As the young Duc de Chartres had himself only consented unwillingly to this marriage, he easily understood his mother's dislike to it, though he would have preferred, doubtless, that she should have shown it in a rather less Teutonic manner. The result was, that when Monsieur died, and the Duc de Chartres became Duc d'Orleans, his mother, who might have feared that the blow at Versailles had left some disagreeable reminiscence in the mind of the new master of the Palais Royal, found, on the contrary, a more respectful son than ever. This respect increased, and as regent he gave his mother a position equal to that of his wife. When Madame de Berry, his muchloved daughter, asked her father for a company of guards, he granted it, but ordered at the same time that a similar company should be given to his mother.
Madame held thus a high position, and if, in spite of that position, she had no political influence, the reason was that the regent made it a principle of action never to allow women to meddle with state affairs. It may be also, that Philippe the Second, regent of France, was more reserved toward his mother than toward his mistresses, for he knew her epistolary inclinations, and he had no fancy for seeing his projects made the subjects of the daily correspondence which she kept up with the Princess Wilhelmina Charlotte, and the Duke Anthony Ulric of Brunswick. In exchange for this loss, he left her the management of the house and of his daughters, which, from her overpowering idleness, the Duchesse d'Orleans abandoned willingly to her motherinlaw. In this last particular, however, the poor palatine (if one may believe the memoirs written at the time) was not happy. Madame de Berry lived publicly with Riom, and Mademoiselle de Valois was secretly the mistress of Richelieu, who, without anybody knowing how, and as if he had the enchanted ring of Gyges, appeared to get into her rooms, in spite of the guards who watched the doors, in spite of the spies with whom the regent surrounded him, and though, more than once, he had hidden himself in his daughter's room to watch.
As to Mademoiselle de Chartres, whose character had as yet seemed much more masculine than feminine, she, in making a man of herself, as one may say, seemed to forget that other men existed, when, some days before the time at which we have arrived, being at the opera, and hearing her music master, Cauchereau, the finished and expressive singer of the Academic Royal, who, in a love scene, was prolonging a note full of the most exquisite grace and feeling, the young princess, carried away by artistic enthusiasm, stretched out her arms and cried aloud"Ah! my dear Cauchereau!" This unexpected exclamation had troubled her mother, who had sent away the beautiful tenor, and, putting aside her habitual apathy, determined to watch over her daughter herself. There remained the Princess Louise, who was afterward Queen of Spain, and Mademoiselle Elizabeth, who became the Duchesse de Lorraine, but as to them there was nothing said; either they were really wise, or else they understood better than their elders how to restrain the sentiments of their hearts, or the accents of passion. As soon as the prince saw his mother appear, he thought something new was wrong in the rebellious troop of which she had taken the command, and which gave her such trouble; but, as nothing could make him forget the respect which, in public and in private, he paid to his mother, he rose on seeing her, and after having bowed, and taking her hand to lead her to a seat, he remained standing himself.
"Well, my son," said madame, with a strong German accent, "what is this that I hear, and what happened to you last evening?"
"Last evening?" said the regent, recalling his thoughts and questioning himself.
"Well, my son," said madame, with a strong German accent, "what is this that I hear, and what happened to you last evening?"
"Last evening?" said the regent, recalling his thoughts and questioning himself.
"Yes," answered the palatine, "last evening, in coming home from Madame de Sabran's."
"Oh! it is only that," said the prince.
"How, only that! your friend Simiane goes about everywhere saying that they wanted to carry you off, and that you only escaped by coming across the roofs: a singular road, you will confess, for the regent of the kingdom, and by which, however devoted they may be to you, I doubt your ministers being willing to come to your council."
"Simiane is a fool, mother," answered the regent, not able to help laughing at his mother's still scolding him as if he were a child, "it was not anybody who wanted to carry me away, but some roisterers who had been drinking at some cabaret by the Barriere des Sergents, and who were come to make a row in the Rue des Bons Enfants. As to the road we followed, it was for no sort of flight upon earth that I took it, but simply to gain a wager which that drunken Simiane is furious at having lost."
"My son, my son," said the palatine, shaking her head, "you will never believe in danger, and yet you know what your enemies are capable of. Believe me, my child, those who calumniate the soul would have few scruples about killing the body; and you know that the Duchesse de Maine has said, 'that the very day when she is quite sure that there is really nothing to be made out of her bastard of a husband, she will demand an audience of you, and drive her dagger into your heart.'"
"Bah! my mother," answered the regent, laughing, "have you become a sufficiently good Catholic no longer to believe in predestination? I believe in it, as you know. Would you wish me to plague my mind about a danger which has no existence; or which, if it does exist, has its result already inscribed in the eternal book? No, my mother, no; the only use of all these exaggerated precautions is to sadden life. Let tyrants tremble; but I, who am what St. Simon pretends to be, the most debonnaire man since Louis le Debonnaire, what have I to fear?"
"Oh, mon Dieu! nothing, my dear son," said the palatine, taking the hand of the prince, and looking at him with as much maternal tenderness as her little eyes were capable of expressing, "nothing, if every one knew you as well as I do, and saw you so truly good that you cannot hate even your enemies; but Henry IV., whom unluckily you resemble a little too much on certain points, was as good, and that did not prevent the existence of a Ravaillac. Alas! mein Gott," continued the princess, mixing up French and German in her agitation, "it is always the best kings that they do assassinate; tyrants take precautions, and the poniard never reaches them. You must never go out without a guard; it is you, and not I, my son, who require a regiment of soldiers."
"My mother," answered the regent, "will you listen to a story?"
"Yes, certainly, for you relate them exquisitely."
"Well, you know that there was in Rome, I forget in what precise year of the republic, a very brave consul, who had the misfortune, shared by Henry IV. and myself, of going out of a night. It happened that this consul was sent against the Carthaginians, and having invented an implement of war called a crow, he gained the first naval battle in which the Romans had been victors, so that when he returned to Rome, congratulating himself beforehand, no doubt, on the increase of fortune which would follow his increase of reputation, he was not deceived; all the population awaited him at the city gates, and conducted him in triumph to the capitol, where the senate expected him.
"The senate announced to him that, in reward for his victory, they were going to bestow on him something which must be highly pleasing to him, which was, that whenever he went out he should be preceded by a musician, who should announce to every one, by playing on the flute, that he was followed by the famous Duilius, the conqueror of the Carthaginians. Duilius, you will understand, my mother, was at the height of joy at such an honor. He returned home with a proud bearing, and preceded by his fluteplayer, who played his best, amid the acclamations of the multitude, who cried at the top of their voices, 'Long live, Duilius; long live the conqueror of the Carthaginians; long live the savior of Rome!' This was so intoxicating that the poor consul nearly went crazy with joy. Twice during the day he went out, although he had nothing to do in the town, only to enjoy the senatorial privilege, and to hear the triumphal music and the cries which accompanied it. This occupation had raised him by the evening into a state of glorification such as it is not easy to explain. The evening came. The conqueror had a mistress whom he loved, and whom he was eager to see againa sort of Madame de Sabranwith the exception that the husband thought proper to be jealous, while ours, as you know, is not so absurd.
"The consul therefore had his bath, dressed and perfumed himself with the greatest care, and when eleven o'clock arrived he set out on tiptoe for the Suburranian Road. But he had reckoned without his host; or, rather, without his musician. Hardly had he gone four steps when the fluteplayer, who was attached to his service by night as well as day, darted from a post on which he was seated and went before, playing with all his might and main. The consequence of this was, that those who were in the streets turned round, those who were at home came to the door, and those who were in bed got up and opened their windows, all repeating in chorus'Here is the Consul Duilius; long live Duilius; long live the conqueror of the Carthaginians; long live the savior of Rome!' This was highly flattering, but inopportune. The consul wished to silence his instrumentalist, but he declared that the orders he had received from the senate were precisenot to be quiet a minutethat he had ten thousand sesterces a year to blow his flute, and that blow he would as long as he had any breath left.
"The consul saw that it was useless to discuss with a man who had the dictate of the senate on his side, so he began to run, hoping to escape from his melodious companion, but he copied his actions from those of Duilius with such exactitude, that all the consul could gain was to get before the fluteplayer instead of behind him. He doubled like a hare, sprang like a roebuck, rushed madly forward like a wild boarthe cursed fluteplayer did not lose his track for an instant, so that all Rome, understanding nothing about the object of this nocturnal race, but knowing that it was the victor who performed it, came to their windows, shouting, 'Long live Duilius; long live the conqueror of the Carthaginians; long live the savior of Rome!' The poor man had one last hope; that of finding the people at his mistress's house asleep and the door halfopen, as she had promised to leave it. But no; as soon as he arrived at that hospitable and gracious house, at whose door he had so often poured perfumes and hung garlands, he found that they were awake like all the rest, and at the window he saw the husband, who, as soon he saw him, began to cry, 'Long live, Duilius; long live the conqueror of the Carthaginians; long live the savior of Rome!' The hero returned home despairing.