Cratylus - Платон 3 стр.


After psuche follows soma; this, by a slight permutation, may be either = (1) the 'grave' of the soul, or (2) may mean 'that by which the soul signifies (semainei) her wishes.' But more probably, the word is Orphic, and simply denotes that the body is the place of ward in which the soul suffers the penalty of sin,  en o sozetai. 'I should like to hear some more explanations of the names of the Gods, like that excellent one of Zeus.' The truest names of the Gods are those which they give themselves; but these are unknown to us. Less true are those by which we propitiate them, as men say in prayers, 'May he graciously receive any name by which I call him.' And to avoid offence, I should like to let them know beforehand that we are not presuming to enquire about them, but only about the names which they usually bear. Let us begin with Hestia. What did he mean who gave the name Hestia? 'That is a very difficult question.' O, my dear Hermogenes, I believe that there was a power of philosophy and talk among the first inventors of names, both in our own and in other languages; for even in foreign words a principle is discernible. Hestia is the same with esia, which is an old form of ousia, and means the first principle of things: this agrees with the fact that to Hestia the first sacrifices are offered. There is also another reading osia, which implies that 'pushing' (othoun) is the first principle of all things. And here I seem to discover a delicate allusion to the flux of Heracleitus that antediluvian philosopher who cannot walk twice in the same stream; and this flux of his may accomplish yet greater marvels. For the names Cronos and Rhea cannot have been accidental; the giver of them must have known something about the doctrine of Heracleitus. Moreover, there is a remarkable coincidence in the words of Hesiod, when he speaks of Oceanus, 'the origin of Gods;' and in the verse of Orpheus, in which he describes Oceanus espousing his sister Tethys. Tethys is nothing more than the name of a spring to diattomenon kai ethoumenon. Poseidon is posidesmos, the chain of the feet, because you cannot walk on the sea the epsilon is inserted by way of ornament; or perhaps the name may have been originally polleidon, meaning, that the God knew many things (polla eidos): he may also be the shaker, apo tou seiein,  in this case, pi and delta have been added. Pluto is connected with ploutos, because wealth comes out of the earth; or the word may be a euphemism for Hades, which is usually derived apo tou aeidous, because the God is concerned with the invisible. But the name Hades was really given him from his knowing (eidenai) all good things. Men in general are foolishly afraid of him, and talk with horror of the world below from which no one may return. The reason why his subjects never wish to come back, even if they could, is that the God enchains them by the strongest of spells, namely by the desire of virtue, which they hope to obtain by constant association with him. He is the perfect and accomplished Sophist and the great benefactor of the other world; for he has much more than he wants there, and hence he is called Pluto or the rich. He will have nothing to do with the souls of men while in the body, because he cannot work his will with them so long as they are confused and entangled by fleshly lusts. Demeter is the mother and giver of food e didousa meter tes edodes. Here is erate tis, or perhaps the legislator may have been thinking of the weather, and has merely transposed the letters of the word aer. Pherephatta, that word of awe, is pheretapha, which is only an euphonious contraction of e tou pheromenou ephaptomene,  all things are in motion, and she in her wisdom moves with them, and the wise God Hades consorts with her there is nothing very terrible in this, any more than in the her other appellation Persephone, which is also significant of her wisdom (sophe). Apollo is another name, which is supposed to have some dreadful meaning, but is susceptible of at least four perfectly innocent explanations. First, he is the purifier or purger or absolver (apolouon); secondly, he is the true diviner, Aplos, as he is called in the Thessalian dialect (aplos = aplous, sincere); thirdly, he is the archer (aei ballon), always shooting; or again, supposing alpha to mean ama or omou, Apollo becomes equivalent to ama polon, which points to both his musical and his heavenly attributes; for there is a 'moving together' alike in music and in the harmony of the spheres. The second lambda is inserted in order to avoid the ill-omened sound of destruction. The Muses are so called apo tou mosthai. The gentle Leto or Letho is named from her willingness (ethelemon), or because she is ready to forgive and forget (lethe). Artemis is so called from her healthy well-balanced nature, dia to artemes, or as aretes istor; or as a lover of virginity, aroton misesasa. One of these explanations is probably true,  perhaps all of them. Dionysus is o didous ton oinon, and oinos is quasi oionous because wine makes those think (oiesthai) that they have a mind (nous) who have none. The established derivation of Aphrodite dia ten tou athrou genesin may be accepted on the authority of Hesiod. Again, there is the name of Pallas, or Athene, which we, who are Athenians, must not forget. Pallas is derived from armed dances apo tou pallein ta opla. For Athene we must turn to the allegorical interpreters of Homer, who make the name equivalent to theonoe, or possibly the word was originally ethonoe and signified moral intelligence (en ethei noesis). Hephaestus, again, is the lord of light o tou phaeos istor. This is a good notion; and, to prevent any other getting into our heads, let us go on to Ares. He is the manly one (arren), or the unchangeable one (arratos). Enough of the Gods; for, by the Gods, I am afraid of them; but if you suggest other words, you will see how the horses of Euthyphro prance. 'Only one more God; tell me about my godfather Hermes.' He is ermeneus, the messenger or cheater or thief or bargainer; or o eirein momenos, that is, eiremes or ermes the speaker or contriver of speeches. 'Well said Cratylus, then, that I am no son of Hermes.' Pan, as the son of Hermes, is speech or the brother of speech, and is called Pan because speech indicates everything o pan menuon. He has two forms, a true and a false; and is in the upper part smooth, and in the lower part shaggy. He is the goat of Tragedy, in which there are plenty of falsehoods.

'Will you go on to the elements sun, moon, stars, earth, aether, air, fire, water, seasons, years?' Very good: and which shall I take first? Let us begin with elios, or the sun. The Doric form elios helps us to see that he is so called because at his rising he gathers (alizei) men together, or because he rolls about (eilei) the earth, or because he variegates (aiolei = poikillei) the earth. Selene is an anticipation of Anaxagoras, being a contraction of selaenoneoaeia, the light (selas) which is ever old and new, and which, as Anaxagoras says, is borrowed from the sun; the name was harmonized into selanaia, a form which is still in use. 'That is a true dithyrambic name.' Meis is so called apo tou meiousthai, from suffering diminution, and astron is from astrape (lightning), which is an improvement of anastrope, that which turns the eyes inside out. 'How do you explain pur n udor?' I suspect that pur, which, like udor n kuon, is found in Phrygian, is a foreign word; for the Hellenes have borrowed much from the barbarians, and I always resort to this theory of a foreign origin when I am at a loss. Aer may be explained, oti airei ta apo tes ges; or, oti aei rei; or, oti pneuma ex autou ginetai (compare the poetic word aetai). So aither quasi aeitheer oti aei thei peri ton aera: ge, gaia quasi genneteira (compare the Homeric form gegaasi); ora (with an omega), or, according to the old Attic form ora (with an omicron), is derived apo tou orizein, because it divides the year; eniautos and etos are the same thought o en eauto etazon, cut into two parts, en eauto and etazon, like di on ze into Dios and Zenos.

'Will you go on to the elements sun, moon, stars, earth, aether, air, fire, water, seasons, years?' Very good: and which shall I take first? Let us begin with elios, or the sun. The Doric form elios helps us to see that he is so called because at his rising he gathers (alizei) men together, or because he rolls about (eilei) the earth, or because he variegates (aiolei = poikillei) the earth. Selene is an anticipation of Anaxagoras, being a contraction of selaenoneoaeia, the light (selas) which is ever old and new, and which, as Anaxagoras says, is borrowed from the sun; the name was harmonized into selanaia, a form which is still in use. 'That is a true dithyrambic name.' Meis is so called apo tou meiousthai, from suffering diminution, and astron is from astrape (lightning), which is an improvement of anastrope, that which turns the eyes inside out. 'How do you explain pur n udor?' I suspect that pur, which, like udor n kuon, is found in Phrygian, is a foreign word; for the Hellenes have borrowed much from the barbarians, and I always resort to this theory of a foreign origin when I am at a loss. Aer may be explained, oti airei ta apo tes ges; or, oti aei rei; or, oti pneuma ex autou ginetai (compare the poetic word aetai). So aither quasi aeitheer oti aei thei peri ton aera: ge, gaia quasi genneteira (compare the Homeric form gegaasi); ora (with an omega), or, according to the old Attic form ora (with an omicron), is derived apo tou orizein, because it divides the year; eniautos and etos are the same thought o en eauto etazon, cut into two parts, en eauto and etazon, like di on ze into Dios and Zenos.

'You make surprising progress.' True; I am run away with, and am not even yet at my utmost speed. 'I should like very much to hear your account of the virtues. What principle of correctness is there in those charming words, wisdom, understanding, justice, and the rest?' To explain all that will be a serious business; still, as I have put on the lion's skin, appearances must be maintained. My opinion is, that primitive men were like some modern philosophers, who, by always going round in their search after the nature of things, become dizzy; and this phenomenon, which was really in themselves, they imagined to take place in the external world. You have no doubt remarked, that the doctrine of the universal flux, or generation of things, is indicated in names. 'No, I never did.' Phronesis is only phoras kai rou noesis, or perhaps phoras onesis, and in any case is connected with pheresthai; gnome is gones skepsis kai nomesis; noesis is neou or gignomenon esis; the word neos implies that creation is always going on the original form was neoesis; sophrosune is soteria phroneseos; episteme is e epomene tois pragmasin the faculty which keeps close, neither anticipating nor lagging behind; sunesis is equivalent to sunienai, sumporeuesthai ten psuche, and is a kind of conclusion sullogismos tis, akin therefore in idea to episteme; sophia is very difficult, and has a foreign look the meaning is, touching the motion or stream of things, and may be illustrated by the poetical esuthe and the Lacedaemonian proper name Sous, or Rush; agathon is ro agaston en te tachuteti,  for all things are in motion, and some are swifter than others: dikaiosune is clearly e tou dikaiou sunesis. The word dikaion is more troublesome, and appears to mean the subtle penetrating power which, as the lovers of motion say, preserves all things, and is the cause of all things, quasi diaion going through the letter kappa being inserted for the sake of euphony. This is a great mystery which has been confided to me; but when I ask for an explanation I am thought obtrusive, and another derivation is proposed to me. Justice is said to be o kaion, or the sun; and when I joyfully repeat this beautiful notion, I am answered, 'What, is there no justice when the sun is down?' And when I entreat my questioner to tell me his own opinion, he replies, that justice is fire in the abstract, or heat in the abstract; which is not very intelligible. Others laugh at such notions, and say with Anaxagoras, that justice is the ordering mind. 'I think that some one must have told you this.' And not the rest? Let me proceed then, in the hope of proving to you my originality. Andreia is quasi anpeia quasi e ano roe, the stream which flows upwards, and is opposed to injustice, which clearly hinders the principle of penetration; arren and aner have a similar derivation; gune is the same as gone; thelu is derived apo tes theles, because the teat makes things flourish (tethelenai), and the word thallein itself implies increase of youth, which is swift and sudden ever (thein and allesthai). I am getting over the ground fast: but much has still to be explained. There is techne, for instance. This, by an aphaeresis of tau and an epenthesis of omicron in two places, may be identified with echonoe, and signifies 'that which has mind.'

'A very poor etymology.' Yes; but you must remember that all language is in process of change; letters are taken in and put out for the sake of euphony, and time is also a great alterer of words. For example, what business has the letter rho in the word katoptron, or the letter sigma in the word sphigx? The additions are often such that it is impossible to make out the original word; and yet, if you may put in and pull out, as you like, any name is equally good for any object. The fact is, that great dictators of literature like yourself should observe the rules of moderation. 'I will do my best.' But do not be too much of a precisian, or you will paralyze me. If you will let me add mechane, apo tou mekous, which means polu, and anein, I shall be at the summit of my powers, from which elevation I will examine the two words kakia and arete. The first is easily explained in accordance with what has preceded; for all things being in a flux, kakia is to kakos ion. This derivation is illustrated by the word deilia, which ought to have come after andreia, and may be regarded as o lian desmos tes psuches, just as aporia signifies an impediment to motion (from alpha not, and poreuesthai to go), and arete is euporia, which is the opposite of this the everflowing (aei reousa or aeireite), or the eligible, quasi airete. You will think that I am inventing, but I say that if kakia is right, then arete is also right. But what is kakon? That is a very obscure word, to which I can only apply my old notion and declare that kakon is a foreign word. Next, let us proceed to kalon, aischron. The latter is doubtless contracted from aeischoroun, quasi aei ischon roun. The inventor of words being a patron of the flux, was a great enemy to stagnation. Kalon is to kaloun ta pragmata this is mind (nous or dianoia); which is also the principle of beauty; and which doing the works of beauty, is therefore rightly called the beautiful. The meaning of sumpheron is explained by previous examples; like episteme, signifying that the soul moves in harmony with the world (sumphora, sumpheronta). Kerdos is to pasi kerannumenon that which mingles with all things: lusiteloun is equivalent to to tes phoras luon to telos, and is not to be taken in the vulgar sense of gainful, but rather in that of swift, being the principle which makes motion immortal and unceasing; ophelimon is apo tou ophellein that which gives increase: this word, which is Homeric, is of foreign origin. Blaberon is to blamton or boulomenon aptein tou rou that which injures or seeks to bind the stream. The proper word would be boulapteroun, but this is too much of a mouthful like a prelude on the flute in honour of Athene. The word zemiodes is difficult; great changes, as I was saying, have been made in words, and even a small change will alter their meaning very much. The word deon is one of these disguised words. You know that according to the old pronunciation, which is especially affected by the women, who are great conservatives, iota and delta were used where we should now use eta and zeta: for example, what we now call emera was formerly called imera; and this shows the meaning of the word to have been 'the desired one coming after night,' and not, as is often supposed, 'that which makes things gentle' (emera). So again, zugon is duogon, quasi desis duein eis agogen (the binding of two together for the purpose of drawing.) Deon, as ordinarily written, has an evil sense, signifying the chain (desmos) or hindrance of motion; but in its ancient form dion is expressive of good, quasi diion, that which penetrates or goes through all. Zemiodes is really demiodes, and means that which binds motion (dounti to ion): edone is e pros ten onrsin teinousa praxis the delta is an insertion: lupe is derived apo tes dialuseos tou somatos: ania is from alpha and ienai, to go: algedon is a foreign word, and is so called apo tou algeinou: odune is apo tes enduseos tes lupes: achthedon is in its very sound a burden: chapa expresses the flow of soul: terpsis is apo tou terpnou, and terpnon is properly erpnon, because the sensation of pleasure is likened to a breath (pnoe) which creeps (erpei) through the soul: euphrosune is named from pheresthai, because the soul moves in harmony with nature: epithumia is e epi ton thumon iousa dunamis: thumos is apo tes thuseos tes psuches: imeros oti eimenos pei e psuche: pothos, the desire which is in another place, allothi pou: eros was anciently esros, and so called because it flows into (esrei) the soul from without: doxa is e dioxis tou eidenai, or expresses the shooting from a bow (toxon). The latter etymology is confirmed by the words boulesthai, boule, aboulia, which all have to do with shooting (bole): and similarly oiesis is nothing but the movement (oisis) of the soul towards essence. Ekousion is to eikon the yielding anagke is e an agke iousa, the passage through ravines which impede motion: aletheia is theia ale, divine motion. Pseudos is the opposite of this, implying the principle of constraint and forced repose, which is expressed under the figure of sleep, to eudon; the psi is an addition. Onoma, a name, affirms the real existence of that which is sought after on ou masma estin. On and ousia are only ion with an iota broken off; and ouk on is ouk ion. 'And what are ion, reon, doun?' One way of explaining them has been already suggested they may be of foreign origin; and possibly this is the true answer. But mere antiquity may often prevent our recognizing words, after all the complications which they have undergone; and we must remember that however far we carry back our analysis some ultimate elements or roots will remain which can be no further analyzed. For example; the word agathos was supposed by us to be a compound of agastos and thoos, and probably thoos may be further resolvable. But if we take a word of which no further resolution seems attainable, we may fairly conclude that we have reached one of these original elements, and the truth of such a word must be tested by some new method. Will you help me in the search?

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