RAYMOND E. FEIST
The Riftwar Saga Trilogy
Copyright
These novels is entirely a work of fiction. The names, characters and incidents portrayed in them are the work of the authors imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperVoyager
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Magician First published in Great Britain by Granada Publishing 1983
First published by HarperCollins Science Fiction & Fantasy 1993, Voyager 1997
Copyright © Raymond E. Feist 1982, 1992
Silverthorn First published in Great Britain by Grafton Books 1986
First published by HarperCollins Science Fiction & Fantasy 1995, Voyager 1997
A Darkness at Sethanon First published in Great Britain by Grafton Books 1987
First published by HarperCollins Science Fiction & Fantasy 1993, Voyager 1997
Copyright © Raymond E. Feist 1986
Raymond E. Feist asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Ebook Bundle Edition (containing Magician, Silverthorn and A Darkness at Sethanon) © 2012 ISBN: 9780007509799
Version: 2018-11-07
Table of Contents
Title Page
Copyright
Magician
Silverthorn
A Darkness at Sethanon
Keep Reading
About the Author
By The Same Author
About the Publisher
MagicianRAYMOND E. FEIST
Magician
Book One of the Riftwar Saga
Copyright
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authors imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperVoyager
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Revised edition first published by Grafton 1992 and HarperCollins Science Fiction & Fantasy 1993 and reprinted by Voyager 1997
First published in Great Britain by Granada Publishing 1983
Copyright © Raymond E. Feist 1982
Raymond E. Feist asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included and removed in accordance with the contractual and technological constraints in operation at the time of publication
Ebook Edition © SEPTEMBER 2012 ISBN: 9780007381432
Version: 2018-11-07
This book is dedicated to the memory of my father,
Felix E. Feist,
In all ways, a magician
Table of Contents
Title Page
Copyright
Dedication
Foreword to the Revised Edition
Maps
Book 1: Pug and Tomas
Chapter One: Storm
Chapter Two: Apprentice
Chapter Three: Keep
Chapter Four: Assault
Chapter Five: Shipwreck
Chapter Six: Elfcounsel
Chapter Seven: Understanding
Chapter Eight: Journey
Chapter Nine: Mac Mordain Cadal
Chapter Ten: Rescue
Chapter Eleven: Sorcerers Isle
Chapter Twelve: Councils
Chapter Thirteen: Rillanon
Chapter Fourteen: Invasion
Chapter Fifteen: Conflicts
Chapter Sixteen: Raid
Chapter Seventeen: Attack
Chapter Eighteen: Siege
Book 2: Milamber and the Valheru
Chapter Nineteen: Slave
Chapter Twenty: Estate
Chapter Twenty-One: Changeling
Chapter Twenty-Two: Training
Chapter Twenty-Three: Voyage
Chapter Twenty-Four: Krondor
Chapter Twenty-Five: Escape
Chapter Twenty-Six: Great One
Chapter Twenty-Seven: Fusion
Chapter Twenty-Eight: Emissary
Chapter Twenty-Nine: Decision
Chapter Thirty: Upheaval
Chapter Thirty-One: Deceptions
Chapter Thirty-Two: Betrayal
Chapter Thirty-Three: Legacy
Chapter Thirty-Four: Renaissance
Acknowledgements
Acknowledgement to the Revised Edition
Foreword to the Revised Edition
It is with some hesitation and a great deal of trepidation that an author approaches the task of revising an earlier edition of fiction. This is especially true if the book was his first effort, judged successful by most standards, and continuously in print for a decade.
Magician was all this, and more. In late 1977 I decided to try my hand at writing, part-time, while I was an employee of the University of California, San Diego. It is now some fifteen years later, and I have been a full-time writer for the last fourteen years, successful in this craft beyond my wildest dreams. Magician, the first novel in what became known as The Riftwar Saga, was a book that quickly took on a life of its own. I hesitate to admit this publicly, but the truth is that part of the success of the book was my ignorance of what makes a commercially successful novel. My willingness to plunge blindly forward into a tale spanning two dissimilar worlds, covering twelve years in the lives of several major and dozens of minor characters, breaking numerous rules of plotting along the way, seemed to find kindred souls among readers the world over. After a decade in print, my best judgment is that the appeal of the book is based upon its being what was known once as a ripping yarn. I had little ambition beyond spinning a good story, one that satisfied my sense of wonder, adventure, and whimsy. It turned out that several million readers many of whom read translations in languages I cant even begin to comprehend found it one that satisfied their tastes for such a yarn as well.
But insofar as it was a first effort, some pressures of the marketplace did manifest themselves during the creation of the final book. Magician is by anyones measure a large book. When the penultimate manuscript version sat upon my editors desk, I was informed that some fifty thousand words would have to be cut. And cut I did. Mostly line by line, but a few scenes were either truncated or excised.
While I could live out my life with the original manuscript as published being the only edition ever read, I have always felt that some of the material cut added a certain resonance, a counterpoint if you will, to key elements of the tale. The relationships between characters, the additional details of an alien world, the minor moments of reflection and mirth that act to balance the more frenetic activity of conflict and adventure, all these things were close but not quite what I had in mind.
In any event, to celebrate the tenth anniversary of the original publication of Magician, I have been permitted to return to this work, to reconstruct and change, to add and cut as I see fit, to bring forth what is known in publishing as the Authors Preferred Edition of the work. So, with the old admonition, If it aint broke, dont fix it, ringing in my ears, I return to the first work I undertook, back when I had no pretensions of craft, no stature as a bestselling author, and basically no idea of what I was doing. My desire is to restore some of those excised bits, some of the minor detail that I felt added to the heft of the narrative, as well as the weight of the book. Other material was more directly related to the books that follow, setting some of the background for the mythic underpinning of the Riftwar. The slightly lengthy discussion of lore between Tully and Kulgan in Chapter Three, as well as some of the things revealed to Pug on the Tower of Testing were clearly in this area. My editor wasnt sold on the idea of a sequel, then, so some of this was cut. Returning it may be self-indulgent, but as this was material I felt belonged in the original book, it has been restored.
To those readers who have already discovered Magician, who wonder if its in their interests to purchase this edition, I would like to reassure them that nothing profound has been changed. No characters previously dead are now alive, no battles lost are now won, and two boys still find the same destiny. I ask you to feel no compulsion to read this new volume, for your memory of the original work is as valid, perhaps more so, than mine. But if you wish to return to the world of Pug and Tomas, to rediscover old friends and forgotten adventure, then consider this edition your opportunity to see a bit more than the last time. And to the new reader, welcome. I trust youll find this work to your satisfaction.
It is with profound gratitude I wish to thank you all, new readers and old acquaintances, for without your support and encouragement, ten years of ripping yarns could not have been possible. If I have the opportunity to provide you with a small part of the pleasure I feel in being able to share my fanciful adventures with you, we are equally rewarded, for by your embracing my works you have allowed me to fashion more. Without you there would have been no Silverthorn, A Darkness at Sethanon, Faerie Tale, and no Empire Trilogy. The letters get read, if not answered even if they sometimes take months to reach me and the kind remarks, in passing at public appearances, have enriched me beyond measure. But most of all, you gave me the freedom to practice a craft that was begun to see if I could do it, while working at the Residence Halls of John Muir College at UCSD.