“I have marked thee well,” continued the frantic man, “and I have seen thee pause upon the threshold of the holy house of God, and kneel in mockery upon the steps before it: but thou hast never dared to enter it. Thou knewest well that the devil thou servest would have torn thee in pieces hadst thou done it. Ha! do I catch thee there?” he continued, as at these words the woman buried her face between her hands.
“Thou canst not deny it!” shouted the witchfinder with an air of triumph.
“God best judges the motives of the heart,” murmured Magdalena.
“I will tell thee more, vile hag, and thou shalt hear it face to face,” pursued the cripple, seizing the poor woman’s arms with his long bony fingers, and dragging her hands from before her face, in spite of her efforts at resistance. “Thou watchest at street corners and in doorways, on the bridge or on the causeway, to see fair Fraulein Bertha, the Ober-Amtmann’s daughter, ride past upon her ambling jennet, or mount the church-steps, her missal in her hand. Thou watchest her to cast thy spells upon her. Thou hatest her for her youth and beauty and spotless purity, like all thy wretched tribe, whom the sight of innocence and brightness sickens to the heart’s core. Thou wouldst fascinate her with thy eye of evil and thy deadly incantations.”
The moon, the light of which still struggled faintly through the fast-accumulating clouds, shone for a moment upon the face of old Magdalena, as the cripple pronounced these words. Her features were more deadly pale than usual, and convulsed with an excess of agitation at this mention of Bertha’s name, which she evidently struggled to control in vain.
“Ah! I have thee there again!” screamed Claus in triumph a second time. “Already have I seen her cheek grow pale, her head bow down like a blighted flower, her walk become weary with faintness. Hast thou already been at thy filthy machinations? But Black Claus, the witchfinder, is there to wrestle with the powers of evil. And hear me! That fair sweet girl is the only comfort of my wretched life. My soul grows calm and soothed when I look upon that lovely face. A ray of sunshine gleams upon the darkness of my path when her smile beams upon me. My heart leaps within me for joy when her small white hand drops an offering into my beggar’s bowl. She is my only life, my only joy, and my guardian angel. And couldst thou harm her, woman, no torment should be too horrible for thee, body and soul. The chains of the stake still lie upon the market-place—the ashes of yon pile still reek with heat; and the pile shall rise again, the chains shall bind once more. Wretched hag! I bid thee again beware!”
As with one hand the raving witchfinder pointed to the spot where one unhappy woman had already perished that day, a victim to the superstition of the times, Magdalena, who, during his praise of the fair girl, had again looked at him with awakened interest, disengaged herself from the other. “God’s will be done!” she said with humility. “I am prepared for all. But thou, unhappy man!” she continued, “beware in turn, lest, before thou hast time to repent thee of the hardness and cruelty of thy heart, His judgement fall on thee, and his justice punish thee.”
She spoke with hand upraised to heaven; and then, pulling her hood over her face, hurried from the market-place.
The witchfinder gazed after her, fixed to the spot, and for a moment awe-struck by her words. As he still stood struggling with his various passions, the storm, which had been gathering ever since sunset, began to burst over his head. The rain came down in torrents.
“Ah! was it that?” screamed the beggar, with a fit of wild laughter. “The miserable old beldam! she stretched out her finger to the sky, and it was to bring down these waterspouts upon my head. Curses on the foul malicious fiend!” And he spat upon the ground, as if to exorcise the evil spirit.
“But I must find shelter,” he murmured. “Already pains rack my limbs; my bones ache; a shudder runs through my frame! The old hag has worked her spell upon me. Apage, Sathanas! Anathema!”
Speaking thus, the wretched man shuffled along as fast as the crippled state of his limbs, and the acute pains of rheumatism, which the damp night-air had again brought upon him, would allow him to proceed. He staggered to the shelter of a doorway, which was placed under the advancing terrace of the town-hall, and between two staircases which descended on either side on to the market-place. The protruding vault of the Gothic archway afforded him some refuge from the storm, which now burst down with increased violence. But the excited witchfinder’s brain seemed to wander, as he caught an indistinct vision of the gaping jaws of the dragons and other grotesque monsters, which protruded as waterspouts from the roofs of the surrounding houses, and now disgorged torrents of rain.
“Spit, spit, ye devils all!” he shouted aloud. “Ye cannot reach me here. Ha! ha! rage, storm, spew forth your venom, do the bidding of your mistress—I defy you!” And as the wind swept round the corners of the building, and spattered some of the water of the gushing cataracts in his face, he cried, “Avaunt!” as if speaking to a living thing, and, clinging to the bars of an aperture in the upper part of the door, turned away his face.
As he thus came to look upon the strongly-barred opening in the door, the current of his ideas changed. Within was the small and wretched prison of the town, which just occupied the space of the terrace above—a miserable hole.
“There she lay this morning,” he murmured, looking into the interior, which was now in utter darkness, and quite empty—“there she lay, old Martha Dietz, and called in vain upon the demon who deserted her. There have lain all the foul hags who tortured my poor aching limbs. There shall she lie also, the scoffer and reviler, the worker of evil. The witchfinder will be revenged. Revenge! no, no! He will do the work of the holy church. Who shall say the contrary? Not thou, old Martha—nor thou—nor thou. If ye say so, ye lie in death, as ye have lied in life. Ay! glare upon me with your lack-lustre eyes. Ye are powerless now, though ye are there, and make mouths at me. One—two—three—God stand by me! There they are—all seven!”
With a wild scream of horror, the cripple covered his eyes with his hands, and rushed forth into the tempest.
Situated in the picturesque and fertile valley of the Saale, the town of Hammelburg stands upon a gentle declivity, commanding one of the numerous windings of the river, and sloping downwards to its banks. A part of the old walls of the town is thus bathed by the waters of the stream, which, calm and peaceful in the summer months, become tumultuous, and even dangerous, during rainy weather, or after the melting of the snows. From the ancient gateway of the town on the river side, a triple bridge of great length and many arches, which, in the dry season, seems to occupy a most unnecessary space across the narrower waters, but which, at other times, scarce suffices to span the extent of the invading inundation, affords a communication with the high-road.
At the commencement of the sixteenth century, this bridge was only constructed of wood, and although put together with rude strength, ill-sufficed to resist the force of the torrents, and had been repeatedly swept before them.
Not far from the town gateway that commanded this bridge, stood a huge mansion, constructed as a palace for the Prince Bishops of Fulda, the sovereign rulers of the district; although, at the period in question, it had been ceded to the Ober-Amtmann, a near relation of the reigning bishop, as his official dwelling. On the side of this ancient palace furthest removed from the town gate, ran, along the river’s banks, its spacious gardens, abutting at their extremity upon the premises of an extensive Benedictine monastery, from which they were only separated by a narrow lane, that led from the town to the river. At the very angle of this lane, where it opened by a small water-gate upon a narrow towing-path, skirting alike the town-walls and the banks of the stream, there stood a low building attached to the monastery, the upper story of which thus overlooked the old gardens of the palace on the one hand, and, on the other, the river banks.
At one of the windows of this humble dwelling, that which overlooked the palace gardens, stood a young man, intently gazing through its small octagon panes. Two or three times he turned away with a heavy sigh, as if wearied with long and vain watching, and as often returned again to his previous occupation. At length the opening of the door of the room startled him from his position; and as if ashamed of being caught in the act of looking out, he hurried to a table in the middle of the room, and flung himself into an old chair.
The various objects with which the table was covered, as well as those which filled and littered the room in all directions, clearly designated the young man’s employment to be that of a sculptor and colourer of images for the ornament of churches, as well as an illuminator of missals and manuscripts—an occupation at that time still pursued, although gradually falling into disuse since the invention of printing. Scattered about upon the table were several old parchment manuscripts, which had served as models for the artist’s use, or had been confided to his hands to clean. Old illuminated missals, some of the gorgeous illustrations of which were open, as if lately retouched by the hand of the young painter, lay here and there. At the further end of the table stood a small figure of a Virgin and Child, delicately and exquisitely carved, and painted with the richest colours. The group was bright with its fresh finish, and evidently had not long been completed by the hand of the artist. Upon an elevated bench or dresser were littered the tools of the sculptor and wood-carver, with a few unfinished trials of small saintly figures; and around the room were fragments of wooden images of saints, some discoloured, some broken, a few in tolerable preservation, which were either destined to be restored and repainted, or had served as studies for the artist. Upon the walls hung a few pictures of female saints, bedecked with garlands of flowers, which showed them to be objects of devotion and respect in the eyes of the possessor. Among all this confusion, space was scarcely left, in the small chamber of the artist, for the pallet-bed and cumbrous press that formed his only furniture.
Immediately before the chair into which the young man so hastily flung himself, lay a rich missal, upon the adornment of which he had been employed, before other thoughts and feelings had sent him to the window; and when he again resumed his work, it was upon the face of a fair saint, which formed the headpiece of a chapter, peering out from among the various graceful arabesques that twined in the brightest colours along the margin of the leaf.
In truth, the face of the young artist was almost as fair as that of the bright being he was engaged in painting. His light brown hair was parted in the middle, over a high white forehead, and fell in faintly waving curls almost to his neck, forming a frame to the soft oval face, to which his violet-blue melancholy-looking eyes, his calm, finely-chiselled features, and the serious repose of his imaginative mouth, imparted an air of gentleness and thoughtfulness combined. His dark, sober-coloured, simple dress, although somewhat too severe to suit his youthful figure, accorded well with the character of his physiognomy. His falling collar displayed a full white throat, which might have served as a model for a statue of Antinous, had it not borne more the stamp of genius in its proportions than of physical voluptuousness. The hands, which now hastily resumed their neglected occupation, had all the fairness and well-moulded contour of a woman’s, without that delicacy of size which would have stamped them as effeminate. Had he been aware of his own beauty, he might have copied his own graceful form for a personification of the lily-bearing angel in a group of the Annunciation.
1
Histoire de Dix Ans, 1830-1840. Par M. Louis Blanc.
2
As well it might, if he had been clambering over barricades in those hot days of July; for the three glorious days were remarkable for their heat.
3
There is no surer way of ascertaining the State from which an American comes, than by his thinkings and guessings. The New-Englander guesses, the Virginians and Pennsylvanians think, the Kentuckian calculates, the man of Alabama reckons.
4
The Mussel shoals are broad ridges of rocks, above Florence, which spread out into the Tennessee.
5
A corruption of Bourgogne, Burgundy wine.
6
John Quincy Adams, then president of the United States.
7
The Greeks, who at that time were struggling for their independence, had received various succours from the United States. The Creeks are a well-known tribe of Indians on the frontiers of Georgia.
8
Turk’s island is a small island from which the Western States, North and South Carolina, Georgia, &c., get their salt.
9
“The contemporary historian of the Earls of Sutherland records, that (after the defeat of Invercarron) Montrose and Kinnoull ‘wandered up the river Kyle the whole ensuing night, and the next day, and the third day also, without any food or sustenance, and at last came within the country of Assynt. The Earl of Kinnoull, being faint for lack of meat, and not able to travel any further, was left there among the mountains, where it was supposed he perished. Montrose had almost famished, but that he fortuned in his misery to light upon a small cottage in that wilderness, where he was supplied with some milk and bread.’ Not even the iron frame of Montrose could endure a prolonged existence under such circumstances. He gave himself up to Macleod of Assynt, a former adherent, from whom he had reason to expect assistance in consideration of that circumstance, and, indeed, from the dictates of honourable feeling and common humanity. As the Argyle faction had sold the King, so this Highlander rendered his own name infamous by selling the hero to the Covenanters, for which ‘duty to the public’ he was rewarded with four hundred bolls of meal.”—Napier’s Life of Montrose.
10
“Friday, 17th May.—Act ordaining James Grahame to be brought from the Watergate on a cart, bareheaded, the hangman in his livery, covered, riding on the horse that draws the cart—the prisoner to be bound to the cart with a rope—to the Tolbooth of Edinburgh, and from thence to be brought to the Parliament House, and there, in the place of delinquents, on his knees, to receive his sentence—viz., to be hanged on a gibbet at the Cross of Edinburgh, with his book and declaration tied on a rope about his neck, and there to hang for the space of three hours until he be dead; and thereafter to be cut down by the hangman, his head, hands, and legs to be cut off, and distributed as follows—viz., His head to be affixed on an iron pin, and set on the pinnacle of the west gavel of the new prison of Edinburgh; one hand to be set on the port of Perth, the other on the port of Stirling; one leg and foot on the port of Aberdeen, the other on the port of Glasgow. If at his death penitent, and relaxed from excommunication, then the trunk of his body to be interred, by pioneers, in the Greyfriars; otherwise, to be interred in the Boroughmuir, by the hangman’s men, under the gallows.”—Balfour’s Notes of Parliament.
It is needless to remark that this inhuman sentence was executed to the letter. In order that the exposure might be more complete, the cart was constructed with a high chair in the centre, having holes behind, through which the ropes that fastened him were drawn. The author of the Wigton Papers, recently published by the Maitland Club, says, “the reason of his being tied to the cart was in hope that the people would have stoned him, and that he might not be able by his hands to save his face.” His hat was then pulled off by the hangman, and the procession commenced.