Fludd
Hilary Mantel
Copyright
Fourth Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
This edition published by Fourth Estate 2010
FIRST EDITION
First published by Viking 1989
Published in paperback by Harper Perennial 2005
Copyright © Hilary Mantel 1989
PS section copyright © Sarah OReilly 2010
PS is a trademark of HarperCollinsPublishers Ltd
Hilary Mantel asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is a work of fiction.
The characters and incidents portrayed in it are the work of the authors imagination.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
Source ISBN: 9780007172894
Ebook Edition © APRIL 2010 ISBN 9780007354931
Version: 2019-06-07
For Anne Ostrowska
Note
The Church in this story bears some but not much resemblance to the Roman Catholic Church in the real world, c. 1956. The village of Fetherhoughton is not to be found on a map.
The real Fludd (15741637) was a physician, scholar and alchemist. In alchemy, everything has a literal and factual description, and in addition a description that is symbolic and fantastical.
Excerpt
You are familiar, no doubt, with Sebastiano del Piombos huge painting The Raising of Lazarus, which hangs in the National Gallery in London, having been purchased in the last century from the Angerstein collection. Against a background of water, arched bridges and a hot blue sky, a crowd of people presumably the neighbours cluster about the risen man. Lazarus has turned rather yellow in death, but he is a muscular, well-set-up type. His grave-clothes are draped like a towel over his head, and people lean towards him solicitously, and seem to confer; what he most resembles is a boxer in his corner. The expressions of those around are puzzled, mildly censorious. Here in the very act of extricating his right leg from a knot of the shroud one feels his troubles are about to begin again. A woman Mary, or maybe Martha is whispering behind her hand. Christ points to the revenant, and holds up his other hand, fingers outstretched: so many rounds down, five to go.
Table of Contents
Cover Page
Title Page
Copyright
Dedication
Note
Excerpt
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
P.S. Ideas, interviews & features
About the author
A Kind of Alchemy
LIFE at a Glance
A Writing Life
Read on
Have You Read?
By the same author
About the Author
Praise
About the Publisher
Chapter One
On Wednesday the bishop came in person. He was a modern prelate, brisk and plump in his rimless glasses, and he liked nothing better than to tear around the diocese in his big black car.
He had taken the precaution advisable in the circumstances of announcing himself two hours before his arrival. The telephone bell, ringing in the hall of the parish priests house, had in itself a muted ecclesiastical tone. Miss Dempsey heard it as she was coming from the kitchen. She stood looking at the telephone for a moment, and then approached it gingerly, walking on the balls of her feet. She lifted the receiver as if it were hot. Her head on one side, holding the earpiece well away from her cheek, she listened to the message given by the bishops secretary. Yes My Lord, she murmured, though in retrospect she knew that the secretary did not merit this. The bishop and his sycophants, Father Angwin always said; Miss Dempsey supposed they were a kind of deacon. Holding the receiver in her fingertips, she replaced it with great care. She stood in the dim passageway, for a moment, thinking, and bowed her head momentarily, as if she had heard the Holy Name of Jesus. Then she went to the foot of the stairs and bellowed up them: Father Angwin, Father Angwin, get yourself up and dressed, the bishop will be upon us before eleven oclock.
Miss Dempsey went back into the kitchen, and switched on the electric light. It was not a morning when the light made a great deal of difference; the summer, a thick grey blanket, had pinned itself to the windows. Miss Dempsey heard the incessant drip, drip, drip from the branches and leaves outside, and a more urgent metallic drip, pit-pat, pit-pat; it was the guttering. Her figure moved, the electric light behind it, over the dull green wall; immense hands floated towards the kettle; as in a thick sea, her limbs swam for the range. Upstairs, the priest beat his shoe along the floor, and pretended to be coming.
Ten minutes later he had got himself up; she heard the creak of the floorboards above, the gurgle of water from the washbasin, his feet on the stairs. He sighed as he came down the hallway, his solitary morning sigh. Suddenly he was behind her, hovering: Agnes, have you something for my stomach?
I daresay, she said. He knew where the salts were kept; but she must get it for him, as if she were his mother. Were there many at seven oclock Mass?
Its funny you should ask, Father said, just as if she did not ask it every morning. There were a few old Children of Mary, along with the usual derelicts. It wouldnt be some special feast of theirs, would it? Walpurgisnacht?
I dont know what you mean, Father. Im a Children of Mary myself, as you perfectly well know, and Ive not heard of anything. She looked aggrieved. Were they wearing their cloaks and all?
No, they were in mufti, just their usual horseblankets.
Miss Dempsey brought the teapot to the table. You ought not to make mock of the Sodalities, Father.
I wonder if something has got out about the bishop coming? Some intelligence of a subterranean variety? Am I to have bacon, Agnes?
Not with your stomach in its present state.
Miss Dempsey poured from the pot, a thick brown gurgling stream, adding to the noise: the dripping trees, the wind in the chimneys.
And another thing, he said. McEvoy was there. Father Angwin hunched himself over the table. He warmed his hands around his cup. When he said the name of McEvoy, a shadow crossed his face, and hovered about his jaw, so that Miss Dempsey, who was given to imagination, thought for a moment she had seen what he would look like when he was eighty years old.
Oh yes, she said, and did he want something?
No.
I wonder why you mention him then?
Dear Agnes, give me some peace. Go and let me compose myself for His Corpulence. What does he want, do you think? Whats he after this time?
Agnes went out, a duster in her hand, her face full of complaints. Whatever he had meant about subterranean intelligence, surely he was not accusing her? Nobody but the bishop himself, forming the intention in his deep heart, had known he meant to visit except perhaps the sycophants might have known. Therefore she, Miss Dempsey, could not know, therefore she could not hint, divulge, reveal, to the Children of Mary or anyone else in the parish. Had she known, she might have mentioned it. Might if she had thought that anyone needed to know. She herself was the judge of what anyone needed to know. For Miss Dempsey occupied a special mediatory position, between church, convent and everyone else. To acquire information was her positive duty, and then what she did with it was a matter for her judgement and experience. Miss Dempsey would have eavesdropped on the confessional, if she could; she had often wondered how she might manage it.
Left at the breakfast table, Father Angwin stared into his teacup, and shifted it about. Miss Dempsey had not mastered the use of a strainer. Nothing in particular could be seen in the leaves, but for a moment Father Angwin thought that someone had come into the room behind him. He lifted his face, as he did in conversation, but there was no one there. Come in, whoever you are, he said. Have some stewed tea. Father Angwin was a foxy man, with his dead-leaf-colour eyes and hair; head tilted, he sniffed the wind, and shied away from what he detected. Somewhere else in the house, a door slammed.
Consider Agnes Dempsey: duster in hand, whisking it over the dustless bureau. In recent years her face had fallen softly, like a piece of light cotton folding into a box. Her neck too fell in floury, scalloped folds, to where her clothing cut off the view. Her eyes were round, child-like, bright blue, their air of surprise compounded by her invisible eyebrows and her hair, a faded gold streaked with grey, which sprang up from her hairline as if crackling with static. She had pleated skirts, and short bottle-shaped legs, and pastel twin-sets to cover the gentle twin hummocks of her bosom. Her mouth was small and pale and indiscernible, made to ingest the food she liked: Eccles cakes, vanilla slices, miniature chocolate Swiss rolls that came wrapped in red-and-silver foil. It was her habit to peel off the foil carefully, fold it as thin as a pencil, twist it into a ring, and pop it on her wedding finger. Then she would hold out both hands fingers bloodless and slightly bent by incipient arthritis and appraise them, a frown of concentration appearing as a single vertical line at the inner corner of her left eyebrow. Then she would rest her hand on her knee for a little; then remove the ring, intact, and throw it on to the fire. This was Miss Dempseys private habit, which no one had ever seen. Above her upper lip, on the right-hand side, she had a small flat wart, colourless as her mouth itself. It was hard for her not to touch it. She was afraid of cancer.
By the time the bishop came bustling in, Father Angwin had got over his hangover. He sat in the parlour, with his neat ingratiating smile. Father Angwin, Father Angwin, the bishop said, crossing the room, and taking him in a grip; hand squeezing upper arm, hand pumping hand, quite beside himself with joviality, and yet those episcopal bifocals glinting and swimming with suspicion, and the episcopal head turning, turning from side to side, like a mechanical toy that you shoot for at a fair.
Tea, Father Angwin said.
No time for tea, said the bishop. He took up a stance on the hearthrug. Ive come to talk to you on the subject of uniting all right-thinking people in the family of God, he said. Now then, now then, Father Angwin. Im expecting trouble from you.
Are you going to sit, or what? Father Angwin asked him diffidently.
The bishop clasped his pink hands before him. He looked severely at the priest, and swayed a little on the spot. The next decade, Father Angwin, is the decade of unity. The decade of gathering-in. The decade of Christs human family. The decade of the Christian community in communion with itself. Agnes Dempsey came in with a tray. Oh, since youve brought it, the bishop said.
When Miss Dempsey had left the room her knees had become stiff, owing to the wet weather, and she was obliged to take her time Father Angwin said, Do you mean the decade of burying the hatchet, by any small chance?
The decade of reconciliation, the bishop said, the decade of amity, the decade of coexistence and the decade of the many-in-one.
Youre talking like a person right outside my experience, Father Angwin said.
The ecumenical spirit, the bishop said. Dont you feel it in the breeze? Dont you feel it wafted to you on the prayers of a million Christian souls?
I feel it breathing on my neck.
Am I ahead of my time, or what? the bishop asked. Or is it you, Father Angwin, closing your ears and deaf to the wind of change? And you might pour the tea, for I cant abide tea stewed.