Various
Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878
SEAWANHAKA, THE ISLAND OF SHELLS
IT is not by any means certain what was the name by which Long Island was known to the aboriginal dwellers in its "forest primeval," or indeed that they ever had a common name by which to designate it. It seems probable that each tribe bestowed upon it a different name, expressive of the aspect that appeared most striking to its primitive and poetical visitors and occupants. Among so many tribes—the Canarsees (who met Hudson when on September 4, 1609, he anchored in Gravesend Bay), the Rockaways, Nyacks, Merrikokes, Matinecocs, Marsapeagues, Nissaquages, Corchaugs, Setaukets, Secataugs, Montauks, Shinecocs, Patchogues, and Manhansetts, to say nothing of the Pequots and Narragansetts on the northern shore of the Sound—a community of usage in regard to nomenclature could hardly be expected. We accordingly find that one of the old names of the island was Mattenwake, a compound of Mattai, the Delaware for "island." It was also called Paumanacke (the Indian original of the prosaic Long Island), Mattanwake (the Narragansett word for "good" or "pleasant land"), Pamunke and Meitowax. For a name, however, at once beautiful and suggestive, appropriate to an island whose sunny shores are strewn with shells, and recalling Indian feuds and customs, savage ornament and tributes paid in wampum, no name equals that we have chosen—Seawanhaka or Seawanhackee, the "Island of Shells."
No general description will give an adequate idea of its changing beauty and wellnigh infinite variety. Its scenery assumes a thousand different aspects between odoriferous Greenpoint and the solitary grandeur of Montauk. If one could only recall the old stagecoach, and, instead of whirling in a few hours from New York to Sag Harbor, creep slowly along the southern shore, and complete the journey of one hundred and ten miles in two days and a half, as they did fifty years ago, a description of the route would be both easy and interesting. Then the old stage lumbered out of Brooklyn about nine o'clock in the morning, a halt was made at Hempstead for dinner, and at Babylon the passengers slept. Starting early, they arrived in due time at Patchogue, where they breakfasted late, and thereby saved their dinner, and at Quogue, about twenty-four miles farther, they supped and slept. Again making an early start without breakfast, they jogged along to Southampton, where the morning meal was taken, and thus fortified they returned to their seats, and, passing through the beautiful country lying around Water Mill and Bridgehampton, rattled into Sag Harbor—a far different place from the Sag Harbor of to-day—and there dined. Fortunately, the rest of the route remains to us, and we can still "stage it" down the old and beautiful road to Easthampton. A leisurely journey of this description, at an average rate of a fraction less than two miles an hour, and with abundant opportunity of getting out for a brisk walk as the horses dragged their cumbrous load over an occasional sandhill, gave the traveller a chance of seeing the country he passed through. Long Island lay before him like a book, every line of which he could read at leisure. He could wander along the shore of the bay at Babylon, and mayhap meditate upon the beauty of Nature while looking at the moonlight sleeping on the water: he could at Quogue seek his way across the meadows and gaze upon the troubled face of the ocean. We can do so still, but these pleasures are no longer to be counted among the fascinating interludes of continuous travel. They are not the accompaniments of a long journey that gave it a flavor of romance, and made a trip to Sag Harbor and return the employment of an eventful and delightful week.
To adapt ourselves to modern conditions, and as we must view Long Island in sections to appreciate it as a whole, a route may be chosen in which, by using both railroad and stage, we may see even more of it, and that to greater advantage, than the old-time traveller. It is necessary, in the first place, that something should be seen of the northern shore. In character and associations it differs widely from the southern. There is, in the second place, the central section, in avoiding which much of the rural and most placid beauty of the island would be lost. There is, thirdly, the southern shore, varied in itself according as the point at which it is viewed lies on the ocean or on the landlocked bays between Hempstead and Mecoc, and extending to the rugged headland of Montauk. We shall thus, by passing from point to point, see as in a panorama all that need now attract our attention in viewing Seawanhaka.
The place which the Indians named Cumsewogue is now mainly distinguished by the cemetery of Cedar Hill. Passing among the graves, we reach the summit, and a wonderful scene bursts upon our view. Looking north toward where the village is nestling in a hollow surrounded by woods, the waters of Port Jefferson Bay are lying without a visible ripple; the sails of the ships passing up and down the Sound gleam in the sun; and beyond them, like a hazy line, are the shores of Connecticut. On the left are glimpses of farmhouses, the church-spires of Setauket, and rolling fields alternating with woods. On the right are more woods, bounded far away by the broken shore of the cliff-bound Sound. The wooded peninsula in front that stretches to the north, forming the eastern shore of Port Jefferson Bay, was named by the old Puritan settlers—for what reason it would be hard to divine—Mount Misery. It is now, fortunately, more generally known in the neighborhood by the name of the Strong estate of Oakwood. Sea, shore, woods and valleys make up a picturesque scene of peaceful beauty, and one forgets in the presence of its living charms that the site upon which he stands is within the limits of a city of the dead.
We descend into the village—which lies as if in a slumber that has lasted for a century and a half—at the head of the bay. The Indians named the place Souwassett, and the Puritans, in their usual matter-of-fact manner, called it Drowned Meadow. Its present name was adopted about forty years ago, probably in a patriotic mood, and also in the belief that the name it then bore was too unqualified and likely to give rise to unwarrantable prejudices. That there was some truth, if there was neither beauty nor imagination, in the name, is, however, evident from the marsh-lands lying between the village and Dyer's Neck or Poquott, which divides the harbor from that of Setauket on the west. One of the old landmarks of the village, dating from about the first quarter of the last century, is the house built by the Roe family when the settlement was first made. It now forms part of the Townsend house, and is still occupied by collateral descendants of its builder. Accessions to the little colony came slowly. Even the fine harbor could not compensate for the disadvantages of Drowned Meadow for building purposes, and the hillsides are steep and rocky. But about 1797, when it is said there were only half a dozen houses in the village, shipbuilding was begun, and its subsequent rise was comparatively rapid.
Securely though it seems to repose among its wood-crowned hills, it has had at least one exciting episode in its history. During the war of 1812 its shipping suffered considerably at the hands of King George's cruisers, and one night the enemy entered the harbor and captured seven sloops that were lying there at anchor. Otherwise, life at Port Jefferson appears to have been as it is now, unexciting and peaceful. Its attractions are in part those of association, but chiefly those of Nature—its sandy shore, its still woods and its placid bay. It is a place to fly to when the only conception of immediate happiness is to be still, to float idly upon water that has no waves to detract from the perfection of a dream of absolute rest, or to seek shelter and eloquent quiet in deep and shady woods. There are several winding paths that lead up the hilly promontory of Oakwood, and there are clearings upon the high ground swept over by breezes from the Sound where one can look upon rural scenes as perfect in their way as imagination can picture.
To the west of the village, pathways lead through the woods and past many ruined and ruinous cabins. The latter are chiefly occupied by negroes, who enjoy the sweets of liberty in these sequestered nooks. It is questionable if emancipation in any way bettered their condition. The Dutch introduced slaves into Long Island immediately upon settling on its western extremity, but it is said upon good authority—and the fact is a notable one in the history of the island—that slavery never existed there except in name. The work of the farms and houses was divided with the utmost impartiality among the nominal slaves and the white men and boys of the household. Possibly, then, there is not only no dark background to the lives of these Port Jefferson negroes, but one that in comfort and happiness is a contrast to the present. One little fellow—a darkling he should be called—peeped out shyly as we passed, and then disappeared in a hut which, though embowered in creeping plants and bushes, did not suggest either comfort or beauty when the trees are bare and the winds of winter are moaning through the woods. Beyond these cabins the path leads to the pebbly and shell-covered shore of Poquott.
To the east of Port Jefferson the shore runs in bolder outline to Orient Point, but within thirty or forty miles to the west there are innumerable points and well-sheltered bays and inlets that give the scenery the same picturesque character that is found at Port Jefferson. It may be taken, in short, as representing the northern side of the island.
When the shore is left a few miles behind the country assumes an entirely different aspect. The roads run through a wide tract covered as far as the eye can see with young timber and brushwood. In places the charred trunks give evidence that it has at no distant period been passed over by a forest-fire. The view to the south is bounded by the low range of hills that runs nearly the entire length of the island. In a hollow in this rising ground, a few miles east of Comac Hills, about two miles north-east of Mount Pleasant and near the eastern continuation of the Comac range, we drop suddenly upon the most charming of the lakes of Long Island—Ronkonkoma. It matters little from which side it is approached or from what point it is viewed—Lake Ronkonkoma is in every way and in every aspect beautiful. Around it on all sides is an undulating country comprising both woodland and farm, and dotted with quaint old houses of the many-gabled order, and a few that affect a certain latter-day primness. The architectural patriarchs and juveniles represent two different orders of things. The first tell of the early colonists of two hundred years ago making their way through the dense woods from the northern shore, and choosing dwellings by the lake where the land was good. The latter tell of later settlers, attracted solely by the beauty and salubrity of the place. There is one house still standing on the east side of the lake, a weather-beaten veteran of a century and a half. It has been in the same family ever since it was built, and if its walls were as eloquent of facts as they are of sentiment, it could no doubt unfold a varied tale. The place has, of course, a history based upon Indian times. Where we now see boats and skiffs, canoes were once paddled, and the lonely seclusion of the lake is said to have made it the theme of many an Indian story. Only one legend now survives. The lake has always been, and is now, well stocked with fish, and it is in places so deep that the Indians thought it unfathomable. With a curious kind of veneration they believed that the Great Spirit brought the fish that swarm in its waters, and kept them under his special care. Even when the whites came upon the scene the red men clung to their superstition, and would not catch nor eat the fish, believing them to be superior beings.
A change has come over the spot since that day. The land near the lake has been partially cleared, but not to such an extent as to divest it of any of its early beauty. A fringe of trees encloses it on all sides except the north, where a narrow belt of sand divides it from a lily pond. It is from that feature, and from the glistening western shore, that the lake was called Ronkonkoma (Sand Pond). At the point where it first bursts upon the traveller from the south it is seen gleaming through the trees like a diamond in a robe of green. Standing upon its margin, we are about fifty feet above the sea, and the cool wind that is rustling among the trees comes fresh from the Great South Bay, seven miles away. To right and left are high tree-covered banks, and to the north across the lake, about a mile off, the white sand is shining like a line of silver. The trees above the eastern shore are reflected as in a mirror, and the little boat with its snowy sail is there in duplicate, itself and double.
But, to be seen at its best, Ronkonkoma should be viewed from one of the higher points along its eastern shore when the sun is sloping down the western sky. One memorable evening this view was so beautiful as to be almost unearthly. The sun had sunk behind a heavy cloud-bank, which it tipped with a dull tawny red. By and by the sky began to change. The cloud sank lower, and lay upon the horizon in a perfectly black mass that threw its shadow upon the landscape. Its lining had deepened in color to a blood-red, and the clouds higher up the arch of the sky were ringed with a rich crimson border. Higher still they shaded off into paler tints, mingled with a copper-like hue that merged in the lighter clouds into gold. Above these were fleecy, rounded fragments of cloud floating over the deep blue like burnished brass upon lapis lazuli; and higher yet, about midway to the zenith, every cloudlet was tinged with pale yellow. Could such a sky be represented on canvas it would be condemned as unnatural—a case of the painter's imagination carrying him beyond the limits of true art. But it was from the reflection in the lake that the scene derived its weird, supernatural character. The shadows lay heavily upon the trees and bank that line the western shore. Upon the edge of the waters, which were so still that not a ripple waved the line drawn upon the white streak of sand, the deep red of the cloud upon the horizon reappeared. Nearer were the graduated tints of crimson, copper, gold, brass and pale yellow, every hue mirrored in the crystal lake with a fidelity so perfect that one was in doubt whether the reality or the reflection were the more gorgeous.
To the east and west of the lake, for twenty miles on either side of it, stretches a pleasant tract, chiefly of rolling woodland, with here and there a farm or garden. Wherever the land has been cleared and brought under cultivation it appears to give ample return to the husbandman. But the least observant traveller can hardly help being struck by the sight of a few fields of apparently healthy grain surrounded by miles of brushwood. It is a mystery not yet satisfactorily solved how within fifty miles of a city like New York so much land should be left unproductive and untilled. All the evidence, both of experiment and of opinion, goes to show that the soil, if not the richest in the world, is far too good to be given over to scrubby bushes and luxuriant weeds.
Leaving, however, a question so abstruse, let us turn southward from Yaphank and follow the brook that runs down past Carman's until it empties itself in Fireplace Bay. Again the scenery undergoes a change. Here is neither the broken, picturesque shore of the north nor the inland quietude of Ronkonkoma. Toward the west, beyond our ken, stretches the Great South Bay, far past where the lighthouse of Fire Island can be seen flashing out upon the night. To the south, about three miles distant, are the undulating dunes of the Great South Beach, that like a huge breakwater shuts out the ocean. To the east is the broad promontory lying behind Mastic Point. This is practically the same view upon which we have imagined the traveller by the old-time stage feasting his eyes at the halting-places along the southern shore. At any point between Babylon and the place at which we stand the scenery has the same general character—a picturesque pleasantness devoid of disturbing grandeur. However loudly the ocean may thunder upon the outer shore, the bay seldom changes its dimpling smiles for a rougher aspect, and never wears in wrath the scornful look of the outer deep. A strong wind may sometimes give a little trouble to the yachtsmen whose craft enliven the scene, and lead them to reef their swelling canvas, but the impression carried away from the Great South Bay is decidedly summery—a memory of mingled sunshine and gentle breezes. The shore is generally flat, and is lined with a succession of villages located at intervals of from three to four miles. They are all more or less alike—quiet, healthy places, in which, to all appearances, the inhabitants take life easily.