After a time the flight attendant moseys up the aisle bearing a white plastic bag with a red drawstring slotted into its lip. Same kind he has at home, a convenient model that flatters his farsightedness whenever he purchases a box. J. deposits his trash and the trash from the middle tray into the bag. He returns his tray to the upright position. He almost shuts the middle tray too but then realizes that he may have trespassed by disposing of her trash. She had extended her zone to cover the empty seat fair and square. At least his armrests are uncontested. Just to make sure he grips them tightly. When the plane comes to rest at the gate, the woman grabs her briefcase and coat and shuffles toward him. His only revenge for her excellent gamesmanship during the flight is to sit still and patient as she fidgets beside him, her hand rapping her thigh and eyes prying open the overhead from afar. She is not going to move through him. J. stands when he is good and ready, when it is their rows turn out of the bottleneck. I take it where I can get it, he says to himself.
Forget the South. The South will kill you. He possesses the standard amount of black Yankee scorn for the South, a studied disdain that attempts to make a callus of history. It manifests itself in various guises: sophisticated contempt, a healthy stock of white trash jokes, things of that nature, an instinctual stiffening to the words County Sheriff. One look at the cannibals massing at the arrival gate and his revulsion rubs its paws together and hisses. The faces are different: He always feels this fact keenly when he touches down in a place he has never been before. But on this occasion his dread expresses itself so forcefully that he has half a mind to scurry back up the ramp for the protection of his aisle seat. He has arrived at a different America he does not live in. The undiagnosed press toward the gate waiting for kin. Placed hip-to-hip, the rivulets and shadings of their acid-washed jeans describe a relief map of blighted confederacy. Powerline kids suck fingers. Between the hems of oversized shorts and lips of polyknit athletic socks sally bright red lobster flesh and craggy knees, dumb and unashamed things, sea-bottom tubers uncataloged by any known system of biological taxonomy. (None of this is true, of course, but perception is all; to and from each his own dark continent.) One man had fashioned his beard into a slim rattail, they all draw from the same tainted well, it is simply disturbing.
Forget the South. The South will kill you. He possesses the standard amount of black Yankee scorn for the South, a studied disdain that attempts to make a callus of history. It manifests itself in various guises: sophisticated contempt, a healthy stock of white trash jokes, things of that nature, an instinctual stiffening to the words County Sheriff. One look at the cannibals massing at the arrival gate and his revulsion rubs its paws together and hisses. The faces are different: He always feels this fact keenly when he touches down in a place he has never been before. But on this occasion his dread expresses itself so forcefully that he has half a mind to scurry back up the ramp for the protection of his aisle seat. He has arrived at a different America he does not live in. The undiagnosed press toward the gate waiting for kin. Placed hip-to-hip, the rivulets and shadings of their acid-washed jeans describe a relief map of blighted confederacy. Powerline kids suck fingers. Between the hems of oversized shorts and lips of polyknit athletic socks sally bright red lobster flesh and craggy knees, dumb and unashamed things, sea-bottom tubers uncataloged by any known system of biological taxonomy. (None of this is true, of course, but perception is all; to and from each his own dark continent.) One man had fashioned his beard into a slim rattail, they all draw from the same tainted well, it is simply disturbing.
An image of the impending buffet shimmers in the air before him and his seizure subsides. Hes been to Atlanta a few times, but Atlanta is a chocolate city and he was never permitted to stray from the record companies publicity circuits. Covered Mardi Gras for the travel section of a daily in Des Moines, but felt protected in the prevailing madness of celebration, which creates pockets of safety and violence in equal measure. Stopovers in Texas but damned if he left the borders of terminal city. It is not difficult to indulge his preferences; media events tend to emerge near media centers and that means the coasts. Hes been very conscientious about staying away from the forge of his races history. And now here he is in Charleston, West Virginia, at the behest of the United States Postal Service and a smudge town called Talcott to cover the unveiling of a postage stamp, inertial, grubbing, hoarding receipts, because he is on a three-month junket jag he is too unwilling or too scared to break. He thinks, these people are liable to eat me.
J. searches for his name in crayon on a slab of cardboard but cannot find his driver at the gate or at baggage claim. Nice summer day: the man is probably down at the fishing hole. Or rocking in a frayed hammock. He decides to wait outside.
Hubbub of vehicles at the curb. He doesnt have much choice other than to wait. He has no idea where he is going. Yeager Airport, named after Brigadier General Charles E. Chuck Yeager, or so he reads on a well-polished bronze plaque. Chuck Yeager is a native son. No wonder he took flight. J. waits for his driver to pull up in a red pickup with a bunch of chickens in the back spitting feathers.
In the passenger loading and unloading zone the carbon monoxide, so terrible after the careful atmosphere of the terminal, hangs low around his heels, heavier than air. A gang of dirty clouds loiters over there. J. says, What a dump, and for the second time that day he blesses the certainty of airports because he can always turn around and go someplace else.
United States Postal Service Postal News For Immediate Release
June 6, 1996 American Folk Hero Comes to Life in Stamp Series
WASHINGTON One of Americas best-loved folk heroes will come to life this summer when the town of Talcott, West Virginia, holds the first annual John Henry Days festival, which will coincide with release of the U.S. Postal Services Folk Heroes stamp series. Since the 1870s, John Henry has been extolled as a strongman born with a hammer in his hands and the ability to drive steel for ten continuous hours. It is said that while working for the Chesapeake & Ohio Railroad on the Big Bend Tunnel just outside Talcott, John Henry challenged a steam drill to a race and swung his hammers so hard that he beat the machine. Railroad workers who arduously labored during the building of the nations rail system literally sang the praises of this hero.
The town of Talcott is pleased to honor one of its famous residents. On the weekend of July 12, 1996, the town will host the inaugural John Henry Days festival, a three-day celebration of railroad history and local culture. Representatives of the United States Postal Service will be on hand for the official unveiling of the Folk Heroes stamp series, and many surprise guests and activities have been scheduled. Folk heroes like John Henry represent the best of American values, said Postmaster General Marvin Runyon. The U.S. Postal Service is proud to continue their tales through our commemorative stamp series.
Joining John Henry on the Folk Heroes series are Paul Bunyan, Mighty Casey and Pecos Bill. Paul Bunyan, according to lore, was a giant lumberjack who journeyed the country with Babe, the Blue Ox, clearing trees. Bunyan was a hero to legions of lumberjacks, who spun yarns about Bunyan clearing acres of outsized trees and employing legions of loggers from across the continent. Generations of children have heard the classic Casey at the Bat, which first appeared in the San Francisco Examiner in 1888. Written by Ernest Lawrence Thayer and popularized by William DeWolf Hopper, that ballad relates the story of an arrogant young baseball player who strikes out at bat, causing his team to lose an important game. Since his original tale appeared in Century Magazine in 1923, Pecos Bill and his mastery of the American frontier have been a part of our national lore. Legend contends that this folk hero was raised by a coyote and was rugged enough to ride a mountain lion and commandeer a rattlesnake as a lasso.
The stamps were designed by artist Dave La Fleur of Derby, Kansas, and will be available nationwide beginning July 15. The folk heroes are illustrated exactly as in at least one written version of their tales, said stamp artist La Fleur. Each heros most memorable moment is depicted: Casey just before he swings his bat, John Henry wielding his hammer, Paul Bunyan his ax, and Pecos Bill his rattlesnake.
The Postal Service will issue 113 million Folk Heroes series stamps in panes of twenty stamps. Each pane will sell for $6.40.
A special reception for members of the media will be held on Friday, July 12, at the historic Millhouse Inn. Accommodations will be arranged. If you plan to attend this event, please contact rlene at the Summers County Visitors Center.
J sits in the backseat of an American car of recent vintage. Jesus Christ r. hangs from the rearview mirror and shakes at every turn as if trying to wiggle His crucifix from the ground. Arnie apologizes again for being late to pick up J. at the airport.
J. says no problem. He looks out the back window and returns to his activity of the past ten minutes, a cool contemplation of the eighteen-wheeler chasing their rear bumper. A plastic sheet detailing the Confederate flag dominates the trucks front grille. He cant see the driver but he waves hello to the black window and turns. Around him the outlands of the city of Charleston, clumps of industrial parks and jumbo shopping centers and entire new species of parking lot, recede into the countryside. There is the problem of horizontal space. In the distance J. sees mountains, insurgent green lids peering over the rim of the world, whenever the smaller peaks the road cleaves through allow him to see that far. Did the settlers ever think theyd get past these slopes, J. asks himself. Cross an ocean, they make it this far into the land and worry that the whole place is like this: a concatenation of cliffs and banks, as if some hobgoblin roosting on the other side of the hills had shoved up the earth. Like a giant kicking a bunch of green carpet. Hearty folk, the mountain people.