beside [bɪˈsaɪd], facedown [ˈfeɪsdaʋn], belong [bɪˈlɔŋ]
"There was nothing in her hand?"
"No, sir, but there was a packet of Players down beside her."
Poirot nodded. His eyes swept round the small space observing — noting.
"And the railway guide was — where?"
"Here, sir." The constable pointed out the spot on the counter. "It was open at the right page for Andover and lying facedown. Seems though he must have been looking up the trains to London. If so 'twasn't an Andover man at all. But then, of course, the railway guide might have belonged to someone else what had nothing to do with the murder at all, but just forgot it here."
"Fingerprints?" I suggested (отпечатки пальцев? — предположил я; to suggest — предлагать, советовать; намекать, подсказывать).
The man shook his head (мужчина покачал головой). "The whole place was examined straight away, sir (все место было сразу исследовано, сэр; straight away — сразу, тот час). There weren't none (там не было никаких /отпечатков/)."
"Not on the counter itself?" asked Poirot (даже на самом прилавке? — спросил Пуаро).
"A long sight too many, sir (там слишком много, сэр; sight — разг. множество, большое количество)! All confused and jumbled up (все перемешанные и перепутанные; to confuse — смешивать, путать; сбивать с толку; to jumble up — перемешивать в беспорядке)."
"Any of Ascher's among them (какие-нибудь отпечатки Эшера среди них)?"
"Too soon to say, sir (слишком рано говорить, сэр)."
Poirot nodded (Пуаро кивнул), then asked if the dead woman lived over the shop (затем спросил, жила ли убитая над магазином).
"Yes, sir (да, сэр), you go through that door at the back, sir (идите через ту дверь сзади, сэр). You'll excuse me from coming with you (вы извините меня, /что я не/ иду с вами), but I've got to stay (но я должен остаться) —"
examine [ɪkˈzæmɪn], straight [streɪt], excuse [ɪksˈkju:z]
"Fingerprints?" I suggested.
The man shook his head. "The whole place was examined straight away, sir. There weren't none."
"Not on the counter itself?" asked Poirot.
"A long sight too many, sir! All confused and jumbled up."
"Any of Ascher's among them?"
"Too soon to say, sir."
Poirot nodded, then asked if the dead woman lived over the shop.
"Yes, sir, you go through that door at the back, sir. You'll excuse me from coming with you, but I've got to stay —"
Poirot passed through the door in question (Пуаро прошел через дверь, о которой шла речь; in question — данный, рассматриваемый) and I followed him (и я последовал за ним). Behind the shop was a microscopic sort of parlour and kitchen combined (за магазином была микроскопическая /комната/ типа гостиной, совмещенная с кухней). It was neat and clean (она была опрятная и чистая) but very dreary-looking and scantily furnished (но очень унылая и скудно обставленная). On the mantelpiece were a few photographs (на камине: «на каминной полке» было несколько фотографий). I went up and looked at them (я подошел и посмотрел на них) and Poirot joined me (и Пуаро присоединился ко мне).
The photographs were three in all (фотографий было всего три). One was a cheap portrait of the girl (одна была дешевым портретом девушки) we had been with that afternoon (с которой мы были днем), Mary Drower (Мэри Дроуер). She was obviously wearing her best clothes (очевидно, она была одета в свою лучшую одежду) and had the self-conscious (у нее была неловкая: «и имела неловкую»; self-conscious — обладающий самосознанием; застенчивый, неловкий), wooden smile on her face (деревянная улыбка на лице) that so often disfigures the expression in posed photography (которая так часто обезображивает выражение /лица/ на постановочной фотографии; to disfigure — обезображивать, уродовать; портить), and makes a snapshot preferable (и делает моментальный снимок более предпочтительным; to prefer — предпочитать).
microscopic [ˌmaɪkrǝsˈkɔpɪk], dreary [ˈdrɛǝrɪ], self-conscious [ˈself ˈkɔnʃ(ǝ)s]
Poirot passed through the door in question and I followed him. Behind the shop was a microscopic sort of parlour and kitchen combined. It was neat and clean but very dreary-looking and scantily furnished. On the mantelpiece were a few photographs. I went up and looked at them and Poirot joined me.
The photographs were three in all. One was a cheap portrait of the girl we had been with that afternoon, Mary Drower. She was obviously wearing her best clothes and had the self-conscious, wooden smile on her face that so often disfigures the expression in posed photography, and makes a snapshot preferable.
The second was a more expensive type of picture (вторая фотография была подороже: «вторая была более дорогим типом фотографии») — an artistically blurred reproduction of an elderly woman with white hair (искусно размытая репродукция пожилой женщины с седыми волосами: «белыми волосами»). A high fur collar stood up round the neck (высокий меховой воротник возвышался вокруг шеи; to stand up).
I guessed (я догадался; to guess — гадать, догадываться) that this was probably the Miss Rose (что это была, вероятно, та /самая/ мисс Роуз) who had left Mrs. Ascher the small legacy (которая оставила миссис Эшер небольшое состояние) which had enabled her to start in business (которое позволило ей завести свое дело: «начать бизнес»).
The third photograph was a very old one (третья фотография была очень старой), now faded and yellow (теперь выцветшей и желтой; to fade — вянуть; выгорать, выцветать). It represented a young man and woman in somewhat old-fashioned clothes (она изображала молодого мужчину и женщину в несколько старомодных одеждах; fashion — мода) standing arm in arm (стоящих рука об руку). The man had a flower in his buttonhole (у мужчины был цветок в петлице) and there was an air of bygone festivity about the whole pose (в /его/ позе чувствовалось ушедшее веселье: «и там была атмосфера ушедшего веселья во всей позе»; air — воздух; атмосфера; вид; обстановка).
"Probably a wedding picture," said Poirot (наверное, свадебная фотография). "Regard, Hastings (смотрите, Гастингс), did I not tell you (/разве/ я не говорил вам) that she had been a beautiful woman (что она была красивой женщиной)?"
blur [blǝ:], bygone [baɪˈɡɔn], whole [hǝʋl]
The second was a more expensive type of picture — an artistically blurred reproduction of an elderly woman with white hair. A high fur collar stood up round the neck.
I guessed that this was probably the Miss Rose who had left Mrs. Ascher the small legacy which had enabled her to start in business.
The third photograph was a very old one, now faded and yellow. It represented a young man and woman in somewhat old-fashioned clothes standing arm in arm. The man had a flower in his buttonhole and there was an air of bygone festivity about the whole pose.
"Probably a wedding picture," said Poirot. "Regard, Hastings, did I not tell you that she had been a beautiful woman?"
He was right (он был прав). Disfigured by old-fashioned hair-dressing and weird clothes (ни старомодная прическа, ни нелепая одежда: «испорченная старомодной прической и нелепой одеждой»; weird — странный, жуткий), there was no disguising the handsomeness of the girl in the picture (не могли скрыть привлекательности девушки на фотографии: «там не было изменения в привлекательности девушки на фотографии»; to disguise — искажать; изменять облик; скрывать) with her clear-cut features (с ее ясно-очерченными чертами; to cut — резать) and spirited bearing (и одухотворенностью: «и одухотворенной манерой»; bearing — манера держаться, поведение; осанка). I looked closely at the second figure (я посмотрел поближе на вторую фигуру). It was almost impossible to recognize the seedy Ascher (это было почти невозможно узнать потрепанного Эшера; seedy — наполненный семенами; изношенный; убогий) in this smart young man with the military bearing (в этом изящном молодом человеке с военной выправкой).
I recalled the leering drunken old man (я припомнил кривляющегося пьяницу-старика; to leer — смотреть искоса, хитро, злобно, с вожделением), and the worn (и изнуренное; to wear — носить; изнашивать), toil-worn face of the dead woman (постаревшее от тяжелой работы лицо убитой; toil — тяжелый труд) — and I shivered a little at the remorselessness of time (и я слегка вздрогнул от беспощадности времени; remorse — раскаяние; сожаление).
From the parlour a stair led to two upstairs rooms (из гостиной лестница вела к двум комнатам наверху; to lead — вести). One was empty and unfurnished (одна была пуста и не обставлена /мебелью/), the other had evidently been the dead woman's bedroom (другая явно была спальней убитой).
weird [wɪǝd], disguise [dɪsˈɡaɪz], remorselessness [rɪˈmɔ:slɪsnɪs]
He was right. Disfigured by old-fashioned hair-dressing and weird clothes, there was no disguising the handsomeness of the girl in the picture with her clear-cut features and spirited bearing. I looked closely at the second figure. It was almost impossible to recognize the seedy Ascher in this smart young man with the military bearing.
I recalled the leering drunken old man, and the worn, toil-worn face of the dead woman — and I shivered a little at the remorselessness of time.
From the parlour a stair led to two upstairs rooms. One was empty and unfurnished, the other had evidently been the dead woman's bedroom.
After being searched by the police (после того, /как ее/ обыскала полиция) it had been left as it was (ее оставили так, как есть). A couple of old worn blankets on the bed (пара старых потертых одеял на кровати), a little stock of well-darned underwear in a drawer (небольшой запас хорошо заштопанного нижнего белья в ящике; to darn — штопать, чинить), cookery recipes in another (кулинарные рецепты в другом), a paperbacked novel entitled The Green Oasis (роман под названием «Зеленый оазис» в бумажной обложке), a pair of new stockings (пара новых чулок) — pathetic in their cheap shininess (/вызывающие/ жалость своим дешевым блеском: «патетические в своем дешевом сиянии»; to shine — сиять) — a couple of china ornaments (пара фарфоровых фигурок; ornament — украшение, орнамент), a Dresden shepherd much broken (сильно разбитый дрезденский пастух; to break), and a blue and yellow spotted dog (и собака с желтыми и синими пятнами), a black raincoat (черный плащ) and a woolly jumper (и шерстяной свитер) hanging on pegs (висящие на /деревянных/ колышках) — such were the worldly possessions of the late Alice Ascher (такова была вся мирская собственность покойной Элис Эшер; to possess — владеть, обладать; late — поздний; покойный, недавно умерший).
If there had been any personal papers (если там были какие-нибудь личные бумаги), the police had taken them (полиция /уже/ взяла их).
drawer [ˈdrɔ:ǝ], recipe [ˈresɪpɪ], shepherd [ˈʃepǝd]
After being searched by the police it had been left as it was. A couple of old worn blankets on the bed, a little stock of well-darned underwear in a drawer, cookery recipes in another, a paperbacked novel entitled The Green Oasis, a pair of new stockings — pathetic in their cheap shininess — a couple of china ornaments, a Dresden shepherd much broken, and a blue and yellow spotted dog, a black raincoat and a woolly jumper hanging on pegs — such were the worldly possessions of the late Alice Ascher.
If there had been any personal papers, the police had taken them.
"Pauvre femme," murmured Poirot (фр. бедная женщина, — пробормотал Пуаро). "Come, Hastings (идемте, Гастингс), there is nothing for us here (здесь для нас ничего /нет/)."
When we were once more in the street (когда мы снова были на улице), he hesitated for a minute or two (Пуаро поколебался минуту-другую: «минуту или две»), then crossed the road (затем перешел дорогу). Almost exactly opposite Mrs. Ascher's was a greengrocer's shop (почти точно напротив /магазина/ миссис Эшер была лавка зеленщика) — of the type (того типа) that has most of its stock outside rather than inside (который имеет большую часть своего товара скорее снаружи, чем внутри; stock — запас; ассортимент /товаров/).
In a low voice Poirot gave me certain instructions (тихим голосом Пуаро дал мне несколько инструкций). Then he himself entered the shop (затем он сам зашел в магазин). After waiting a minute or two (обождав минуту-другую) I followed him in (я зашел вслед за ним: «я последовал за ним внутрь»). He was at the moment negotiating for a lettuce (он в тот момент торговался за салат-латук; to negotiate — вести переговоры). I myself bought a pound[8] of strawberries (я сам купил фунт клубники).
hesitate [ˈhezɪteɪt], greengrocer [ˈɡri:nˌɡrǝʋsǝ], negotiate [nɪˈɡǝʋʃɪeɪt]
"Pauvre femme," murmured Poirot. "Come, Hastings, there is nothing for us here."
When we were once more in the street, he hesitated for a minute or two, then crossed the road. Almost exactly opposite Mrs. Ascher's was a greengrocer's shop — of the type that has most of its stock outside rather than inside.
In a low voice Poirot gave me certain instructions. Then he himself entered the shop. After waiting a minute or two I followed him in. He was at the moment negotiating for a lettuce. I myself bought a pound of strawberries.
Poirot was talking animatedly to the stout lady (Пуаро оживленно беседовал с дородной дамой; to animate — оживлять; воодушевлять; stout — крепкий; дородный, полный) who was serving him (которая обслуживала его).
"It was just opposite you (это было как раз напротив вас), was it not (не так ли), that this murder occurred (когда это убийство произошло)? What an affair (какое происшествие)! What a sensation it must have caused you (какое впечатление оно, должно быть, на вас произвело; to cause a sensation — производить сенсацию)!"
The stout lady was obviously tired of talking about the murder (дородная дама, очевидно, устала от разговоров об убийстве). She must have had a long day of it (у нее, должно быть, они были целый день: «у нее, должно быть, был длинный день /разговоров/»). She observed (она заметила): "It would be as well (оно бы, пожалуй, /произвело/) if some of that gaping crowd cleared off (если бы некоторая часть этой глазеющей толпы разошлась; to gape — глазеть; зевать; to clear off — расчищаться; проясняться). What is there to look at (на что там смотреть), I'd like to know (я хотела бы знать)."
animatedly [ˈænɪmeɪtɪdlɪ], affair [ǝˈfɛǝ], stout [staʋt]
Poirot was talking animatedly to the stout lady who was serving him.
"It was just opposite you, was it not, that this murder occurred? What an affair! What a sensation it must have caused you!"
The stout lady was obviously tired of talking about the murder. She must have had a long day of it. She observed: "It would be as well if some of that gaping crowd cleared off. What is there to look at, I'd like to know."
"It must have been very different last night," said Poirot (должно быть, прошлой ночью все было иначе). "Possibly you even observed the murderer enter the shop (вероятно, вы даже заметили, как убийца вошел в магазин): a tall (высокий), fair man with a beard (светловолосый мужчина с бородой), was he not (не так ли)? A Russian (русский), so I have heard (как я слышал)."
"What's that (что такое)?" The woman looked up sharply (дородная женщина встрепенулась: «резко оживилась»; to look up — смотреть вверх; разг. оживляться). "A Russian did it (русский сделал это), you say (вы говорите)?"
"I understand (я понимаю) that the police have arrested him (что полиция /уже/ арестовала его)."
"Did you ever know (откуда вы знаете; ever — усилит. эмоц.)?" The woman was excited (женщина была взволнована), voluble (говорлива). "A foreigner (иностранец)."
"Mais oui (фр. ну, да). I thought (я подумал) perhaps you might have noticed him last night (возможно, вы могли заметить его прошлой ночью)?"
beard [bɪǝd], voluble [ˈvɔljubl], foreigner [ˈfɔrɪnǝ]
"It must have been very different last night," said Poirot. "Possibly you even observed the murderer enter the shop: a tall, fair man with a beard, was he not? A Russian, so I have heard."
"What's that?" The woman looked up sharply. "A Russian did it, you say?"
"I understand that the police have arrested him."
"Did you ever now?" The woman was excited, voluble. "A foreigner."
"Mais oui. I thought perhaps you might have noticed him last night?"
"Well (ну), I don't get much chance of noticing (у меня не много возможностей замечать), and that's a fact (и это факт). The evening's our busy time (вечер — это наше напряженное время; busy — занятой, деятельный; оживленный; суетливый) and there's always a fair few passing along (и там всегда несколько /человек/, идущих мимо) and getting home after their work (и возвращающихся домой после работы). A tall (высокий), fair man with a beard (светловолосый человек с бородой) — no (нет), I can't say (я не могу сказать) I saw anyone of that description anywhere about (что я видела кого-нибудь этого описания где-нибудь рядом)."
I broke in on my cue (я вмешался со своей репликой; to break in).
"Excuse me, sir," I said to Poirot (извините меня, сэр, — я сказал Пуаро). "I think (я думаю) you have been misinformed (вас неправильно информировали; to inform). A short dark man (невысокий темный человек) I was told (мне сказали)."
An interested discussion intervened (началась интересная дискуссия; to intervene — вмешаться; происходить; возникнуть) in which the stout lady (в которой дородная леди), her lank husband (ее худощавый муж; lank — вялый; худощавый, худой) and a hoarse-voiced shop-boy (и мальчишка-продавец с хриплым голосом) all participated (все приняли участие). No less than four short dark men had been observed (не менее чем четыре невысоких темноволосых мужчины были замечены), and the hoarse boy had seen a tall fair one (а хриплый мальчишка видел высокого светловолосого), "but he hadn't got no beard," he added regretfully (но у него не было никакой бороды, — он добавил с сожалением; to regret — сожалеть).
intervene [ˌɪntǝˈvi:n], hoarse [hɔ:s], participate [ˌpɑ:ˈtɪsɪpeɪt]
"Well, I don't get much chance of noticing, and that's a fact. The evening's our busy time and there's always a fair few passing along and getting home after their work. A tall, fair man with a beard — no, I can't say I saw anyone of that description anywhere about."
I broke in on my cue.
"Excuse me, sir," I said to Poirot. "I think you have been misinformed. A short dark man I was told."
An interested discussion intervened in which the stout lady, her lank husband and a hoarse-voiced shop-boy all participated. No less than four short dark men had been observed, and the hoarse boy had seen a tall fair one, "but he hadn't got no beard," he added regretfully.
Finally (наконец), our purchases made (сделав наши покупки), we left the establishment (мы покинули учреждение), leaving our falsehoods uncorrected (не исправив наш обман: «оставляя неисправленным наш обман»; falsehood — обман, неправда; to correct).
"And what was the point of all that, Poirot (и в чем был смысл этого всего, Пуаро)?" I demanded somewhat reproachfully (я спросил несколько с упреком; somewhat — что-то; кое-что; как отчасти, слегка; reproach — упрек).
"Parbleu (фр. ей-богу), I wanted to estimate the chances of a stranger being noticed entering the shop opposite (я хотел измерить шансы незнакомца быть замеченным входящим в магазин напротив)."
"Couldn't you simply have asked (не могли вы просто спросить) — without all that tissue of lies (безо всей этой паутины лжи; tissue — ткань; паутина)?"
purchase [ˈpǝ:tʃǝs], reproachfully [rɪˈprǝʋtʃfʋlɪ], tissue [ˈtɪsju:]
Finally, our purchases made, we left the establishment, leaving our falsehoods uncorrected.
"And what was the point of all that, Poirot?" I demanded somewhat reproachfully.
"Parbleu, I wanted to estimate the chances of a stranger being noticed entering the shop opposite."
"Couldn't you simply have asked — without all that tissue of lies?"
"No, mon ami (нет, друг мой). If I had 'simply asked (если бы «я просто спросил»),' as you put it (как вы выражаетесь; to put — класть; выражать, излагать), I should have got no answer at all to my questions (я бы /не/ получил никакого ответа на мои вопросы). You yourself are English (вы сам англичанин) and yet (и все же) you do not seem to appreciate the quality of the English reaction to a direct question (вы, кажется, недооцениваете качество реакции англичан на прямые вопросы). It is invariably one of suspicion (она всегда неизменно подозрительная) and the natural result is reticence (и естественным результатом является молчаливость; reticence — молчаливость, немногословность). If I had asked those people for information (если бы я спросил у тех людей информацию) they would have shut up like oysters (они бы захлопнулись, как устрицы).