Im sorry. I told you yesterday, I am not going off on some wild goose chase to see a cottage I dont want in a county I dont like on a weekend I want to stay at home!
He had been furious when she confessed she had rung the agent that morning at nine a.m.
Yes, youre right. It is Lizas. The young mans voice had been hoarse, as though he had a bad cold. Yes, it is still on the market. Theres been a lot of interest, but no one has made a definite offer yet. Yes, you could view it today.
Lizas. She had repeated the name to herself as she hung up. Lizas Cottage.
Will Fortingale, the young man at the estate agents, did indeed have a bad cold. His nose was red and swollen and he was clutching a large handkerchief as he opened the filing cabinet and pulled out a folder of particulars and a bunch of keys.
Do you know how to find it? He withdrew a couple of stapled sheets of A4 and handed them to her.
It was a long time ago.
Right. Well. Its not occupied, so they wont mind you looking round it on your own. You dont want me to go with you? He glanced up anxiously and she saw the relief in his eyes as she shook her head. He had summed her up as she walked through the door. He could always tell a serious buyer and Emma Dickson wasnt a serious buyer. There was no point in trying too hard with this sale, especially as he was feeling so damn rotten.
She waited whilst he scribbled down some instructions for her, found and photocopied a local map, handed her the keys, then she was out in the street again.
She did not remember Manningtree at all. She stood outside the agents shop and stared round in delight. It was a pretty town, the centre consisting as far as she could see of little more than the narrow, busy main road in which she was standing with a couple of other streets crossing it at right angles. She squinted at the map in her hand. She was standing on the corner of Church Street. South Street ran parallel with it fifty yards or so along. All were hung with flower baskets old houses and shops alike decorated with fuchsia and geraniums, lobelia and ivy. She pressed back against the wall as a car swept by and hesitated for a moment, wondering if she should have a cup of coffee somewhere before going on to see the house. She had left home without having any breakfast, and she had been on the road so long she was feeling quite weak. Besides, she was, she realised, suddenly a little apprehensive about finally going inside the house whose keys were clutched in her hand. The whole enterprise had acquired an emotional overload which had begun to alarm her.
She could see a coffee house from where she was standing outside an empty shop, its windows whitewashed, a For Sale notice hanging from the jettied storey above the front door. As she stood hesitating the door opened and a man came out. Talking hard and looking over his shoulder back into the shop he cannoned into her violently, nearly knocking her off her feet.
Oh my God, Im sorry! He grabbed her arm and steadied her as she staggered into the gutter, the cottage keys flying out of her hand. Oh shit! Let me get those. Have I hurt you? Come and sit down a minute.
Before she knew it she had been drawn through the door into the empty shop and pushed into a folding canvas chair.
Im OK, honestly. She had finally got her breath back enough to speak.
No youre not, look at your foot!
She looked down at her sandalled feet. Below her pink jeans her ankle looked a bit swollen and was already distinctly black. Its not as bad as it looks, honestly. She was overwhelmed and not a little embarrassed by his concern. Itll be fine.
The man who was now kneeling at her feet was tall and wiry, probably like her in his mid-thirties. Dressed in blue jeans and a checked shirt he had short cropped dark hair and a long, rather mournful face. It doesnt look fine to me. I am a clot. I never look where Im going. Colin, do something!
Emma had not even realised there was someone else in the room. The man who now stood forward was shortish and solidly built with pepper-and-salt hair, perhaps in his mid-forties. He grinned at her peaceably.
My colleague is always flattening people and I constantly find myself picking them up! His voice had the unmistakable singsong of the Welsh hills. Would you like a doctor, an ambulance, a bandage, a lawyer or a cup of coffee?
Emma burst out laughing. Ill settle for a coffee. That is where I was heading when we bumped into each other.
God, thats tactful! The younger man straightened up. Bumped into each other! I completely bulldozed you.
Youre forgiven! Emma was rubbing her foot. Much as Im enjoying the sympathy this is not a bruise, you know. Its actually dirt.
Off my great clumping shoes. The younger man looked down at his feet ruefully. This place is filthy.
Ill fetch us some coffee while Mark looks after you. The Welshman fished in his pocket for some change. We have made an arrangement with the café next door. They will let us bring real cups across here and they have nice home-made cakes and buns. He winked.
Are you buying this shop? Emma looked round for the first time as he disappeared out into the street. The man she now knew as Mark shook his head. God, no. In fact I gather the shop is almost unsaleable. There was another folding chair in the room beside the one in which Emma was seated, and two large metal cases of what looked like cameras and photographic equipment, a heavy coil of cable, two large canvas bags and a spotlight on a tripod. Uneven oak floorboards covered in dusty footmarks and heavily beamed walls and ceiling proclaimed the age of the building. In the far corner a broad flight of stairs led up out of sight. There was an ugly modern counter to one side of them, bare but for a couple of notebooks, two empty coffee cups presumably from the obliging café next door pen, light meter and clipboard.
Youre photographers? Emma waggled her foot experimentally.
Film. TV. Mark turned to his briefcase and pulled out a pack of Kleenex. He proffered it hopefully. Will this help clean you up? Or theres a loo upstairs.
Actually I might go up and wash my hands. She pulled herself to her feet with a wince.
Straight up. You cant miss it. He grinned. It was his lucky day. A beautiful woman, literally, falling at his feet!
Glancing into the upper room from the landing at the top of the stairs she saw that it was large and empty, the windows leaded and dusty. A bluebottle was beating against one of the panes and on the floor below the sill she could see the bodies of several others. She shivered. In spite of the frenzied buzzing of the fly there was a strange stillness in the room which was unnerving.
She found the cloakroom, cleaned off most of the dust, washed her hands and was making her way back towards the empty room when she heard someone walking across the floor towards the staircase. She paused in the doorway, looking round. Mark?
There was no answer. Mark, are you there? The room was empty. The bluebottle was lying on its back on the window sill, spinning feebly in circles. She stepped cautiously into the room. Hello? Is there anyone here?
The silence was intense, as though someone was holding their breath, listening.
Mark? Colin? She stared round nervously. Who is it? Whos there?
There was no answer.
The silence was intense, as though someone was holding their breath, listening.
Mark? Colin? She stared round nervously. Who is it? Whos there?
There was no answer.
Retreating to the top of the stairs she glanced back towards the window and caught her breath in surprise. There was someone there, surely. A stooped figure, staring at her across the pile of boxes in the middle of the floor.
Welcome back.
The words seemed to hang in the air.
For a moment she couldnt move, her eyes locked onto the pale, indistinct face, then a child shouted suddenly in the street below and the moment was over. The figure was gone a mere trick of the light the room was empty.
She felt a knot of fear tightening in her chest. Sternly she dismissed it. Hurrying downstairs she limped towards her chair and flung herself down in it, shaken. You werent upstairs just now, were you?
Mark glanced up from the notebook he was writing in. No. Why?
She shrugged. I thought I heard someone up there. Cautiously she began to rub her ankle.
He scrutinised her face for a moment. Really?
She nodded. It was a bit spooky, to be honest! She gave a small apologetic laugh. It was probably my imagination. Did you say you were making a film here?
Mark nodded. A documentary.
And what is so special about this place? I mean, I can see its very old and attractive, but presumably thats not enough to warrant a film?
Mark shook his head. No. Well, as I think you might have guessed, its part of a series on haunted buildings. He gave a wry laugh. You werent thinking of buying it, were you? He nodded towards the keys lying next to her bag. The estate agents tag was large and obvious.
She shivered ostentatiously. Good Lord, no. I was on my way to see a country cottage. She frowned uncertainly. Perhaps Im going mad, but I think I might have seen your ghost up there. A figure, by the window. Does that sound likely?
Mark stared. Its possible. What did it look like?
Sort of wan and transparent!
He grinned. Sounds fairly authentic. Im jealous. I havent seen a thing yet.
It could have been a trick of the light.
True. He was watching her closely.
She raised an eyebrow. So, who is this ghost? And quite suddenly she didnt want to know. She quite desperately didnt want to know. But it was too late. Mark was launching into his story.
OK, Ill tell you the full sordid tale. This shop is so haunted it has been owned or leased by about a dozen different businesses in the last few years. No one stays long and now its reputation goes before it so its been on the market for three years.
And youre going to film the ghost? Without realising it Emma had wrapped her arms around herself tightly. She glanced up at the ceiling.
Thats the general idea. We heard about it in a roundabout way through one of our scouts who had worked on House Detectives just up the road, and after a bit of research we felt it would fit our series really well. Ah, Colin, sustenance!
The Welshman had appeared in the doorway with a tray. On it were three large cups of coffee and a plate of cakes. He slid the tray onto the counter. If this project takes more than a day or two Im going to want danger money for cake overload. He passed Emma the plate. Please take the chocolate one because if you dont I will and I mustnt. He patted his stomach ruefully.
Laughing uneasily, Emma helped herself to a large sticky slice. Anything to oblige. She glanced round the room. The atmosphere was better now. Normal. Have you seen it, Colin?
It?
The ghost.
Ah, Colin glanced at Mark. No, not yet. And Id be grateful if you didnt spread it around why were here. Weve told the café people were surveyors. Which I suppose, if one were being a little bit disingenuous, one could say was true. They know the story of course, and theyll find out in the end why were here, but I dont want every bored kid in town tapping on the windows and wailing at the locks the moment it gets dark if I can help it.
Have you filmed ghosts before? In spite of the distraction of the chocolate cake, she couldnt stop herself thinking about the silent upstairs room with its shadowy occupant.
Yup. Mark took a bite of coffee and walnut. With mixed results and open to all sorts of questions but Col and I were pretty convinced wed caught something. The last one was up in Lincolnshire.
This is a difficult one. Colin sat down in the other chair. The story involves this whole town. Its a very emotive subject. This place is supposed to be haunted by several ghosts, amongst them a guy called Matthew Hopkins. He was Oliver Cromwells Witch-finder General. One of those all-time villains of history. You must have heard of him? There was a film about him.
A bit before her time! Mark grinned. It was a Michael Reeves film. 1968. Our hero was played by Vincent Price, who was fifty-seven years old at the time, although Matthew actually seems to have died before he was twenty-five. He sucked his breath in through his teeth. Well, we all know about historical veracity in films. Perhaps we can do something to put some facts in place. There is enough horror in the truth here, from what I gather.
I do remember the film. Emma frowned. She was feeling uncomfortable again, ever more aware of that upstairs room. I must have seen it on TV. I dont know if that was based on fact, but werent hundreds of poor old women burned at the stake? She shuddered.
Ah, well, no. Mark squatted down on the floor beside one of the bags and drew out a file of papers. Im still researching, but it seems that they werent burnt at all. They were hanged. And there werent hundreds of them. More like dozens.
Mark is getting all evangelical about this one, Colin grinned, almost indulgently. But that is good. We have to get the facts right. Then whatever story there is here will be all the stronger. Hopkins is supposed to have tortured some of his victims in this building this shop was part of a much larger house originally. It belonged to the Phillips family and Mary Phillips, who worked with Matthew Hopkins, lived here at some point. She was a really nasty piece of work. She pricked the witches with a vicious spike to find the Devils mark.
Oh, thats awful. Emma stood up. Is that her I saw upstairs? Suddenly she was shivering violently.
You saw something? Colin stared at her. A psychic, eh? Bloody hell! And youve only been here two minutes! Well, perhaps we can use you to entice the ghosts out for us.
I dont think so! Emma shuddered. No. She shook her head. No, it was my imagination.
Mark grinned. Youve gone quite white. Theres nothing to be scared of not in broad daylight. He raised an eyebrow. As you say it was probably a trick of the light. The trouble is, once stories like this one start going round they take off like wildfire, then everyone who sees a shadow thinks its a ghost, and then its hard to separate out the objective from the subjective from the downright lies. Although as Colin says, there seems to be so much round here thats quite sinister, almost as though He paused and shrugged. I dont know. Theres a sort of evil ambience about this place. Not just the shop, but this whole area. He paused thoughtfully. Odd, when its all so pretty. Sorry. Take no notice. Were going to be very objective about this, arent we, Col? Were conducting interviews over the next week or so and of course well be filming in here day and night. Its a good opportunity while the shop is empty. Theyre arranging yet another short let and once thats under way we wont be able to get in.