhart says, Scott infuriated Mr. Alexander Peterkin by remarking that Burns "was not chivalrous." Stevenson went further, and annoyed the Peterkins of his day. His task required courage: it was not found wanting.
In 1877, Stevenson had a new, if very narrow, opening. A friend of his at Edinburgh University, a young Mr. Caldwell Brown (so Stevenson named him to me; his real name seems to have been Glasgow Brown), came to the great metropolis to found a Conservative weekly journal. "London" was its name, but Edinburgh was its nature, and base, if a base it had. The editor was "in the air"; he knew nothing of his business and its difficulties; nothing of what the Conservative public, with sixpences to spend, was likely to want. He approached some of Stevenson's friends, and he gave the Conservative party scores of lively ballades, villanelles, and rondeaux. They were brilliant. Stevenson would not tell me the author's name; he proved to be Mr. Henley, who came to town, and, on the death of Mr. Brown, edited this unread periodical. There were "Society" notes, although Mr. Henley's haunts were not those of that kind of society, and one occasional contributor ventured to remonstrate about the chatter on the "professional beauties" of that distant day.
The "New Arabian Nights," with all their humour, and horror, all their intellectual high spirits, and reckless absurdity, were poured by Stevenson into this outcast flutterer of a Tory paper, to the great joy of some of the very irregular contributors. (It was an honest fluttererits contributors received their wages.)
Then "London" died, and then seriousness enough came into the life of our Arabian author. In August, 1879, he disappeared; he went to America to marry the lady whom he had first met at Fontainebleau, whom he wedded at San Francisco (1880), and loved with all his heart.
Reconciled to his father, he returned to Scotland. His health had been anew impaired by troubles and privations, and the rest of his life in the Old World was occupied by a series of maladies, vain roamings in search of climate, and hard work constantly interrupted.
From his early childhood onwards, an army of maladies surrounded him, invested him, cut him off if, in an hour of health, he ventured on any sally; but they never overcame his invincible resolution. He was, as one of his favourite old authors says about I forget what emperor, "an entertainer of fortune by the day," making the most of every sunny hour, and the best of every hour passed under the shadow of imminent death. I remember that, soon after his marriage, he was staying in London at the house of a friend. Going to see him, I noted in him a somewhat anxious look, and I did not wonder at it! Mr. Henley was seated in a great chair, the whole of his face, from the eyes downwards, muffled in a huge crimson silk pocket handkerchief, of which the point covered his aureate beard.